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This title complements the 2010 exhibition Flowers for Kim-Il-Sung at MAK – Museum for Applied Art/Contemporary Art, Vienna and features new essays by international writers on a wide spectrum of issues.The relationship between North Korean art and ideology is examined, how modern and traditional values are dealt with, as well as the commercial conditions of artistic work – the market value of art. It also considers how a country's art is received abroad, together with the difficulties faced by curators if they want to show this work outside the country's borders.The concept of art including the question of its significance to society is explored through the field of fine art, stamp design, book illustrations, wall mosaics, literature and music.
"Art Under Control in North Korea is the first publication in the West to explore the role of art in one of the world's most isolated nations. This timely publication places North Korean art in its historical, political and social contexts, discusses the state system of producing, employing, promoting and honouring artists, and examines the range of art produced, from painting and calligraphy to architecture and applied art. Jane Portal also compares the control exerted over artists by North Korean leaders to that of other absolute dictatorships, and looks at the way in which archaeology has been employed for political ends to justify the present leadership and its lineage."--BOOK JACKET.
Never-before-seen North Korea - a rare glimpse into the country behind the politics and the creativity behind the propaganda This incredible collection of prints dating from the 1950s to the twenty-first century is the only one of its kind in or outside North Korea. Depicting the everyday lives of the country's train conductors, steelworkers, weavers, farmers, scientists, and fishermen, these unique lino-cut and woodblock prints are a fascinating way to explore the culture of this still virtually unknown country. Together, they are an unparalleled testament to the talent of North Korea's artists and the unique social, cultural, and political conditions in which they work.
North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale is an exhibition that reflects the culmination of an eight-year exploration into the art of the Democratic People's Republic of Korea (DPRK). During that time, BG Muhn made nine research trips to the DPRK to pursue a growing passion for the uniqueness and mystery surrounding Chosonhwa, the North Korean name for traditional ink wash painting on rice paper. The DPRK is notably the only country in the world after the fall of the Soviet Union in 1991 that continues to create Socialist Realism art. This exhibition is likely the first opportunity for people around the world to see North Korean Chosonhwa in such a broad range of images within Socialist Realism art.
Walk the galleries of any major contemporary art museum and you are sure to see a work by a Korean artist. Interest in modern and contemporary art from South—as well as North—Korea has grown in recent decades, and museums and individual collectors have been eager to tap into this rising market. But few books have helped us understand Korean art and its significance in the art world, and even fewer have told the story of the formation of Korea’s contemporary cultural scene and the role artists have played in it. This richly illustrated history tackles these issues, exploring Korean art from the late-nineteenth century to the present day—a period that has seen enormous political, social, and economic change. Charlotte Horlyck covers the critical and revolutionary period that stretches from Korean artists’ first encounters with oil paintings in the late nineteenth century to the varied and vibrant creative outputs of the twenty-first. She explores artists’ interpretations of new and traditional art forms ranging from oil and ink paintings to video art, multi-media installations, ready-mades, and performance art, showing how artists at every turn have questioned the role of art and artists within society. Opening up this fascinating world to general audiences, this book will appeal to anyone wanting to explore this rich and fascinating era in Korea’s cultural history.
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
North Korea uncensored and unfiltered – ordinary life in the world's most secretive nation, captured in never-before-seen ephemera. Made in North Korea uncovers the fascinating and surprisingly beautiful graphic culture of North Korea - from packaging to hotel brochures, luggage tags to tickets for the world-famous mass games. From his base in Beijing, Bonner has been running tours into North Korea for over twenty years, and along the way collecting graphic ephemera. He has amassed thousands of items that, as a collection, provide an extraordinary and rare insight into North Korea's state-controlled graphic output, and the lives of ordinary North Koreans.
As tensions remain on the Korean peninsula, this book looks back on the decade of improved inter-Korean relations and engagement between 1998 and 2008, now known as the ‘Sunshine Policy’ era. Moving beyond traditional economic and political perspectives, it explores how this decade of intensified cooperation both affected and reshaped existing physical, social and mental boundaries between the two Koreas, and how this ‘de-bordering’ and ‘re-bordering’ has changed the respective attitudes towards the other. Based around three key themes, ‘Space’, ‘People’, and ‘Representations’, this book looks at the tangible and intangible areas of contact created by North-South engagement during the years of the Sunshine Policy. ‘Space’ focuses on the border regions and discusses how the border reflects the dynamics of multiple types of exchanges and connections between the two Koreas, as well as the new territorial structures these have created. ‘People’ addresses issues in human interactions and social organizations, looking at North Korean defectors in the South, shifting patterns of North-South competition in the ‘Korean’ diaspora of post-Soviet Central Asia, and the actual and physical presence of the Other in various social settings. Finally, ‘Representations’ analyses the image of the other Korea as it is produced, circulated, altered/falsified and received (or not) on either side of the Korean border. The contributors to this volume draw on a broad spectrum of disciplines ranging from geography, anthropology and archaeology, to media studies, history and sociology, in order to show how the division between North and South Korea functions as an essential matrix for geographical, social and psychological structures on both sides of the border. As such, this book will appeal to students and scholars from numerous fields of study, including Korean studies, Korean culture and society, and international relations more broadly.
This timely, pathbreaking study of North Korea’s political history and culture sheds invaluable light on the country’s unique leadership continuity and succession. Leading scholars Heonik Kwon and Byung-Ho Chung begin by tracing Kim Il Sung’s rise to power during the Cold War. They show how his successor, his eldest son, Kim Jong Il, sponsored the production of revolutionary art to unleash a public political culture that would consolidate Kim’s charismatic power and his own hereditary authority. The result was the birth of a powerful modern theater state that sustains North Korean leaders’ sovereignty now to a third generation. In defiance of the instability to which so many revolutionary states eventually succumb, the durability of charismatic politics in North Korea defines its exceptional place in modern history. Kwon and Chung make an innovative contribution to comparative socialism and postsocialism as well as to the anthropology of the state. Their pioneering work is essential for all readers interested in understanding North Korea’s past and future, the destiny of charismatic power in modern politics, the role of art in enabling this power.
A "close-up look at the cloistered country" (USA Today), See You Again in Pyongyang is American writer Travis Jeppesen's "probing" and "artful" (New York Times Book Review) chronicle of his travels in North Korea--an eye-opening portrait that goes behind the headlines about Trump and Kim, revealing North Koreans' "entrepreneurial spirit, and hidden love of foreign media, as well as their dreams and fears" (Los Angeles Times). In See You Again in Pyongyang, Travis Jeppesen, the first American to complete a university program in North Korea, culls from his experiences living, traveling, and studying in the country to create a multifaceted portrait of the country and its idiosyncratic capital city in the Kim Jong Un Era. Anchored by the experience of his five trips to North Korea and his interactions with citizens from all walks of life, Jeppesen takes readers behind the propaganda, showing how the North Korean system actually works in daily life. He challenges the notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Jeppesen introduces readers to an array of fascinating North Koreans, from government ministers with a side hustle in black market Western products to young people enamored with American pop culture. With unique personal insight and a rigorous historical grounding, Jeppesen goes beyond the media cliches, showing North Koreans in their full complexity. See You Again in Pyongyang is an essential addition to the literature about one of the world's most fascinating and mysterious places.