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This vital book captures and presents more than 60 examples of architecture and design created and built for World Expo 2010 Shanghai in four chapters, with content and design examples submitted by the architects involved in creating these landmark buildings
The Expo Book: A Guide to the Planning, Organization, Design & Operation of World Expositions
Striking colour photographs and floor plans illustrate the very best pavilions from the 2010 Shanghai Expo.
This book explores the play of international forces and international ideas about Shanghai, looking backward as far as its transformation into a subdivided treaty port in the 1840s, and looking forward to its upcoming hosting of China’s first World’s Fair, the 2010 Expo. As such, Global Shanghai is a lively and informative read for students and scholars of Chinese studies and urban studies and anyone interested in the history of Shanghai.
Multinational media companies increasingly look to China as a highly important market for the future, but with what degree of confidence should they do so? Media in China is about a new kind of revolution in China - a revolution in which rapidly commercializing media industries confront slow-changing power relations between political, social and economic spheres. This interdisciplinary collection draws on the expertise of industry professionals, academic experts and cultural critics. It offers a variety of perspectives on audio-visual industries in the world's largest media market. In particular, the contributors examine television, film, music, commercial and political advertising, and new media such as the internet and multimedia. These essays explore evolving audience demographies, new patterns of media reception in regional centres, and the gradual internationalization of media content and foreign investment in China's broadcasting industries. This book will of use to students and professionals involved in media and communication, as well as anyone interested in contemporary China.
In 2010 Shanghai hosted the largest, most spectacular and most expensive expo ever. Attracting a staggering 73 million visitors, and costing around US$45 billion dollars, Shanghai Expo broke the records in the history of world's fairs and universal expositions. The thirteen essays in Shanghai Expo, written by a team of interdisciplinary researchers, offer a uniquely detailed analysis of this globally significant event.
The growth of Shanghai viewed through its dynamic visual culture
Expo 2010 Shanghai was the most ambitious world exposition to date with more than 70 million visitors. It boasted an unprecedented collection of pavilions that represented the ambitions of individual nations as well a collective vision for cities in the new millennium. Together, the buildings constitute a cross section of contemporary trends inarchitecture, showcasing a full spectrum of cutting edge technology, building materials, and design sensibilities. * This book captures this extraordinary architectural event with the eloquent and probing photography of Nic Lehoux. The thorough documentation includes detailed photographic accounts of the various architectural features and thepublic spaces and landscapes that bind them into a total and unique environment. * The accompanying essay situates the event in a long standing tradition of world expositions while underscoring the particular geographic, cultural, and political aspects of the Chinese context that shape the Shanghai Expo and its thematic orientation.
These twelve original essays by geographers and anthropologists offer a deep critical understanding of Allan Pred’s pathbreaking and eclectic cultural Marxist approach, with a focus on his concept of “situated ignorance”: the production and reproduction of power and inequality by regimes of truth through strategically deployed misinformation, diversions, and silences. As the essays expose the cultural and material circumstances in which situated ignorance persists, they also add a previously underexplored spatial dimension to Walter Benjamin’s idea of “moments of danger.” The volume invokes the aftermath of the July 2011 attacks by far-right activist Anders Breivik in Norway, who ambushed a Labor Party youth gathering and bombed a government building, killing and injuring many. Breivik had publicly and forthrightly declared war against an array of liberal attitudes he saw threatening Western civilization. However, as politicians and journalists interpreted these events for mass consumption, a narrative quickly emerged that painted Breivik as a lone madman and steered the discourse away from analysis of the resurgent right-wing racisms and nationalisms in which he was immersed. The Breivik case is merely one of the most visible recent examples, say editors Heather Merrill and Lisa Hoffman, of the unchallenged production of knowledge in the public sphere. In essays that range widely in topic and setting—for example, brownfield development in China, a Holocaust memorial in Germany, an art gallery exhibit in South Africa—this volume peels back layers of “situated practices and their associated meaning and power relations.” Spaces of Danger offers analytical and conceptual tools of a Predian approach to interrogate the taken-for-granted and make visible and legible that which is silenced.