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Eliminate the guesswork out of creating the color you want and dye happy with formulas for over 900 colors in this handy reference guide. A simple and straightforward approach to fabric dyeing makes playing with color fun and exciting. Learn the basics and try a variety of specialty techniques such as twisting, pleating, layering, and painting. Dye in lots from 1/4 yard to 1 yard, or use multipliers for more. Now you have Linda’s personal “recipe book” to mix any colors you can imagine. Learn special techniques like how to make rainbows, subtle gradations, and unique patterns using common brands of dye, and then use your hand-dyed fabric for any project from quilt making to wearables to fiber art.
This comprehensive guide to water-based resist dyeing techniques makes the process easy to learn (and even more fun to play with) using Lisa's test-driven instructions for creating depth on a flat surface. Paint, stamp, stencil, splatter, layer...and come away with soft, touchable fabric made with your own signature style.
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
"In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan offers the first in-depth study of the words and expressions for colors in the Akkadian language (c. 2500-500 BCE). By combining philological analysis with the technical investigation of materials, she debunks the misconception that people in Mesopotamia had a limited sense of color and convincingly positions the development of Akkadian color language as a corollary of the history of materials and techniques in the ancient Near East"--
Stitched Textiles is an exciting new series in which leading textile artists present their art through step-by-step demonstrations, projects, and examples of their work. Each book is theme-based and takes the reader on a creative journey from initial .inspiration through to finished piece, visiting design development and the materials and methods used along the way. Evidence of the use of the flowers as a design source can be traced back throughout history, and this book will appeal to any textile artist interested in exploring flowers and their design possibilities. Fresh and innovative in its approach, it covers the design process itself, from inspiration to final design, and provides information on the materials used and step-by-step demonstrations of a whole range of techniques including dyeing, monoprinting, block printing, appliqu , foiling, photo-transfer printing, piecing and stitching. Five step-by-step projects build on the skills learnt in the preceding sections and include wall hangings, a pretty needlecase, a pincushion and a cushion cover. Very much aimed at the contemporary textile artist, this beautiful book is designed to inspire and encourage new ideas and experimentation.
Do you love plants? Do you love crafting? Would you like to dye your own fabric, yarn or clothing? Learn the relaxing art of botanical dyeing with natural dyer, Rebecca Desnos. Connect with nature and open your eyes to the colour potential of plants. Discover how to: produce a wide palette of colours, including pink from avocados, yellow from pomegranates and coral from eucalyptus leaves; extract dye from just about any plant from the kitchen, garden or wild; use the ancient method of soya milk mordanting to achieve rich and long-lasting colour on plant fibres, such as cotton and linen; produce reliable colours that withstand washing and exposure to light.
A Color Notation is a book written by Albert Henry Munsell, an American painter, teacher of art, and the inventor of the Munsell color system. Munsell color system is an early attempt at creating an accurate system for numerically describing colors. The Munsell color order system has gained international acceptance and has served as the foundation for many color order systems.