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The poems in Winter Trees were written in the last nine months of Sylvia Plath's life, and form part of the group from which the Ariel poems were chosen. They reveal the poet at the height of her creative powers, exhibiting the startling imagery and dramatic play for which she became known. Published posthumously in 1971, this valuable collection finds its place alongside The Colossus and Ariel in the oeuvre of a singular talent.'Nearly all the poems here have the familiar Plath daring, the same feel of bits of frightened, vibrant, indignant consciousness translated instantly into words and images that blend close, experienced horror and icy, sardonic control.' New Statesman'A book that anyone seriously interested in poetry now must have . . . Sylvia Plath's immense gift is evident throughout.' Guardian
This new anthology of poems, favourites from the nation's longest-running and best-loved request programme for verse, moves with the seasons, following the turning year from John Clare's 'pale splendour of the winter sun' to John Keats's 'Season of mists and mellow fruitfulness', by way of Larkin's 'young-leafed June' and Gerard Manley Hopkins' 'glassy peartree leaves and blooms' when 'Nothing is so beautiful as Spring'. As the year changes, so we change with it. Since time out of mind our daily lives have been shaped and directed by the seasons, and it is here that we find poems about harvest and hardship, growth and new life, the warmth of the life-giving sun, Christmas and the closing of the year. Poetry Please: Seasonal Poems is a vital and generous gathering to treasure.
The annual Forward Book of Poetry brings news from the frontlines of the contemporary poetry boom. The judges of the Forward Prizes, described by the Daily Telegraph as 'the most coveted awards in British poetry', have chosen the best work from the year's UK crop of new collections and literary journals. Their selection combines fresh voices with familiar names, making the book essential reading for seasoned poetry enthusiasts and new readers alike.
The Sick Bag Song chronicles Cave’s 22-city journey around North America in 2014. Racked by romantic longing and exhaustion, Cave teases out the significant moments – the people, the books and the music – that have influenced and inspired him, and drops them into his sick bag. The book began its life scribbled onto airline sick bags and later evolves into a restless contemporary epic, exploring love, loss, inspiration and memory.
“Oddný Eir is an authentic author, philosopher and mystic. She weaves together diaries and fiction. She is the writer I feel can best express the female psyche of now and has bridged the gap between rural Iceland and Western philosophy. A true pioneer!!!!!!!!” —Björk The winner of the Icelandic Women’s Literature Prize in 2012, Land of Love and Ruins is the debut novel by a daring new voice in international fiction: Oddný Eir. Written in the form of a diary but with fantastical linguistic verve, the narrator sets out on a universal quest: to find a place to belong—and a way of being in the world. Paradoxically, her longing to settle down drives her to embark on all kinds of journeys, physical and mental, through time and space, in order to find answers to questions that concern not only her personally, but also the whole of humankind. She explores various modes of living, ponders different types of relationships and contemplates her bond with her family, land and nation; trying to find a balance between companionship and independence, movement and stability, past, present, and future. An enchanting blend of autobiography, diary, philosophical inquiry, and fantasy, Land of Love and Ruins is a richly imagined and utterly unique book about being human in the modern world.
In the language of fan fiction, a 'Mary Sue' is an idealised and implausibly flawless character: a female archetype that can infuriate audiences for its perceived narcissism.Such is the setting for this brilliant and important debut by Sophie Collins. In a series of verse and prose collages, Who Is Mary Sue? exposes the presumptive politics behind writing and readership: the idea that men invent while women reflect; that a man writes of the world outside while a woman will turn to the interior.Part poetry and part reportage, at once playful and sincere, these fictive-factive miniatures deploy original writing and extant quotation in a mode of pure invention. In so doing, they lift up and lay down a revealing sequence of masks and mirrors that disturb the reflection of authority.A work of captivation and correction, this is a book that will resonate with anyone concerned with identity, shame, gender, trauma, composition and culture: everyone, in other words, who wishes to live openly and think fearlessly in the modern world. Who Is Mary Sue? is a work for our times and a question for our age: it is a handbook for all those willing to reimagine prescriptive notions of identity and selfhood.
Poems written by Ted Hughes in response to Fay Godwin's photographs of the part of Yorkshire in which he grew up.
In 1999, Underworld's Karl Hyde began writing a public diary. Every day since then, Hyde has documented his thoughts, lyrical works-in-progress, poetry, and biographical essays alongside "found" visuals. For the last sixteen years, these entries have collectively created an on-going, utterly unique monologue on Underworld's website. I Am Dogboy handpicks a selection of diary entries and rearranges them to create an autobiographical narrative that takes Hyde from childhood through to the exploratory early years of Underworld, an electronic act who have been peerless for the last 25 years. Spliced throughout the narrative are standalone/abstract poetic pieces that offer occasional snapshots of life on the road and in the studio and give an insight into Hyde's singular style of lyric writing. The book is beautifully designed by John Warwicker -- Hyde's long time collaborator and co-founder of the Tomato collective. Karl Hyde and John Warwicker have previously published the typographic books Mmm... Skyscraper I Love You and In The Belly of St Paul.