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The US led programme of extraordinary rendition created profound challenges for the international system of human rights protection and rule of law. This book examines the efforts of authorities in Europe and the US to re-establish rule of law and respect for human rights through the investigation of the program and its outcomes. The contributions to this volume examine the supranational and national inquiries into the US CIA-led extraordinary rendition and secret detention programme in Europe. The book takes as a starting point two recent and far-reaching developments in delivering accountability and establishing the truth: First, the publication of the executive summary of the US Senate Intelligence Committee (Feinstein) Report, and second, various European Court of Human Rights judgments regarding the complicity of several state parties and the incompatibility of those actions with the European Convention of Human Rights and Fundamental Freedoms (ECHR). The collective volume provides the first stock-taking review of the state of affairs in the quest for accountability, and identifies significant obstacles in going even further -- as international law demands. It will be vital reading for students and scholars in a wide range of areas, including international relations, international law, public policy and counter-terrorism studies.
Set in Budapest—a city marked by its rich cultural heritage, the scars of empire, the fresher wounds of industry, and the collateral damage of globalism—Extraordinary Renditions is the sweeping story of three equally tarnished expatriates. World-renowned composer and Holocaust survivor Lajos Harkályi has returned to Hungary to debut his final opera and share his mother's parting gift, the melody from a lullaby she sang as he was forced to leave his Hungarian home for the infamous Czech concentration camp Terezín. Private First Class Jonathan "Brutus" Gibson is being blackmailed by his commanding officer at the US Army base in Hungary, one of the infamous black-sites of the global War on Terror, and he must decide between going AWOL or risking his life to make an illegal firearms deal in Budapest. Aspiring musician Melanie Scholes is preparing for the most important performance of her career as a violinist in Harkályi's opera, but before she takes the stage she must extricate herself from a failing relationship and the inertia that threatens to consume her future. As their lives converge on Independence Day, they too will seek liberation—from the anguish of the Holocaust, the chains of blackmail, and the bonds of conformity. A formidable new voice in American fiction, Ervin tackles the big themes of war, prejudice, and art, lyrically examining the reverberations of unrest in today's central Europe, the United States' legacy abroad, and the resilience of the human spirit.
By investigating the sovereign claims of American power and the architectural spaces of secret prisons, Spaces of Disappearance reconstructs the network of black siteprisons developed in the early years of the so-called War on Terror. Jordan H. Carver compiles an original archive of architectural representations, redacted documents, and media reports to build a knowingly incomplete spatial history of post-9/11 extraordinary rendition. Framed by an introductory essay by architectural historian and theorist Felicity D. Scott that positions Carver's work withina longer history of military strategy andstate violence against "uncertain" warfare, this book skillfully presents the territorialand political logics of the top-secret CIA Detention and Interrogation Program. Spaces of Disappearance shows how architectures of con nement were designed to deny prisoners their human subjectivity and describes how the spectacle of government bureaucracyis used as a substitute for accountability.
Following the terrorist attacks of September 11, 2001, the Central Intelligence Agency embarked on a highly classified program of secret detention and extraordinary rendition of terrorist suspects. The program was designed to place detainee interrogations beyond the reach of law. Suspected terrorists were seized and secretly flown across national borders to be interrogated by foreign governments that used torture, or by the CIA itself in clandestine 'black sites' using torture techniques. This report is the most comprehensive account yet assembled of the human rights abuses associated with secret detention and extraordinary rendition operations. It details for the first time the number of known victims, and lists the foreign governments that participated in these operations. It shows that responsibility for the abuses lies not only with the United States but with dozens of foreign governments that were complicit. More than 10 years after the 2001 attacks, this report makes it unequivocally clear that the time has come for the United States and its partners to definitively repudiate these illegal practices and secure accountability for the associated human rights abuses.
Sixty-five writers contribute to a groundbreaking anthology on Palestine. This collection brings together the work of sixty-five prominent writers to examine America’s culpability in the denial of human rights and dignity to Palestinians in Israel/Palestine and beyond. It includes pieces by writers such as Chana Bloch, Marilyn Hacker, Jane Hirshfield, Colum McCann, Claire Messud, Roger Reeves, George Saunders and Alice Walker. In writing that is always clear, and often startlingly beautiful, they cover a range of issues including the erasure and reconstruction of histories, the examination of identity, the rights, privileges, and responsibilities of speaking out as artists, the conditions of occupation, and the potential for activism. The anthology makes a significant contribution toward an understanding of the ways people of conscience in general, and writers in particular, can take on one of the most pressing political questions of our time.
This is an investigative journalism in the mould of Carl Bernstein and Bob Woodward. This is an incredible story of shadowy CIA kidnappings followed by imprisonment and torture. The secret may be out, but the horror remains in this original expose of extraordinary rendition. This is the incredible story of how the CIA's darkest secret of the War on Terror - the 'extraordinary rendition' programme - was exposed. It's no longer a secret: since 9/11, the CIA has quietly kidnapped more than a hundred people and detained them at prisons throughout the world. Often, the detainees are tortured or disappear entirely. Now infamous, the 'extraordinary rendition' programme is a key part of the largest clandestine operation since the end of the Cold War. In this shocking book, an award-winning investigative journalist and a 'military geographer' explore the programme in journeys around the world: to suburban Massachusetts to profile a CIA front company supplying the agency with planes; to North Carolina to track down the pilots; to the San Francisco suburbs to study with a planespotter who monitors the CIA's movements; and to Afghanistan, where they visit the notorious Salt Pit prison and interview released Afghan detainees. The kidnappings have not stopped. On the contrary, the rendition programme has been formalised, colluding with the military when necessary, and constantly changing its cover to remain hidden from sight. This is a chilling looking at the logistics of torture which shows how far Bush is prepared to go in the 'war on terror'.
Account Rendered combines a forty-thousand word history and analysis of extraordinary rendition with a compendium of relevant documents.
"British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control. From George W. Bush's 2001 declaration of the "war on terror" until 2008, an unknown number of people disappeared into a network of secret prisons organized by the U.S. Central Intelligence Agency -- transfers without legal process known as extraordinary renditions. No public records were kept as detainees were shuttled all over the globe. Some were eventually sent to Guantánamo Bay or released without charge, while others remain unaccounted for"--Publisher's description.
The Oxford Handbook of National Security Intelligence is a state-of-the-art work on intelligence and national security. Edited by Loch Johnson, one of the world's leading authorities on the subject, the handbook examines the topic in full, beginning with an examination of the major theories of intelligence. It then shifts its focus to how intelligence agencies operate, how they collect information from around the world, the problems that come with transforming "raw" information into credible analysis, and the difficulties in disseminating intelligence to policymakers. It also considers the balance between secrecy and public accountability, and the ethical dilemmas that covert and counterintelligence operations routinely present to intelligence agencies. Throughout, contributors factor in broader historical and political contexts that are integral to understanding how intelligence agencies function in our information-dominated age.
The acts of lawlessness committed on September 11, 2001 were followed by a 'war on terror'. This book sets out the essential features of the international legal framework against which the '9/11' attacks and the lawfulness of measures taken in response thereto fall to be assessed. It addresses, in an accessible manner, relevant law in relation to: 'terrorism', questions as to 'responsibility' for it, the criminal law framework, lawful constraints on the use of force, the humanitarian law that governs in armed conflict, and international human rights law. It indicates the existence of a legal framework capable of addressing events such as '9/11' and governing responses thereto. The author examines the compatibility of the 'war on terror' with this legal framework, and questions the implications for states responsible for violations, for third states and for the international rule of law.