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A concrete pontoon, a landfill, or a whole city made of plants: unusual as they may be, these are just a few of the narrators of this book. Inspired by filmmakers Beka & Lemoine, postmodern classics or comic books, authors of this experimental archi-fiction invite you to experience six innovative projects through the non-traditional, non-expert lens of its potential “end users” or parts. Fables and Constructions deliberately plays with multiple genres and perspectives to help diffuse creative architectural ideas beyond their professional field. This audacious experiment with different forms of writing, is the winner of the first dpr-barcelona writing grant 2019 for Future Architecture.
How new biomedical technologies—from prenatal testing to gene-editing techniques—require us to imagine who counts as human and what it means to belong. From next-generation prenatal tests, to virtual children, to the genome-editing tool CRISPR-Cas9, new biotechnologies grant us unprecedented power to predict and shape future people. That power implies a question about belonging: which people, which variations, will we welcome? How will we square new biotech advances with the real but fragile gains for people with disabilities—especially when their voices are all but absent from the conversation? This book explores that conversation, the troubled territory where biotechnology and disability meet. In it, George Estreich—an award-winning poet and memoirist, and the father of a young woman with Down syndrome—delves into popular representations of cutting-edge biotech: websites advertising next-generation prenatal tests, feature articles on “three-parent IVF,” a scientist's memoir of constructing a semisynthetic cell, and more. As Estreich shows, each new application of biotechnology is accompanied by a persuasive story, one that minimizes downsides and promises enormous benefits. In this story, people with disabilities are both invisible and essential: a key promise of new technologies is that disability will be repaired or prevented. In chapters that blend personal narrative and scholarship, Estreich restores disability to our narratives of technology. He also considers broader themes: the place of people with disabilities in a world built for the able; the echoes of eugenic history in the genomic present; and the equation of intellect and human value. Examining the stories we tell ourselves, the fables already creating our futures, Estreich argues that, given biotech that can select and shape who we are, we need to imagine, as broadly as possible, what it means to belong.
In this elegantly designed volume, more than 60 of Aesop's timeless fables are humorously retold and brought to life by four-time Caldecott Honor winner Jerry Pinkney. Full color.
A collection of animal fables told by the Greek slave Aesop.
This volume contains 18 papers derived from presentations by Dutch linguists at the Eighth International Congress of Slavists.
Faced with the seemingly enormous difficulty of representing `others', many theorists working in Cultural Studies have been turning to themselves as a way of speaking about the personal. In Sexing the Self Elspeth Probyn tackles this question of the sex of the self, an issue of vital importance to feminists and yet neglected by feminist theory until now, to suggest that there are ways of using our gendered selves in order to speak and theorize non-essential but embodied selves. Arguing for `feminisms with attitude', Sexing the Self ranges across a wide range of theoretical strands, drawing upon a body of literature from early Cultural Studies to Anglo-American feminist literary criticism, from `identity debates' to Foucault's `care of the self'.