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Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries – of taste, of bodies, of reason – are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of ‘gynaehorror’: films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and ‘mad science’; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and ‘abject barren’ bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.
Collects Spider-Woman (2020) #17-21. Lights! Cameras! Action! Jess is still recovering from her epic showdown with her brother, Aeternum, when she decides to visit her old friend, stuntwoman Lindsay McCabe, on the set of her newest film project. But wait - those assassins aren't in the movie! And they're after Lindsay?! Get ready for your close-up, Jess! Then, when New York Mayor Wilson Fisk starts purging "costumed vigilantes" from his city, you can bet Spider-Woman is on his list! The Kingpin will do anything to bring her down - including going after her loved ones. It's all on the line for Jessica Drew when Fisk unleashes his insidious endgame! But why is Spider-Woman fighting…Spider-Woman?! And what's worse than Spider-Man's Sinister Six? How about Jess' awful assemblage of adversaries: the Anti-Arachnine!
Pornography is a multibillion dollar a year industry that enslaves millions of men and women, including many Christians, in a hideous addiction to sex, lust and immorality. Once trapped, many of these victims long desperately for a-way out but find they cannot do it on their own. As its title suggests, eXXXit points to the way of escape for those bound in pornography's shackles.John Hammer knows from his own experience the seductive and destructive power of pornography. More importantly, he knows by experience the freedom that comes in Christ, not just freedom from pornography but freedom to live all of life the way God intended. eXXXit is his "clarion call to live the abundant life... that Christ has purchased... on the cross."While plainly revealing the evils and dangers of pornography, the book's principal theme is not on pornography itself as much as it is the power to break free permanently from its grip that is available only by "[putting] on the Lord Jesus Christ" and learning to live and walk in Him every day.Pornography is insidious and its grip is extremely strong, but eXXXit is available in Jesus Christ, through the power of the Holy Spirit. Let John Hammer show you the way.
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For the first time, these two works attributed to the great Jesse Livermore are presented together in one volume with a new foreword by Juliette Rogers. Both contain interesting insights into Livermore's life and times as well as the reasons for his success. They remain classics and must reads for every new aspirant in the world of speculation. The two books in this volume were written in the early 1920s, when Livermore was already famous but still ascending to the peak of his wealth. The nightmare of World War I was fading, and the United States had successfully transitioned from a wartime economy into a peacetime powerhouse. Americans became enamored of cars, telephones, radios, and movies. A newfound fascination with celebrities extended beyond film stars and athletes to the rich and powerful. People wanted to know how Wall Street wizards like Jesse Livermore spun their magic. The first book, Reminiscences of a Stock Operator by Edwin Lefèvre, offers keen insight while at the same time adding to the Livermore enigma. Reminiscences is the first-person narrative of a fictional speculator named Larry Livingston, whose life events happen to match precisely those of Jesse Livermore. As a financial journalist, biographer, and novelist, Edwin Lefèvre gave his readers their much-desired glimpse into the lofty world of Wall Street elites. He wrote eight other books, but none matched the success of Reminiscences, which has remained in print since 1923 and been translated into numerous languages. Even the understated former Federal Reserve Chairman Alan Greenspan once called it "a font of investing wisdom." In true Livermore fashion, the book itself remains something of a mystery. Specifically, over the decades many readers have wondered if the book's author was not Lefèvre, but none other than Jesse Livermore. The two men were long acquainted and may have traded useful information over the years. A 1967 biography claims that Livermore, shortly before his death, acknowledged writing Reminiscences with guidance from Lefèvre, who served as "editor and coach." This revelation came to the biographer secondhand and without confirmation, so the mystery continues. However, attentive readers may note the narrator's especially gleeful tone whenever windfalls are made or old scores are settled, suggesting a connection more personal than professional. In the years following these publications, Livermore continued to burnish his legend. A 1924 run-up in wheat prices squeezed him out of $3 million, but the following year he recovered his losses and added tremendous profit when the wheat market collapsed. Of course, in this era of modest regulation, markets were vulnerable to manipulation and Livermore--by now nicknamed the "Great Bear of Wall Street"--did not eschew such tactics.