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Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.
Free, romantic, and individualistic, Britain’s self-image in the eighteenth century constructs itself in opposition to the dominant power of a southern European aesthetics. Offering a fresh understanding of how the British intelligentsia created a ‘Northern’ aesthetics to challenge the European yoke, this book explores the roots of British Romanticism and a newly created past. Literature, the arts, architecture, and gardening all contributed to the creation of this national, ‘enlightened’, Northern cultural environment, with its emphasis on a home-grown legal tradition, on a heroic Celtic past, and on the imagined democracy of King Arthur and his Roundtable of Knights as a prophetic precursor of Constitutional Monarchy. Set against the European Grand Tour, the British turned to the Domestic, Picturesque Anti-Grand-Tour, and alongside a classical literary heritage championed British authors and British empiricism, against continental religion that sanctioned an authoritarian politics that the Gothic Novel mocks. However, if empiricism and common law were vital to this emerging tradition, so too was the other driving force of Britain’s medieval inheritance, the fantasy world of mythic heroes and a celebration of what would come to be known as the ‘fairy way of writing’.
Mary Shelley's 'Lives of the Most Eminent Literary and Scientific Men & Women (Vol. 1-5)' is a comprehensive collection of biographies that explores the lives and works of notable figures in the literary and scientific communities. Through her detailed narratives, Shelley delves into the personal struggles, professional achievements, and lasting legacies of these influential individuals. Utilizing a blend of historical context and critical analysis, Shelley's writing style is both informative and engaging, making this collection an invaluable resource for readers interested in the lives of prominent figures in the arts and sciences. The meticulous research and profound insights offered in these volumes showcase Shelley's dedication to preserving the memory of these extraordinary men and women. As the daughter of renowned intellectuals Mary Wollstonecraft and William Godwin, Shelley's own literary background and intellectual curiosity undoubtedly influenced her decision to compile this significant anthology. Readers with a passion for biographical studies, literary history, and intellectual pursuits will find Shelley's 'Lives of the Most Eminent Literary and Scientific Men & Women' to be a captivating and enlightening read.
The American Language is a multi-volume study of how the English language is spoken in the United States. The book is Menken's research of the differences between English and American language. Mencken wanted to defend "Americanisms" against a steady stream of English critics, who usually isolated Americanisms as borderline "perversions" of the "mother tongue". The book discusses the beginnings of "American" variations from "English", the spread of these variations, American names and slang. According to Mencken, American English was more colorful, vivid, and creative than its British counterpart. The book concludes with the observation in the norms of use of the proper names in America, including surnames, given names, geographical names, Menken's analysis on the American slang, and forecast on the further language development.