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This book explores the memory of the First Hungarian Soviet Republic of 1919, which proved crucial for communist Hungarian political culture in the twentieth century. Apor approaches the topic in an innovative way, focusing on the understudied aspects of European memory cultures. Offering great insights on how a dictatorship remembers and the concept of authenticity, Apor’s study integrates the broad range of processes through which history is sought to be rendered authentic. The volume successfully reveals the crooked history of the retrospective revisions of the iconic First Republic between the years of its 30th and 40th anniversary, 1949 and 1959.
Those who define the past control the present. ‘Revising History in Communist Europe’ shows how the manipulation of history both empowered and weakened the communist regimes of post–World War Two Europe. It demonstrates how seismic events of the recent past reverberate in the understandings of the present, determining perceptions and decisions. With fresh analysis on the imposed communist definition of Hungary’s 1956 uprising and its effects on the definition of the Prague Spring, this study will give readers a timely and penetrating insight into both landmark events.
This history of emancipatory left-wing politics examines the border-crossing uprisings of the 1960s, on both sides of the Cold War divide.
Lying on the political fault line between East and West for the past seventy-five years, the significance of Hungary in geopolitical terms has far outweighed the modest size of its population. This book charts the main events of these tumultuous decades including the 1956 Uprising, the end of Hungarian communism, entry into the European Union and the rise to power of Viktor Orbán and the national-conservative ruling party Fidesz.
Reined into the service of the Cold War confrontation, antifascist ideology overshadowed the narrative about the Holocaust in the communist states of Eastern Europe. This led to the Western notion that in the Soviet Bloc there was a systematic suppression of the memory of the mass murder of European Jews. Going beyond disputing the mistaken opposition between “communist falsification” of history and the “repressed authentic” interpretation of the Jewish catastrophe, this work presents and analyzes the ways as the Holocaust was conceptualized in the Soviet-ruled parts of Europe. The authors provide various interpretations of the relationship between antifascism and Holocaust memory in the communist countries, arguing that the predominance of an antifascist agenda and the acknowledgment of the Jewish catastrophe were far from mutually exclusive. The interactions included acts of negotiation, cross-referencing, and borrowing. Detailed case studies describe how both individuals and institutions were able to use anti-fascism as a framework to test and widen the boundaries for discussion of the Nazi genocide. The studies build on the new historiography of communism, focusing on everyday life and individual agency, revealing the formation of a great variety of concrete, local memory practices.
Religion and science were fundamental aspects of Eastern European communist political culture from the very beginning, and remained in uneasy tension across the region over the decades. While both topics have long attracted a great deal of scholarly attention, they almost invariably have been studied discretely as separate stories. Religion, Science and Communism in Cold War Europe is the first scholarly effort to explore the delicate interface of religion, science and communism in Cold War Europe. It brings together an international team of researchers who address this relationship from a number of national viewpoints and thematic perspectives, ranging from mysticism to social science, space exploration to the socialist lifecycle, and architectural heritage to pop culture.
Joseph Nagyvary's father, Janos, was the only survivor of his division with Hungary's 2nd Army. When he came back to his family after the horrors of World War II, his mission for God clashed with the atheistic Communist state in Hungary. Growing up, young Joseph has two passions in life: science and music. He is particularly enamored of the Stradivarius violin. His fascination with the violin will lead to a lifelong pursuit, but his childhood gives him no opportunity to play any kind of musical instrument. Joseph chooses to pursue his other dream and enrolls as a chemistry major at the University of Budapest. He finds escape from the harsh reality of the communist terror by daydreaming of being the biblical Joseph, singing Wagner operas, and playing a Stradivarius. In the only shooting war of the Cold War in 1956, Joseph's life is forever changed. He will face enemy soldiers and have to choose whether or not to destroy them. Join him in this harrowing story about faith and peace amid paranoia and violence. "
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.