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Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Trier, course: Introduction to Drama Analysis, 5 entries in the bibliography, language: English, abstract: Bei dieser Arbeit handelt es sich um die Rolle, welche die Exposition in Pygmalion hat. Dies wird, nach einem generellen Eindruck, am Beispiel der einzelnen, wichtigsten, Charactere deutlich gemacht. Diese Carakterer wären: Higgins, Pickering und natürlich Eliza. Am Ende der Arbeit werden die einzelnen Charactere, beziehungsweise ihre Exposition, miteinander verglichen und gezeigt, wie sie sich ineinander verflechten.
Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.
This is a satirical comedy about several political ideologies that the characters expound on, often in extended monologues. The entire play revolves around a simple "conflict of interests" between a king and his prime minister. The story follows the fictional English King Magnus as he wrestles with Prime Minister Proteus and his cabinet as they seek to deprive the monarchy of its remaining political power. However, the king is adamant about taking independent positions against his Prime Minister, which leads to a clash between the two. Will the King eventually outwits the Minister
A Study Guide for George Bernard Shaw's "Pygmalion," excerpted from Gale's acclaimed Drama for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama for Students for all of your research needs.
Bachelor Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth, language: English, abstract: Pygmalion is one of the most famous comedies of all times. Its mythological background is fascinating as the topic is still up to date. This is why it has influenced many artists to use the story for their works. Besides Ovid's version in his Metamorphoses that very closely sticks to the original of Greek mythology and G. B. Shaw's one that, although he changes the frame and the plot of Pygmalion, he still holds on to the idea of the original story, there is for example Jean-Jacques Rousseau's melodrama Pygmalion (1770), Johann Wolfgang Goethe's poem Pygmalion (1767) and Franz von Suppé's operetta Die Schöne Galathee (1865). The mythological background, though, is not the only reason why the story of Pygmalion has attracted that many artists and is that popular. It is the diversity of its themes and actions. There is for example a love story, a criticism of society, many different characters that are interesting in each way, changes in individual personalities and so on. . . . In a way he also forms a woman after his ideas and taste. This point of shaping a woman is present in both, Ovid's Metamorphoses and G. B. Shaw's Pygmalion. However, the most important difference between them is the woman's behaviour. While in mythology Galatea is only a passive character, in Shaw's Pygmalion Eliza is active from the beginning on and influences the play's stream and action. She takes her destiny into her own hands and one could speak of an emancipated woman. As emancipation was a major topic and drastically developed during the Victorian era, one could argue whether the description of women in literature actually reflects society's attitude towards them in the era in which this literature was written. For this reason I will elaborate the role of women in Victorian society in general and in Pygmalion in spe
Manfred Pfister's book is the first to provide a coherent comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. The material on which his analysis is based covers all genres and periods. His approach is systematic rather than historical, combining more abstract categorisations with detailed interpretations of sample texts.
Bachelor Thesis from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth, language: English, abstract: Pygmalion is one of the most famous comedies of all times. Its mythological background is fascinating as the topic is still up to date. This is why it has influenced many artists to use the story for their works. Besides Ovid’s version in his Metamorphoses that very closely sticks to the original of Greek mythology and G. B. Shaw’s one that, although he changes the frame and the plot of Pygmalion, he still holds on to the idea of the original story, there is for example Jean-Jacques Rousseau’s melodrama Pygmalion (1770), Johann Wolfgang Goethe’s poem Pygmalion (1767) and Franz von Suppé’s operetta Die Schöne Galathee (1865). The mythological background, though, is not the only reason why the story of Pygmalion has attracted that many artists and is that popular. It is the diversity of its themes and actions. There is for example a love story, a criticism of society, many different characters that are interesting in each way, changes in individual personalities and so on. . . . In a way he also forms a woman after his ideas and taste. This point of shaping a woman is present in both, Ovid’s Metamorphoses and G. B. Shaw’s Pygmalion. However, the most important difference between them is the woman’s behaviour. While in mythology Galatea is only a passive character, in Shaw’s Pygmalion Eliza is active from the beginning on and influences the play’s stream and action. She takes her destiny into her own hands and one could speak of an emancipated woman. As emancipation was a major topic and drastically developed during the Victorian era, one could argue whether the description of women in literature actually reflects society’s attitude towards them in the era in which this literature was written. For this reason I will elaborate the role of women in Victorian society in general and in Pygmalion in specific. Furthermore I would like to compare the play Pygmalion, which was staged for the first time in 1913, to the musical My fair lady which was released in 1956. The difference in time promises a difference in the reception of the story and it is probable that the changes in society between 1913 and 1956 are reflected in those two versions.Especially the role of women changed in those years. Therefore the focus of my thesis will be these transforming ideas concerning women in the Victorian age and the 1950’s by means of Pygmalion and My fair lady.
"Pygmalion goes awry in contemporary comedy of manners which explores sexual harassment, misplaced amour and the possibility of a four sided love triangle."--Doollee.com.