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Ezra Pound spent most of his life in Italy and wrote about it incessantly in his poetry. Only by following his footsteps, acquaintances and composition processes can we make sense of and enjoy his forbidding Cantos. This study provides for the first time an account of Pound’s Italian wanderings and of what they became in his work. After this study we will be able to read Pound as a guide to the places, people and books he loved, and we will share his the poet traveler’s joys and discoveries.
The Cantos of Ezra Pound is the most important epic poem of the twentieth century.
At last, a definitive, paperback edition of Ezra Pound's finest work.
This volume offers clear readings of 28 Cantos from The Cantos of Ezra Pound in 23 essays written by eminent Poundians, with careful explanation of sources balanced with critical analysis of Pound’s project.
Drawing on Ezra Pound's notebooks, typescripts and contri-butions to periodicals, Posthumous Cantos is a selection of drafts and sketches that remained unpublished or uncollected in the poet's lifetime. The material spans the entire half-century of Pound's Cantos, 1915 to 1970, and includes newly-recovered passages he wrote in Italian in 1944-45, presented here in their original form alongside English translations. Accompanied by detailed introductory and explanatory notes and a full chronology, Posthumous Cantos offers new insight into the making of one of the twentieth century's most important and forbidding literary works, revealing it as an endless process of writing and rewriting, in which the poetry and the life are finally inextricable. This is a crucial part of the Pound canon, here made available for the first time in an English edition.
This fascinating account of Ezra Pound and Italian Fascism allows the reader to understand the causes and results of Pound's ideology and actions.
Pound's 800 page Cantos, written over a period of more than fifty years (1917-1969), invites the reader to join the poet on a journey from darkness and despair towards light and positive activity. In this book, George Kearns addresses the reader approaching The Cantos for the first time. He examines the poem's aesthetic and political-ethical-didactic dimensions and shows that despite its complexity and the many objections which can be raised to its poetics and politics, its study can be greatly rewarding.