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Published to accompany the exhibition at the Tate Gallery, Liverpool 23 June - 1 October 2000.
Marking the 150th anniversary of the National Gallery of Ireland, celebrated Irish writers find inspiration in its magnificent collection In 1864 the National Gallery of Ireland opened to the public in Dublin. It then housed just 112 paintings. Today the gallery holds over 15,000 works of European art and is notable both for its extensive collection of Irish art and its Italian baroque and Dutch masters paintings. For this anthology, published to mark the 150th anniversary of the National Gallery of Ireland, fifty-six Irish writers have contributed short stories, essays, and poems inspired by pictures in the collection. These literary responses to art are by turns profound, playful, and insightful. Authors include acclaimed figures in contemporary Irish literature, such as Colm Tóibín, John Banville, John Boyne, Roddy Doyle, Colum McCann, Paula Meehan, Paul Muldoon, John Montague, and Seamus Heaney. The pictures that the writers have selected are intriguingly diverse. They range from old master paintings by Caravaggio, Rembrandt, El Greco, and Velázquez to works by Impressionist and Post-Impressionist artists such as Claude Monet and Pierre Bonnard, as well as works by Irish artists such as Jack B. Yeats, John Lavery, Gerard Dillon, and Paul Henry. The book is organized alphabetically by writer and each text is illustrated with the chosen work in color. Edited with preface by Janet McLean, Curator of European Art 1850–1950 at the NGI.
An accessible and attractive beginner’s guide to getting the most out of looking at pictures Beautifully illustrated with some of the world’s greatest pictures, from cave paintings and Roman mosaics to Picasso and Damien Hirst, this affordable guide explains the art of looking at and understanding pictures, equipping the reader with the vision and tools to approach any museum picture with confidence. Looking at pictures can be an exciting or moving experience, but some pictures—often the most rewarding—require some explanation before they can be fully understood. Delving into the origins, designs, and themes of over one hundred pictures from different periods and places, this book illuminates the art of looking at—and talking about—pictures. Susan Woodford shows how one can read a picture by examining the formal and stylistic devices used by an artist, and she explores popular themes and subject matter, and the relationship of pictures to the societies that produced them. This indispensable guide is supplemented by a glossary of key terms, ranging from art movements and technical terms to religious and classical terminology, to give readers all the information they need at their fingertips.
A fascinating examination of Caravaggio and others who adopted his dramatic style of painting The Italian painter known as Caravaggio (1571-1610) claims a place among the most revolutionary figures in the history of art. His intense naturalism, almost brutal realism, and dramatic use of light had a wide impact on European painters, including Orazio Gentileschi, Valentin de Boulogne, and Gerrit van Honthorst. Each of Caravaggio's followers absorbed something different from his work, propagating his stylistic legacy across Europe. In this extensively illustrated catalogue, Letizia Treves introduces the international Caravaggesque movement and traces the distinct artistic personalities of its leading players. Even now, Caravaggio's name overshadows the other talented artists who adopted his approach to narrative painting: the use of theatrical lighting to illuminate a story encapsulated in a single, dramatic moment. Treves explains the innovative and unifying features of these painters' work and how, despite resistance to their style and subject matter, many outstanding Caravaggesque pictures found their way into important collections. Published by the National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (10/12/16-01/15/17) National Gallery of Ireland, Dublin (02/11/17-05/14/17) Scottish National Gallery, Edinburgh (06/17/17-09/24/17)
This book is to coincide with the National Gallery's exhibiton of the same name. With chapters from leading Irish historians, including Roy Foster, Tom Dunne and Raoisain Kennedy, 'Creating History' delivers fascinating assessments that situate the Easter Rising and Ireland's claim to independence through the historical significance and aesthetic value of Ireland's major artistic works.
A thoughtful introduction to art and its interpretation for children, with a sense of humor Why is Art Full of Naked People? is an irreverent and informative primer that asks tricky questions about what makes art art. What is with all the fruit? Why is art so weird nowadays? There are questions about how art views the world, from cave paintings through to Cubism, from the Renaissance to contemporary art, questions about different genres, including still-life painting, landscapes and portraits, and questions about the role and value of art in the past and today. Artists ask questions when they make art and viewers ask questions when they look at art; this book provides an engaging way for young people to explore asking and answering questions for themselves. The book is structured around twenty-two questions, each one tackled over two spreads. Through this provocative approach it offers an introduction to art history and a toolkit to enable young people to feel confident asking questions, searching for answers, and “reading” art for themselves.