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The Press and the People is the first full-length study of cheap print in early modern Scotland. It traces the production and distribution of ephemeral publications from the nation's first presses in the early sixteenth century through to the age of Burns in the late eighteenth. It explores the development of the Scottish book trade in general and the production of slight and popular texts in particular. Focusing on the means by which these works reached a wide audience, it illuminates the nature of their circulation in both urban and rural contexts. Specific chapters examine single-sheet imprints such as ballads and gallows speeches, newssheets and advertisements, as well as the little pamphlets that contained almanacs and devotional works, stories and songs. The book demonstrates just how much more of this literature was once printed than now survives and argues that Scotland had a much larger market for such material than has been appreciated. By illustrating the ways in which Scottish printers combined well-known titles from England with a distinctive repertoire of their own, The Press and the People transforms our understanding of popular literature in early modern Scotland and its contribution to British culture more widely.
James Boswell's relish for life, unflinching honesty and wide social contacts make him one of the raciest and most entertaining of all diarists.This is a one-volume edition of the journals he kept while making his living as an advocate in eighteenth-century Edinburgh. Hugh Milne's introduction and notes remove the barriers that time has placed between us and Boswell. The result is a book in which an extraordinary personality lives before us upon the page. Boswell embodied in himself all the extremes and contradictions of his time and place. This was the Edinburgh of the Enlightenment, and among his friends he counted thinkers like David Hume and Adam Smith, and entertained eminent visitors like Dr Johnson. Boswell was alive to every new social or political idea and was interested in all the drama of human life, whether high or low. All Boswell's public and private doings, and his inner debates about religion and the meaning of life, go unedited into his journal. His vivid description of a whole gallery of characters and situations makes its pages compulsively readable.
The result of over fifty years’ archival research, the book demonstrates the fundamental importance of the Huguenot refugees to the 1688 Glorious Revolution, victory in Ireland, the foundation of the Bank of England, and the subsequent defeat of Louis XIV and the rise of British power in the eighteenth century.
Studies in Ephemera: Text and Image in Eighteenth-Century Print bringstogether established and emerging scholars of early modern print culture to explore the dynamic relationships between words and illustrations in awide variety of popular cheap print from the seventeenth to the early nineteenth century. While ephemerawas ubiquitous in the period, it is scarcely visible to us now, because only a handful of the thousands of examplesonce in existence have been preserved. Nonetheless, single-sheet printed works, as well as pamphlets and chapbooks, constituted a central part of visual and literary culture, and were eagerly consumed by rich and poor alike in Great Britain, North America, and on the Continent. Displayed in homes, posted in taverns and other public spaces, or visible in shop windows on city streets, ephemeral works used sensational means to address themes of great topicality. The English broadside ballad, of central concern in this volume, grew out of oral culture; the genre addressed issues of nationality, history, gender and sexuality, economics, and more. Richly illustrated and well researched, Studiesin Ephemera offers interdisciplinary perspectives into how ephemeralworks reached their audiences through visual and textual means. It also includes essays that describe how collections of ephemera are categorized in digital and conventional archives, and how our understanding of these works is shaped by their organization into collections. This timely and fascinating book will appeal to archivists, and students and scholars in many fields, including art history, comparative literature, social and economic history, and English literature. Contributors: Georgia Barnhill, Theodore Barrow, Tara Burk, Adam Fox, Alexandra Franklin, Patricia Fumerton, Paula McDowell, Kevin D. Murphy, Sally O’Driscoll, Ruth Perry
In Charles Areskine’s Library, Karen Baston uses a detailed study of an eighteenth-century Scottish advocate’s private book collection to explore key themes in the Scottish Enlightenment including secularisation, modernisation, internationalisation, and the development of legal literature in Scotland. By exploring a surviving manuscript dated 1731that lists a Scottish lawyer’s library, Karen Baston demonstrates that the books Charles Areskine owned, used in practice, and read for pleasure embedded him in the intellectual culture that expanded in early eighteenth-century Scotland. Areskine and his fellow advocates emerged as scholarly and sociable gentlemen who led their nation. Lawyers were integral to and integrated with the Scottish society that allowed the Scottish Enlightenment to take root and flourish within Areskine’s lifetime.
In this sweeping biography, Elaine G. Breslaw examines the life of Dr. Alexander Hamilton (1712--1756), a highly educated Scottish physician who immigrated to Maryland in 1738. From an elite European family, Hamilton was immediately confronted with the relatively primitive social milieu of the New World. He faced unfamiliar and challenging social institutions: the labor system that relied on black slaves, extraordinarily fluid social statuses, distasteful business methods, unpleasant conversational quirks, as well as variant habits of dress, food, and drink that required accommodation and, when possible, acceptance. Paradoxically, the more acclimated he became to Maryland ways, the greater his impulse to change that society and make it more satisfying for himself both emotionally and intellectually. Breslaw perceptively describes the ways in which Hamilton tried to transform the society around him, attempting to re-create the world he had left behind and thereby justify his continued residence in such an unsophisticated place.Hamilton, best known as the author of the Itinerarium -- a shrewd and insightful account of his journey through the colonies in 1744 -- also founded the Tuesday Club of Annapolis, promoted a local musical culture, and in his letters and essays, provided witty commentary on the American social experience. In addition to practicing medicine, Hamilton participated in local affairs, transporting to Maryland some of the rationalist ideas about politics, religion, and learning that were germinating in Scotland's early Enlightenment. As Breslaw explains, Hamilton's writings tell us that those adopted ideas were given substance and vitality in the New World long before the revolutionary crises. Throughout her narrative, Breslaw usefully sets Hamilton's life in both Scotland and America against the background of the major political, military, religious, social, and economic events of his time. The largely forgotten story of a fascinating, cosmopolitan, and complex Scotsman, Dr. Alexander Hamilton and Provincial America illuminates our understanding of elites as they navigated their eighteenth-century world.
This collection of poetry discusses themes such as war, place, love, and history.
This collection of essays presents historical approaches to the links which have existed for over 800 years between Scotland and one of the areas of continental Europe closest to her: the Low Countries. Topics include: Flemish settlers in twelfth-century Scotland; the Count of Holland who claimed the Scottish throne in 1291; the Flemish aspect of the Auld Alliance with France; the view of Scotland taken by a Netherlands-born chronicler, Jean Froissart; Scotland's late-medieval involvement in diplomacy with Guelders and in wool-exports to the Netherlands; the contacts of Scottish patrons with Netherlandish painters in the 15th and 16th centuries; Scots pursuing military careers and studies in the arts and law in the Low Countries in early modern times; parallels between Belgian Art Nouveau painting and the work of some Glasgow artists around 1900; comparisons between Scotland and the Low Countries in the 20th century in the realms of social housing and oil exploration. These varied studies add detailed background to the subject of Scotland within Europe: a question now much debated. This volume is the third in the Mackie Monographs series, based on the Mackie Symposia held in the University of Aberdeen, which have as their theme the historical study of Scotland's overseas contacts.