Download Free Face Fictions Book in PDF and EPUB Free Download. You can read online Face Fictions and write the review.

At the height of the Civil Rights Movement amidst an America convulsed by the 1960s, a pregnant young woman and her brash, profane aunt embark upon an audacious road trip from Chicago to Los Angeles to confront a decades-old mystery from 1920's Black Hollywood in this haunting novel of historical fiction from the author of Wild Women and the Blues. A lime-gold Ford Mustang is parked outside my building. Unmistakable. My Aunt Daisy, the driver, is an audacious woman that no one in our family actually speaks to. They only speak about her--and not glowingly. Still, she is part of my escape plan... "Bryce excels at placing readers in a glamorous time and place...riveting and vibrant." - Booklist 1928, Los Angeles: The newly-built Hotel Somerville is the hotspot for the city's glittering African-American elite. It embodies prosperity and dreams of equality for all--especially Daisy Washington. An up-and-coming journalist, Daisy anonymously chronicles fierce activism and behind-the-scenes Hollywood scandals in order to save her family from poverty. But power in the City of Angels is also fueled by racism, greed, and betrayal. And even the most determined young woman can play too many secrets too far... 1968, Chicago For Frankie Saunders, fleeing across America is her only escape from an abusive husband. But her rescuer is her reckless, profane Aunt Daisy, still reeling from her own shattered past. Frankie doesn't want to know what her aunt is up to so long as Daisy can get her to LA--and safety. But Frankie finds there's no hiding from long-held secrets--or her own surprising strength. Daisy will do whatever it takes to settle old scores and resolve the past--no matter the damage. And Frankie will come up against hard choices in the face of unexpected passion. Both must come to grips with what they need, what they've left behind--and all that lies ahead ... RAVES FOR Wild Women and the Blues "The best kind of historical novel: immersive, mysterious and evocative." --Ms. Magazine "Vibrant. . . . A highly entertaining read!" --New York Times Bestselling author Ellen Marie Wiseman "The music practically pours out of the pages." --Oprah Daily
In Joma West's Face, Margaret Atwood meets Kazuo Ishiguro in this sci-fi domestic drama that reimagines race and class in a genetically engineered society fed by performative fame. How much is your Face worth? Schuyler and Madeleine Burroughs have the perfect Face--rich and powerful enough to assure their dominance in society. But in SchAddie's household, cracks are beginning to appear. Schuyler is bored and taking risks. Maddie is becoming brittle, her happiness ever more fleeting. And their menial is fighting the most bizarre compulsions. In Face, skin color is an aesthetic choice designed by professionals, consent is a pre-checked box on the path to social acceptance, and your online profile isn't just the most important thing--it's the only thing. Praise for Face "One of the more deeply interesting books I've read this year." --Claire North "This book is wicked, deliciously dark and penetrating. I think the less you know about it, the better but I will say two things: 1. Joma West is a genius. 2. This is the best thing I've read in a very long time." --Sylvain Neuvel "In a world where the only thing that matters is your impact on other people, Hell is absolutely other people. Creepy, unsettling and thoroughly dystopic!" --Genevieve Cogman "Face is a searing, patient, and unforgiving examination of status, class, and the foundations of humanity. With admirable precision and empathy, Joma West unravels the lies we tell society, our families, and ourselves. A fascinating debut." --Samit Basu
Haunted by the suicide of a gifted young black writer who was his best friend, Jed pursues the reason for it.
Yonkers, New York, finds its place on the literary map of America. Transcending all the limitations of "ethnic literature" and mobster stereotyping, David Prete flawlessly (and seemingly effortlessly) nails Italian-American life to the page and elevates it to a new place in American writing. Say That to My Face introduces us to Joey Frascone and his family and friends in the tense, violent, racially divided Yonkers of the Seventies and Eighties. His childhood segmented between four homes and his teenage dreams pulling him towards the challenge and excitement of New York City, Joey is a handsome kid whose intense and conflicting loyalties threaten to tear him apart. Whether responding to the crush of a motherless girl whose sister he adores; flirting with danger during the terrifying summer of mass-murderer "Son of Sam"; cheating his teammates of a victory to save a friend on the ballfield; watching his mother play softball against his father ("in her lovely red dress, she pretended to fix her crotch and spit out a wad of chewing tobacco... With one shake of her ass in the batter's box of a church parking lot, my mother dropped thirty years"); or struggling with the mind-blowing high of a lifetime while running drugs from Jamaica, Frascone wins the reader's steadfast allegiance as he tries to figure out where his own truest loyalties lie. Capturing people in flux between their better and worse selves, David Prete is one outstanding storyteller. With hilarious, thrilling, and painful accuracy, he evokes the color and poignancy and humor of Italian-American speech and the characters who use it. Like barman Frank Gianguzzi, whose favorite term of affection is "coog," from the Italian "cugino," or cousin, or any of its variations: "coog-o, coogini, coogette, coogie coog, coog a'bell, coog a'brut." Or Benny Colangelo, the quintessential neighborhood guy, "emanating his future. A future of work, neighborhood, family, and the beautiful poetry of routine." Or Joey's butcher grandfather, scratching his grandson's back with his thick, heavy butcher's nails, as he yells, "Look at the prince here." Or his Uncle Gingy, whose motto — "the one thing you don't mess with is family"-doesn't seem to apply to how he treats his wife. Having come of age among characters as memorable as any in Faulkner's Mississippi, Joey finds that even when he escapes Yonkers for the sophisticated city sparkling at the other side of the bridge, his past isn't forgotten: the past isn't even past.
Legacy of Ash is an unmissable fantasy debut--an epic tale of intrigue and revolution, soldiers and assassins, ancient magic and the eternal clash of empires. A shadow has fallen over the Tressian Republic. Ruling families -- once protectors of justice and democracy -- now plot against one another with sharp words and sharper knives. Blinded by ambition, they remain heedless of the threat posed by the invading armies of the Hadari Empire. Yet as Tressia falls, heroes rise. Viktor Akadra is the Republic's champion. A warrior without equal, he hides a secret that would see him burned as a heretic. Josiri Trelan is Viktor's sworn enemy. A political prisoner, he dreams of reigniting his mother's failed rebellion. And yet Calenne Trelan, Josiri's sister, seeks only to break free of their tarnished legacy; to escape the expectation and prejudice that haunts the family name. As war spreads across the Republic, these three must set aside their differences in order to save their home. Yet decades of bad blood are not easily set aside. And victory -- if it comes at all -- will demand a darker price than any of them could have imagined.
Speculative essays that probe the mythology of the face by the author of The Old Drift
What if I said I am not what you think you see? A southpaw boxer is on the verge of their pro debut when their wife signs the adoption papers for a Korean boy. The boy's original adoptive father was all set to hand him over to a new home... until he realizes the boy would have no “dad.” Caught in the middle, the child launches himself in a lone wolf's journey of finding a pack he can call his own. Wolf Play is a mischievous and affecting new play about the families we choose and unchoose. It is published in Methuen Drama's Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.
An amnesiac girl explores an enchanting underground world filled with sinister secrets in this YA fantasy from the award-winning author of The Lie Tree. In the underground city of Caverna, the world’s most skilled craftspeople toil in the darkness to create delicacies beyond compare—wines that remove memories, cheeses that make you hallucinate, and perfumes that convince you to trust the wearer, even as he slits your throat. On the surface, the people of Caverna seem ordinary, except for one thing: their faces are as blank as untouched snow. Expressions must be learned, and only the famous Facesmiths can teach a person to express (or fake) joy, despair, or fear—at a steep price. Into this dark and distrustful world comes Neverfell, a girl with no memory of her past and a face so terrifying to those around her that she must always wear a mask. Neverfell’s expressions are as varied and dynamic as those of the most skilled Facesmiths, except hers are entirely genuine. And that makes her very dangerous indeed . . . Praise for A Face Like Glass An ALA/ALSC Notable Children’s Book “Hardinge is at the top of her game with this entrancing and action-packed adventure. Her voluptuous prose is full of sensory details and wildly imaginative descriptions, yet the world-building is controlled and gradually revealed. . . . VERDICT A compelling and triumphant follow-up to The Lie Tree for those who love to become immersed in a good story.” —School Library Journal, starred review “Using beautiful prose, Hardinge builds a richly imagined world that twists as much as the carefully orchestrated plot. Readers will eagerly follow noble Neverfell through its tunnels, marveling at the extraordinary sights and catching their breath at her daring escapades.” ―Booklist, starred review “Hardinge excels at wordplay and worldbuilding; witty but not trite, her utterly original setting and chaotic, fidgety protagonist anchor a cracking good story that raises important ideas surrounding the nature of friendship, the value of honesty, and the danger of too much.” ―Kirkus Reviews, starred review
Writing Historical Fiction: A Writers' & Artists' Companion is an invaluable companion for a writer working in this challenging and popular literary genre, whether your period is Ancient Rome or World War II. PART 1 includes reflections on the genre and provides a short history of historical fiction. PART 2 contains guest contributions from Margaret Atwood, Ian Beck, Madison Smartt Bell, Ronan Bennett, Vanora Bennett, Tracy Chevalier, Lindsay Clarke, Elizabeth Cook, Anne Doughty, Sarah Dunant, Michel Faber, Margaret George, Philippa Gregory, Katharine McMahon, Valerio Massimo Manfredi, Hilary Mantel, Alan Massie, Ian Mortimer, Kate Mosse, Charles Palliser, Orhan Pamuk, Edward Rutherfurd, Manda Scott, Adam Thorpe, Stella Tillyard, Rose Tremain, Alison Weir and Louisa Young. PART 3 offers practical exercises and advice on such topics as research, plots and characters, mastering authentic but accessible dialogue and navigating the world of agents and publishers.
Electric Literature 25 Best Novels of 2014 Largehearted Boy Favorite Novels of 2014 "An extraordinary new literary talent."--The Daily Telegraph "In part a portrait of the artist as a young woman, this deceptively modest-seeming, astonishingly inventive novel creates an extraordinary intimacy, a sensibility so alive it quietly takes over all your senses, quivering through your nerve endings, opening your eyes and heart. Youth, from unruly student years to early motherhood and a loving marriage--and then, in the book's second half, wilder and something else altogether, the fearless, half-mad imagination of youth, I might as well call it—has rarely been so freshly, charmingly, and unforgettably portrayed. Valeria Luiselli is a masterful, entirely original writer."--Francisco Goldman In Mexico City, a young mother is writing a novel of her days as a translator living in New York. In Harlem, a translator is desperate to publish the works of Gilberto Owen, an obscure Mexican poet. And in Philadelphia, Gilberto Owen recalls his friendship with Lorca, and the young woman he saw in the windows of passing trains. Valeria Luiselli's debut signals the arrival of a major international writer and an unexpected and necessary voice in contemporary fiction. "Luiselli's haunting debut novel, about a young mother living in Mexico City who writes a novel looking back on her time spent working as a translator of obscure works at a small independent press in Harlem, erodes the concrete borders of everyday life with a beautiful, melancholy contemplation of disappearance. . . . Luiselli plays with the idea of time and identity with grace and intuition." —Publishers Weekly