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As the forces of globalisation and modernisation buffet Islam and other world religions, Indonesia's 200 million Muslims are expressing their faith in ever more complex ways. This book examines some of the ways in which Islam is expressed in contemporary Indonesian life and politics. Editors from Australian National University.
Freedom of Expression in Islam is informative not only on the subject of the possibilities of freedom of expression within Islam, but also on the cultural tradition of Islam and its guidelines on social behaviour. Distinguished by its clarity and readability, this book is not only essential reading for anyone interested in Islamic law, in Muslim society or in issues of comparative jurisprudence, but is also an important contribution to the current debate concerning the definition and limits of the principle of free speech. Suitable for undergraduate and post-graduate courses in Islamic Studies, Comparative Jurisprudence and Political Theory.
How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.
Exploring the increasing impact of the Internet on Muslims around the world, this book sheds new light on the nature of contemporary Islamic discourse, identity, and community. The Internet has profoundly shaped how both Muslims and non-Muslims perceive Islam and how Islamic societies and networks are evolving and shifting in the twenty-first century, says Gary Bunt. While Islamic society has deep historical patterns of global exchange, the Internet has transformed how many Muslims practice the duties and rituals of Islam. A place of religious instruction may exist solely in the virtual world, for example, or a community may gather only online. Drawing on more than a decade of online research, Bunt shows how social-networking sites, blogs, and other "cyber-Islamic environments" have exposed Muslims to new influences outside the traditional spheres of Islamic knowledge and authority. Furthermore, the Internet has dramatically influenced forms of Islamic activism and radicalization, including jihad-oriented campaigns by networks such as al-Qaeda. By surveying the broad spectrum of approaches used to present dimensions of Islamic social, spiritual, and political life on the Internet, iMuslims encourages diverse understandings of online Islam and of Islam generally.
The Challenge of Islam to Christians is David Pawson's most important and perhaps his most sobering - prophetic message to date. Moral decline and erosion of a sense of ultimate truth have created a spiritual vacuum in the United Kingdom. Pawson believes Islam is better equipped than the Church to move into that gap and it is far more likely to become the country's dominant religion in the future. This book unpacks and explains the background behind Pawson's claims. and - crucially - sets out a positive blueprint for the Church's response. Christians must rediscover and demonstrate to society the three qualities that make Christianity unique: Reality. Relationship and Righteousness. This book is essential reading for all Christians.
This book attempts to analyse the concept of religious expression vis-à-vis freedom of speech in Malaysia from the philosophical, political and theoretical perspectives. It begins by discussing the major sources of religious expression that are firmly rooted in the societal and religious beliefs, constitution and legislation of the country. It also examines multiple facets of the Islamization policy in the country and to what extent such policy affects the exercise of domestic religious expression. The problems and challenges of domestic religious expression, theoretically and practically, will also be examined including the issues of radicalization and terrorism. After a change of power from the Barisan Nasional (BN) to Pakatan Harapan (PH) in 2018, this book attempts to explain PH's approach in dealing with the issue of Islam and religious expression in Malaysia. Lastly, this book intends to identify and observe how Malaysian society and the state react to the issue of religious expression. "Prof. Azizuddin makes an eloquent case for robust freedom of expression that is consistent with Malaysian conditions. This is a most welcome and important book that could and should have a major impact. It is a timely and thoughtful examination of the complex and serious issue of Islam vis-à-vis religious expression in Malaysia. It also illustrates the transition from the restrictive-stability approach of the Barisan Nasional administration to an open-freedom approach of the Pakatan Harapan government." -- Dato' Saifuddin Abdullah, Minister of Communications and Multimedia, Malaysia "Racial and religious hatred are examples of the many difficulties to which freedom of expression can give rise. These difficulties are likely to be especially serious in multicultural and multireligious societies, such as Malaysia. In such contexts there is a need to weigh the importance of freedom of expression for an effective democracy against the need to maintain social order and the conditions of political civility that are also essential to democratic dialogue. This is the challenge that Prof. Azizuddin addresses in his ambitious new book." -- John Horton, Emeritus Professor of Politics, Keele University, United Kingdom "This important book is a must read for anyone interested in understanding the nexus between rights and religion in Malaysia. Not only does it trace the contestation over religious expression, it also provides a valuable analysis of the expansion of the religious bureaucracy and the underlying and changing cultural responses of the Malay community to the new political terrain." -- Bridget Welsh, Honorary Research Associate, University of Nottingham Asia Research Institute Malaysia (UoNARI-M)
An accessible, transregional exploration of how Islam and Asia have shaped each other's histories, societies and cultures from the seventh century to today.
A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation—one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
The spread of Islam eastward into South and Southeast Asia was one of the most significant cultural shifts in world history. As it expanded into these regions, Islam was received by cultures vastly different from those in the Middle East, incorporating them into a diverse global community that stretched from India to the Philippines. In Islam Translated, Ronit Ricci uses the Book of One Thousand Questions—from its Arabic original to its adaptations into the Javanese, Malay, and Tamil languages between the sixteenth and twentieth centuries—as a means to consider connections that linked Muslims across divides of distance and culture. Examining the circulation of this Islamic text and its varied literary forms, Ricci explores how processes of literary translation and religious conversion were historically interconnected forms of globalization, mutually dependent, and creatively reformulated within societies making the transition to Islam.
Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.