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Welcome to this collection of writings dedicated to the vibrant world of stage plays and screen adaptations inspired by the timeless epic, Ramayana. Within these pages, we embark on a journey through the rich tapestry of theatrical and cinematic interpretations that have brought the story of Ramayana to life in captivating and transformative ways. Ramayana, attributed to the sage Valmiki, has enchanted audiences for centuries with its tale of love, heroism, and the triumph of good over evil. As a story deeply rooted in Indian mythology and cultural heritage, it has served as a wellspring of inspiration for playwrights, directors, and filmmakers around the world. The creative minds behind these adaptations have sought to capture the essence of Ramayana, reimagining its characters, themes, and moral dilemmas through the lens of their respective artistic mediums. In this collection, we delve into the diverse array of writings that examine Ramayana on the stage and screen. From theatrical performances that have captivated audiences through the time-honoured tradition of Ramlila, to cinematic adaptations that have embraced the epic's universal appeal, we explore the many ways in which Ramayana has been brought to life in dramatic and visually stunning forms. Through these writings, we gain insights into the artistic choices, narrative techniques, and cultural implications of stage plays and screen adaptations inspired by Ramayana. We examine the interplay between tradition and innovation, as directors and playwrights strive to honour the spirit of the epic while infusing their own creative visions. We explore the visual spectacle of Indian films that have embraced Ramayana's grandeur, the emotional depth of theater performances that have immersed audiences in the mythic world of Rama and Sita, and the intercultural dialogues that arise when Ramayana is reinterpreted in global contexts. Within these pages, you will find thoughtful analyses, historical perspectives, and personal reflections that shed light on the significance and impact of these artistic endeavours. We delve into the reception of these stage plays and screen adaptations, examining their resonance with audiences, their cultural reverberations, and the enduring legacy of Ramayana in the realm of performing arts. Whether you are an enthusiast of theater, a lover of cinema, or simply curious about the transformative power of storytelling, this collection invites you to explore the boundless creativity and interpretive possibilities that Ramayana has inspired. It celebrates the artists and their works, offering glimpses into the imaginative worlds they have crafted and the profound messages they have sought to convey. As you turn the pages and immerse yourself in the world of stage plays and screen adaptations of Ramayana, may you be captivated by the enduring magic of this epic tale and the indelible impact it continues to have on the realm of performance art.
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SRI RAMAYANA DARSHANAM - BHARATMATA SADANAM is a Pictorial Representation of the Exhibits and Write-up on SRI RAMAYANA DARSHANAM - Pictorial Exhibition, BHARATMATA SADANAM - Presentation in Statues and Pictures and VEERA HANUMAN STATUE situated at Vivekananda Kendra, Vivekanandapuram Campus, Kanyakumari-62902 (IN)
The book Echoes of Tradition : Exploring Girish Karnad’s Theatrical Pilgrimage is an amalgamation of the Indian theatre tradition and the modern sensibility. It explores the mythological framework, the historic and the folk traditions as used in the works of Girish Karnad. Rooted in the rich cultural and theatrical sensibility the book presents the indigenous and the contemporary aesthetics as woven in the plays of Girish Karnad. The western dramaturgical structure infused with the modern theatrical tradition along with the use of myths and folklore refers to the complexities of the present age and apprehension about future. The book encapsulates Karnad’s experiments with the technique and his how his plays forge a bond between the past and the present.
Traditionally, university students have gained access to world religions by reading primary texts. Discovering World Religions at 24 Frames Per Second takes students beyond the written page, offering an exploration of the same religious traditions through the study of feature films. The many definitions of religion are examined along with its various components, including doctrine, myth, ethics, ritual, and symbol. Specific religious traditions, including Hinduism, Sikhism, Zoroastrianism, Buddhism, Confucianism, Daoism, popular religion, and Shinto are examined. Biographical sketches of directors whose films tend to focus on a particular religious tradition are also included, such as Zhang Yimou, Hayao Miyazaki, Deepa Mehta, and Akira Kurosawa. Discovering World Religions at 24 Frames Per Second is unique in the area of religion and film studies in that it isn't just a collection of essays. Instead it provides the introductory student with the necessary background information on the various religions before looking at how their ideas can be understood not through texts but through the cinematic medium. To keep the conversation fresh, most of the films used in the book were made within the last decade. Furthermore, examples range from popular, mainstream fare, such as Star Wars and the Lord of the Rings trilogy to lesser-known foreign films, such as The Wooden Man's Bride and The Great Yokai War. Several films with a 'cult-like' following are also discussed, including Fight Club, Princess Mononoke, Spirited Away, and Jacob's Ladder. This book is also unique in that instead of drawing upon the Judeo-Christian tradition, it draws from Eastern traditions.
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
The tourism and hospitality industry faces a significant sustainability challenge. Traditional practices prioritize short-term gains over long-term environmental and social well-being, leading to detrimental impacts on local communities, cultural heritage, and the natural environment. The industry's rapid growth and increasing demand for travel experiences worsen this unsustainable approach. Therefore, there is an urgent need for a paradigm shift towards regenerative practices that minimize negative impacts and actively contribute to the restoration and revitalization of destinations and communities. Examining Tourist Behaviors and Community Involvement in Destination Rejuvenation presents a timely and comprehensive solution to this pressing challenge. By exploring regenerative practices, the book offers a roadmap for industry stakeholders to transition towards sustainable models that prioritize environmental stewardship, cultural preservation, and community empowerment. Through a rich tapestry of theoretical insights, practical guidelines, and real-world case studies, the book equips academics, industry professionals, policymakers, and advocates with the tools and knowledge needed to transform the tourism and hospitality landscape.
Cultures across the globe have embraced epics: stories of memorable deeds by heroic characters whose actions have significant consequences for their lives and their communities. Incorporating narrative elements also found in sacred history, chronicle, saga, legend, romance, myth, folklore, and the novel, epics throughout history have both animated the imagination and encouraged reflection on what it means to be human. Teaching World Epics addresses ancient and more recent epic works from Africa, Europe, Mesoamerica, and East, Central, and South Asia that are available in English translations. Useful to instructors of literature, peace and conflict studies, transnational studies, women's studies, and religious studies, the essays in this volume focus on epics in sociopolitical and cultural contexts, on the adaptation and reception of epic works, and on themes that are especially relevant today, such as gender dynamics and politics, national identity, colonialism and imperialism, violence, and war. This volume includes discussion of Ludovico Ariosto's Orlando Furioso, Giulia Bigolina's Urania, The Book of Dede Korkut, Luís Vaz de Camões's Os Lusíadas, David of Sassoun, The Epic of Askia Mohammed, The Epic of Gilgamesh, the epic of Sun-Jata, Alonso de Ercilla y Zúñiga's La Araucana, Homer's Iliad and Odyssey, Kalevala, Kebra Nagast, Kudrun, The Legend of Poṉṉivaḷa Nadu, the Mahabharata, Manas, John Milton's Paradise Lost, Mwindo, the Nibelungenlied, Poema de mio Cid, Popol Wuj, the Ramayana, the Shahnameh, Sirat Bani Hilal, Edmund Spenser's The Faerie Queene, Statius's Thebaid, The Tale of the Heike, Three Kingdoms, Gaspar Pérez de Villagrá's Historia de la Nueva México, and Virgil's Aeneid.