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A thorough catalog of wallpaper designs and fabric types and patterns from 1700 to 1900 This new hardcover edition is a unique single-source presentation of the successful Fabrics for Historic Buildings and Wallpapers for Historic Buildings. Featuring the entire content of both comprehensive, visually stunning books, Fabrics and Wallpapers for Historic Buildings offers: * More than 1,000 authentically reproduced wallpaper designs, along with extraordinarily useful advice for answering the centuries-old question: "What shall we do with our walls?" * Reliable, expert advice for choosing, buying, and installing the appropriate fabrics for historic interiors, complete with more than 600 fabric types and patterns and new information on twentieth-century fabrics Fabrics and Wallpapers for Historic Buildings is an essential volume for everyone involved in restoring or researching American houses built between 1700 and 1900.
Because the subject for historic building interiors is so diverse, this annotated bibliography is not comprehensive, but selective in nature, and thus, may not list all of the references published on a specific topic. Includes those publications that are generally available in print or readily accessible in libraries. Covers: general and historical studies; conservation and maintenance; paint; plaster; metals; textiles; wallcoverings; floors and floor coverings; and wood. Also, includes systems and fixtures; rehabilitation case studies; inspection, evaluation and planning; and safety, fire protection, building codes and accessibility.
Wood Planks and Oriental Rugs weren't the only floor coverings found in America's old houses. In fact, a rich array of floor treatments have been used--from brick, tile and linoleum to mats and floorcloths, from rag rugs to ingrain, embroidered and pile carpets. And, of course, Oriental rugs on wood floors. Finding just the right floor covering to furnish an old house or to create a period look in any building has always been a challenge. Now, Floor Coverings for Historic Buildings explains how to choose and buy the correct floor coverings used between 1750 and the 1930s, including where to order 475 reproductions described here in detail. This invaluable catalog, illustrated with 175 photographs, also provides a history of American floors,a glossary of floor covering terms, addresses for 82 suppliers (many of whom fill custom and special orders), a reading list and sources of help.
"The papered and bordered wall was an important feature of American interiors during the 18th, 19th, and early 20th centuries. Paper hangings, both imported and of domestic manufacture, were more widely used than many of our restored buildings might lead us to believe." This book attempts to catalog and describe the variety, as well as accounting for restoration and preservation of pieces as part of the historical record. --Amazon.
A catalog of more than 1,000 authentically reproduced designs available today.
Although there are other books about renovating old houses, this is the first that prioritizes the identification and preservation of the historic, character-defining features of a house as a starting point in the process. That is the purpose of this book: to describe and illustrate a best-practices approach for updating historic homes for modern life in ways that do not attempt to turn an old house into a new one. The book also suggests many ways to save money in the process, without settling for cheap or inappropriate solutions. Scott Hanson is a historic-building preservation professional and has 40 years' experience rehabilitating historic houses. He has illustrated this authoritative book with hundreds of step-by-step photos, illustrations, charts, and decision-making guides. Interspersed throughout are photo essays of 13 restored historic houses representing a range of periods and architectural styles: Italianate, Victorian, Queen Anne, Federal, Colonial, Colonial Revival, Greek Revival, Ranch, Adobe, Craftsman, Shingle, and Rustic. With interior and exterior photography by David Clough, these multi-page features show what can be achieved when a historic home is renovated with a desire to preserve or restore as much historic character as possible.
Comfort is the essential element of a successful interior and the hallmark of the Parish-Hadley style. In Sister Parish Design, Libby Cameron, Sister's last protégé, and Susan B. Crater, Sister's granddaughter, explore this aspect and much more in a series of conversations with the leading decorators of today. Sister Parish is the iconic American decorator of her generation. Her use of flowered chintzes and overstuffed armchairs combined with unexpected items, like patchwork quilts and painted furniture, is credited with popularizing what is known as American Country–style during the 1960s. Her passion for bold color and mixed patterns invoked charm, imagination, and a lived-in look to her rooms. Her philosophy was to be unafraid and to put things together because you liked them--not because they matched. Filled with beautifully-rendered watercolor illustrations, Sister Parish Design is more than just a stunning book—it is an inspirational resource that all decorating aficionados will want to add to their bookshelf.
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
Interior Finishes & Fittings for Historic Building Conservation complements Materials & Skills for Historic Building Conservation, combining the history and application of each material with current knowledge of maintenance and conservation techniques. Of direct practical application in the field, it takes the reader through the process of conserving historic interior finishes, covering everything from decorative plasterwork, joinery and paint colour; to chimneypieces, lighting and fire safety management. The series is particularly aimed at construction professionals – architects, decorative arts historians and specifiers, surveyors, engineers – as well as postgraduate building conservation students and undergraduate architects and surveyors as specialist or optional course reading. The series is also of value to other professional groups such as commissioning client bodies, managers and advisors, and interested individuals involved in house refurbishment or setting up a building preservation trust. While there is a focus on UK practice, most of the content is of relevance overseas (just as UK conservation courses attract many overseas students, for example from India, China, Australia and the USA). The chapters are written by leading conservators, historians, architects, and related professionals, who together reflect the interdisciplinary nature of conservation work. This volume on the historic interior is the fourth of a series on Historic Building Conservation that combine conservation philosophy in the built environment with knowledge of traditional materials and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation Interior Finishes & Fittings for Historic Building Conservation While substantial publications exist on each of the subject areas - some by the authors of the Historic Building Conservation series - few individuals and practices have ready access to all of these or the time to read them in detail. The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within four volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.