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"Progressive, passionate, and unfailingly feminist, Kaufman is a breathtakingly fine poet."--The Nation "If someone is going to be exalted as a representative voice of Jewish or Israeli life in contemporary American poetry, one couldn't ask for a more insightful or mature writer to assume such an impossible role."--The Jerusalem Post "Kaufman approaches Jerusalem's bitter memories, contested histories and joyous unfoldings with a wary love."--Publishers Weekly Shirley Kaufman utilizes enigmatic symbolism from the Book of Ezekiel as she writes into the themes of exile and emigration that have marked her work since she moved to Israel thirty-six years ago. Her new poems attempt to bring meaning to an irrational world--the unrelenting passage of human life, the risks of artistic endeavoring, and the artist's struggle with the loss of sight and memory. After nearly four decades of writing and publishing, Kaufman maintains a lightness of touch even while her poetry takes on an increased awareness of danger and urgency. . . . I don't want to look back but can't see ahead from where I am now and now is whatever I didn't do yesterday. Not what I live in. Now is the fear there won't be anything after now. Shirley Kaufman was born in Seattle, lived in San Francisco, and immigrated to Jerusalem in 1973. Eight volumes of her award-winning poetry have been published in the United States, three by Copper Canyon Press. She lives in Jerusalem, Israel.
In all human history, there has existed a menace, an unconscious prosecutor. The fight for freedom is designed to destroy him. And at times, he has been thwarted, subdued, but he has never been eliminated. Why? Who is this menace and how does it continue to survive? Now, the most crucially important message that you will ever read on the subject of conflict!
“What Did Ezekiel See?” analyzes the development of early Christian exegesis of Ezekiel 1, the prophet’s vision of the chariot. It demonstrates that as patristic commentators sought to discern this text’s meaning, they attended carefully to its very words, its relation to other biblical books, and the emerging Christian interpretive tradition. In the first six centuries of the common era, three dominant exegetical strands develop concurrently: one which finds in Ezekiel’s vision confirmation of the unity of Old and New Testaments, a second which shows the significance of Ezekiel 1 for discussions of human knowledge of God, and a third which reads the prophet’s vision as illuminating the life of virtue. The book will be useful to students of early Christianity, especially those concerned with the development of Christian exegesis, and to those interested in biblical studies.
Each chapter is summed up in its contents, each paragraph reduced to its proper heads, the sense given, and largely illustrated with practical remarks and observations.
This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
This book is comprised of sixteen articles written by Elijah Muhammad in the Nation of Islam's official Newspaper, Muhammad Speaks, beginning May, 1973. What had previously been known as Ezekiel's Wheel or his vision of the wheel, was in fact called The Mother Plane, because it is today in fact, not visions, a humanly built planet, or the "mother" of all planes, so teaches Elijah Muhammad. The bible's Ezekiel did not see an actual wheel, but only a vision of one that would be in the future. This book analyzes Ezekiel's vision and brings it to bear with what Elijah Muhammad says that God taught him about it. What's called "UFO's today is in fact the wheel which eludes the scientists of this world. Elijah Muhammad interprets Ezekiel's Wheel in modern terms.
Discussses the relationship between the biblical prophet Ezekiel's vision of "wheels in the air" and the present day end-of-time concept as seen in various religious sects.