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A fascinating exploration of how global cultures struggle to create their own "America" within a post-9/11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American pop culture.
In Fabricating the Absolute Fake, Jaap Kooijman explores the ways people around the world interpret and attempt to reproduce "Americanness." Tracing the ways America has been appropriated by pop culture produced outside the United States, he examines such icons as the Elvis-inspired performer Lee Towers and the Moroccan-Dutch rapper Ali B. This revised edition features a new chapter on Barack Obama's global celebrity and an afterword on teaching American pop culture. Like the first edition, it will prove an illuminating resource for scholars of American culture and popular cultures the world o.
An illustrated history of the Coca-Cola soft drink company.
Liberals and conservatives proclaim the end of the American holiday from history. Now the easy games are over; one should take sides. Žižek argues this is precisely the temptation to be resisted. In such moments of apparently clear choices, the real alternatives are most hidden. Welcome to the Desert of the Real steps back, complicating the choices imposed on us. It proposes that global capitalism is fundamentalist and that America was complicit in the rise of Muslim fundamentalism. It points to our dreaming about the catastrophe in numerous disaster movies before it happened, and explores the irony that the tragedy has been used to legitimize torture. Last but not least it analyzes the fiasco of the predominant leftist response to the events.
“A fascinating and frightening book” (Los Angeles Times)—the bestselling true story about a house possessed by evil spirits, haunted by psychic phenomena almost too terrible to describe. In December 1975, the Lutz family moved into their new home on suburban Long Island. George and Kathleen Lutz knew that, one year earlier, Ronald DeFeo had murdered his parents, brothers, and sisters in the house, but the property—complete with boathouse and swimming pool—and the price had been too good to pass up. Twenty-eight days later, the entire Lutz family fled in terror. This is the spellbinding, shocking true story that gripped the nation about an American dream that turned into a nightmare beyond imagining—“this book will scare the hell out of you” (Kansas City Star).
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Looks at the development and changing organization of the star system in the American film industry. Tracing the popularity of star performers from the early "cinema of attractions" to the Internet universe, Paul McDonald explores the ways in which Hollywood has made and sold its stars. Through focusing on particular historical periods, case studies of Mary Pickford, Bette Davis, James Cagney, Julia Roberts, Tom Cruise, and Will Smith illustrate the key conditions influencing the star system in silent cinema, the studio era and the New Hollywood.
How was FDR's image constructed—by himself and others—as such a powerful icon in American memory? In polls of historians and political scientists, Franklin Delano Roosevelt consistently ranks among the top three American presidents. Roosevelt enjoyed an enormous political and cultural reach, one that stretched past his presidency and across the world. A grand narrative of Roosevelt's crucial role in the twentieth century persists: the notion that American ideology, embodied by FDR, overcame the Depression and won World War II, while fascism, communism, and imperialism—and their ignoble figureheads—fought one another to death in Europe. This grand narrative is flawed and problematic, legitimizing the United States's cultural, diplomatic, and military role in the world order, but it has meant that FDR continues to loom large in American culture. In FDR in American Memory, Sara Polak analyzes Roosevelt's construction as a cultural icon in American memory from two perspectives. First, she examines him as a historical leader, one who carefully and intentionally built his public image. Focusing on FDR's use of media and his negotiation of the world as a disabled person, she shows how he consistently aligned himself with modernity and future-proof narratives and modes of rhetoric. Second, Polak looks at portrayals and negotiations of the FDR icon in cultural memory from the vantage point of the early twenty-first century. Drawing on recent and well-known cultural artifacts—including novels, movies, documentaries, popular biographies, museums, and memorials—she demonstrates how FDR positioned himself as a rhetorically modern and powerful but ideologically almost empty container. That deliberate positioning, Polak writes, continues to allow almost any narrative to adopt him as a relevant historical example even now. As a study of presidential image-fashioning, FDR in American Memory will be of immediate relevance to present-day readers.
As the dust settles on the 30th anniversary of Apollo 11, information is now coming to light that throws into serious doubt the authenticity of the Apollo record. New evidence clearly suggests that NASA hoaxed the photographs taken on the surface of the Moon. These disturbing findings are supported by detailed analysis of the Apollo images by professional photographer David S Percy ARPS and physicist David Groves PhD. The numerous inconsistencies clearly visible in the Apollo photographic account are quite irrefutable. Recent research indicates that the errors evidenced in DARK MOON were deliberately planted by individuals determined to leave clues to the faking in which they were unwillingly involved. DARK MOON is the answer to the question-did the Apollo missions really land a man on the Moon and return him alive and well to Earth, or is the record incorrect?