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Fables of the Self traces ideas of imagined selfhood through the lyric poetry of classical Greece and Rome, the modernist poetry of France, and modern and contemporary English and American lyrics. Rosanna Warren's work emerges from the tradition of British and American poet-critics such as William Empson, Donald Davie, and Randall Jarrell. Her readings of Sappho, Virgil, Baudelaire, Melville, Rimbaud, Mark Strand, and Louise Glück, among others, combine Helen Vendler's passionate attention to detail and something of Harold Bloom's panoramic view. Warren opposes both the literalizing, autobiographical approach to self in so-called confessional poetry and the other extreme of avant-garde erasures of self. Framing her critical studies between a memoir of childhood and a concluding journal entry, Warren has composed an occult autobiography, showing the imagination as a transfiguring and potentially moral force.
Restoring to print 400 pages of W.S. Merwin's enigmatic and gorgeous fables.
FABLES & OTHER POEMS Parvin E'tesami Translation & Introduction Paul Smith Parvin E'tesami (1907-1941) was one of Iran's greatest female poets. She left Tabriz for Tehran with her family in 1912 and then lived in Tehran. She learned Arabic and Persian literature from her father, a well-known literary figure. She composed her first poems in the classical style at eight and knew most Iranian poets by the time she was eleven, having a remarkable memory. She passed high school and taught for two years and was then a librarian in Tehran University. She refused to work in the royal court. Her first collection of poems was published in 1935 and she received a Medal of Art and Culture in 1936. Her poems had mainly social or mystical subjects, often being about the tyranny of the rich and the rights of the poor and the downtrodden and the role of women. She married in 1934 and divorced two months later. She died in 1941 from Typhoid fever in Tehran and was buried in Qom. The first edition of her Divan of 156 poems appeared in 1935... masnavis, qasidas, ghazals, qit'as, musammats. In her short life she achieved much fame among Iranians. This is the largest English selection her poetic fables and other poems poems translated in the correct form. Introduction on her Life, Times & Poetry & the Forms in which she wrote. Selected Bibliography. Large Print (16pt) & Large Format Paperback (8" x 10") Pages 429. Paul Smith is a poet, author and translator of many books of Sufi & other poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Iqbal, Ghalib, Makhfi, Lalla Ded, Nazir and many others and his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. amazon.com/author/smithpa
Fables and Spells is a vibrant selection of visionary works, both previously published and brand new. Included here is brown’s most beloved story, “The River,” as well as the two sequel tales of her Water Trio. The remaining sixty-seven pieces explore moments of beauty, conflict, and transformation that also weave deep, radical lessons. With narrative “fables” of speculative fiction and “spells” that play with the lines between poetry, instruction, song, and chant, Fables and Spells demonstrates how good writing can engage the present while providing expansive visions of the possible worlds humans can build. adrienne maree brown’s previous work includes Octavia’s Brood, Emergent Strategy, the New York Times best-selling Pleasure Activism, We Will Not Cancel Us, Holding Change, and Grievers. brown grows transformative ideas in public through her writing and art; she is a poet changing the world. She is the writer-in-residence at Emergent Strategy Ideation Institute.
A collection centered in myth, A Mask for Janus is the 49th volume of the Yale Series of Younger Poets While Merwin's poetry as a whole is grounded in the poetic forms of many eras and societies, this first collection is inspired by classical models. Writing in American Poetry Review, Vernon Young traces the poems to "Biblical tales, Classical myth, love songs from the Age of Chivalry, Renaissance retellings; they comprise carols, roundels, odes, ballads, sestinas, and they contrive golden equivalents of emblematic models: the masque, the Zodiac, the Dance of Death."
A collection of animal fables told by the Greek slave Aesop.
Collected here are poems by one of Georgia's most intriguing and talented poets of the twentieth century. Byron Herbert Reece was born in Union County, Georgia, in 1917 and authored four volumes of poems and two novels during his short lifetime. Until now, many of his poems, originally published in the 1940s and 1950s, have been out of print. Reece, who faithfully assumed responsibility for his family's farm when his parents became ill, was never a poet of the academic ivory tower. Indeed, he rebelled against the rising New Criticism associated with the Vanderbilt Fugitives, the elite of southern poetry at that time. Reece's work reflects both the devastating impact of his parents' death from tuberculosis and his own affliction with the disease, which caused him to distance himself from others: "A solitary thing am I / Upon the roads of rust and flame / That thin at sunset to the air." Reece was also preoccupied with his ambivalence toward the farm, which sustained his solitude yet took time away from his writing: "In the far, dark woods go roving / And find there to match your mood / A kindred spirit moving / Where the wild winds blow in the wood." Reece's poetry is resonant and contemplative, and Jim Clark has included here works that speak for the true grace of Reece's talent. In addition, Clark's attentive introduction should bring increased interest to this notable southern poet.
In a starred review Publishers Weekly raves: "It’s an avant-garde, surrealist story with a Hollywood-style tearjerker lurking within—and a surprisingly charming and affecting one at that." Award-winning poet Matthea Harvey and illustrator extraordinaire Giselle Potter team up to create an indescribably unique picture book about wanting to be normal, then coming to appreciate being different. Ruby would love to be like everyone else—not easy when you have a tiara-wearing mother and a father who spends his time trimming outrageous topiary. She'd also like to get a nice normal pet, maybe a dog. Then, on a family vacation to Norway, she finds herself adopted by a small, affectionate glacier. How Cecil, as the ice pet is named, proves himself to Ruby—risking his own meltdown—is a story sure to thrill and delight young readers.