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Captain is misdirected and arrives at the wrong gate.
"Captain Stormfield's Visit to Heaven" is a short story written by American writer Mark Twain. It first appeared in print in Harper's Magazine in December 1907 and January 1908, and was published in book form with some revisions in 1909. This was the last story published by Twain during his life.
"Captain Stormfield's Visit to Heaven" is a short story written by American writer Mark Twain. It first appeared in print in Harper's Magazine in December 1907 and January 1908, and was published in book form with some revisions in 1909. This was the last story published by Twain during his life.
Well, when I had been dead about thirty years I begun to get a little anxious. Mind you, had been whizzing through space all that time, like a comet. Like a comet! Why, Peters, I laid over the lot of them! Of course there warn't any of them going my way, as a steady thing, you know, because they travel in a long circle like the loop of a lasso, whereas I was pointed as straight as a dart for the Hereafter; but I happened on one every now and then that was going my way for an hour or so, and then we had a bit of a brush together. But it was generally pretty one-sided, because I sailed by them the same as if they were standing still. An ordinary comet don't make more than about 200,000 miles a minute. Of course when I came across one of that sort-like Encke's and Halley's comets, for instance-it warn't anything but just a flash and a vanish, you see. You couldn't rightly call it a race. It was as if the comet was a gravel-train and I was a telegraph despatch. But after I got outside of our astronomical system, I used to flush a comet occasionally that was something like. We haven't got any such comets-ours don't begin. One night I was swinging along at a good round gait, everything taut and trim, and the wind in my favor-I judged I was going about a million miles a minute-it might have been more, it couldn't have been less-when I flushed a most uncommonly big one about three points off my starboard bow. By his stern lights I judged he was bearing about northeast-and-by-north-half-east. Well, it was so near my course that I wouldn't throw away the chance; so I fell off a point, steadied my helm, and went for him.
For deft plotting, riotous inventiveness, unforgettable characters, and language that brilliantly captures the lively rhythms of American speech, no American writer comes close to Mark Twain. This sparkling anthology covers the entire span of Twain’s inimitable yarn-spinning, from his early broad comedy to the biting satire of his later years. Every one of his sixty stories is here: ranging from the frontier humor of “The Celebrated Jumping Frog of Calaveras County,” to the bitter vision of humankind in “The Man That Corrupted Hadleyburg,” to the delightful hilarity of “Is He Living or Is He Dead?” Surging with Twain’s ebullient wit and penetrating insight into the follies of human nature, this volume is a vibrant summation of the career of–in the words of H. L. Mencken–“the father of our national literature.”
By Mark Twain is a satirical and imaginative work of fiction. Twain's narrative takes readers on a fantastical journey to heaven, offering a humorous and thought-provoking exploration of the afterlife. It's a unique and entertaining read that combines satire with elements of American literature.
Originally published: Berkeley, Calif; London: University of California Press, 1969.
Presents facsimile first editions of Twain's works that include all original illustrations. Each volume contains introductions by literary heavyweights including Toni Morrison, Kurt Vonnegut, Cynthia Ozick, Gore Vidal, George Plimpton, Bobbie Ann Mason, and Walter Mosley, among others.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.