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The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year). The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them. Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe. The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.
Star Trek was right — there is only one final frontier, and that is space... Human beings are natural explorers, and nowhere is this frontier spirit stronger than in the United States of America. It almost defines the character of the US. But the Earth is running out of frontiers fast. In Brian Clegg's The Final Frontier we discover the massive challenges that face explorers, both human and robotic, to uncover the current and future technologies that could take us out into the galaxy and take a voyage of discovery where no one has gone before... but one day someone will. In 2003, General Wesley Clark set the nation a challenge to produce the technology that would enable new pioneers to explore the galaxy. That challenge is tough — the greatest we've ever faced. But taking on the final frontier does not have to be a fantasy. In a time of recession, escapism is always popular — and what greater escape from the everyday can there be than the chance of leaving Earth's bounds and exploring the universe? With a rich popular culture heritage in science fiction movies, books and TV shows, this is a subject that entertains and informs in equal measure.
After more than 55 years of transmedia storytelling, 'Star Trek' is a global phenomenon that has never been more successful than it is today. 'Star Trek' fandom is worldwide, time tested, and growing, and academic interest in the franchise, both inside and outside of the classroom, is high; at the moment, more 'Star Trek' works are underway or in development simultaneously than at any other moment in history. Unlike works that focus on a limited number of stories/media in this franchise or only offer one expert’s or discipline’s insights, this accessible and multidisciplinary anthology includes analyses from a wide range of scholars and explores 'Star Trek' from its debut in 1966 to its current incarnations, considers its implications for and collaborations with fandom, and trace its ideas and meanings across series, media, and time. 'Star Trek: Essays Exploring the Final Frontier' will undoubtedly speak to academics in the field, students in the classroom, and informed lay readers and fans.
The 1960s and early 70s saw the evolution of Frontier Myths even as scholars were renouncing the interpretive value of myths themselves. Works like Joe Haldeman’s The Forever War exemplified that rejection using his experiences during the Vietnam War to illustrate the problematic consequences of simple mythic idealism. Simultaneously, Americans were playing with expanded and revised versions of familiar Frontier Myths, though in a contemporary context, through NASA’s lunar missions, Star Trek, and Gerard K. O’Neill’s High Frontier. This book examines the reasons behind the exclusion of Frontier Myths to the periphery of scholarly discourse, and endeavors to build a new model for understanding their enduring significance. This model connects NASA’s failed attempts to recycle earlier myths, wholesale, to Star Trek’s revision of those myths and rejection of the idea of a frontier paradise, to O’Neill’s desire to realize such a paradise in Earth’s orbit. This new synthesis defies the negative connotations of Frontier Myths during the 1960s and 70s and attempts to resuscitate them for relevance in the modern academic context.
"An exploration of the afterlife and communication with the dead. Author's career has included being both a professional psychic and a professional scholar. Addresses questions about God, heaven, and hell and gives evidence for existence beyond death. Explores historical accounts, religious scholarship, near-death experiences, and after-death communication"--Provided by publisher.
What are our motivations for going into space? Where does our long-term space future lie? Why, and how, should we strive to reach, if not for the stars, at least for the Moon and Mars? This exciting book looks first at the progress that has already been made in our attempts to explore and expand beyond the Earth. Current and past space technologies and space stations are described, and the effects of the space environment on the human body are explained. A discussion of the merits of the robotic exploration of space is followed by a look at our exploration of the Moon and Mars. Final chapters touch on propulsion methods required for leaving our solar system, and ask which of the possibilities for future space travel is most likely to succeed. This thought provoking book will appeal to all those with an interest in the future of space exploration.
Sanford Schwartz offers a penetrating new reading of Lewis's celebrated Space Trilogy. Taken together, Schwartz's readings call into question Lewis's self-styled image as a "dinosaur" out of step with the main currents of modern thought. Far from a simple struggle between an old-fashioned Christian humanism and a newfangled heresy, Lewis's Space Trilogy should be seen as the searching effort of a modern religious apologist to sustain and enrich the former through critical engagement with the latter.
Star Trek: The Original Series (1966-1969) was the first installment of one of the most successful and longest-running television franchises of all time. Today, Trek fans champion its writing, progressive social consciousness, and aesthetic. Designing the Final Frontier is a unique, expert look at the mid-century modern design that created and inspired that aesthetic. From Burke chairs to amorphous sculptures, from bright colors to futuristic frames, Star Trek TOS is bursting with mid-century modern furniture, art, and design elements—many of them bought directly from famous design showrooms. Together, midcentury modern design experts Dan Chavkin and Brian McGuire have created an insider’s guide to the interior of original starship Enterprise and beyond, that is sure to attract Star Trek’s thriving global fan base.