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Venture into the fascinating world of color theory with Robert Boyle's groundbreaking work, "Experiments and Considerations Touching Colours." This insightful exploration delves into the science of color, combining empirical experiments with philosophical reflections that continue to resonate in the study of optics and perception. As Boyle's discoveries unfold, witness the intricate relationship between light, matter, and human perception. His meticulous observations and innovative experiments challenge conventional thinking about colors and their properties.But here's a thought-provoking question: How do colors shape our experiences and understanding of the world? Boyle’s inquiries push us to consider the deeper implications of color beyond mere aesthetics. Immerse yourself in the rich detail of Boyle's experiments, each one a step toward unraveling the mysteries of color. His methodical approach invites readers to engage with the scientific process and appreciate the beauty of discovery. Are you ready to explore the vibrant spectrum of knowledge with Boyle in "Experiments and Considerations Touching Colours"?Engage with enlightening passages that illuminate the connections between science and art. Boyle's pioneering work will inspire you to see colors not just as visual phenomena but as integral components of our reality. This is your chance to enrich your understanding of color and its significance. Will you take the plunge into the colorful world of science and philosophy?Seize the opportunity to delve into a classic work of scientific inquiry. Purchase "Experiments and Considerations Touching Colours" now, and let Boyle’s insightful explorations inspire your own journey of discovery.
Arguing that the early Royal Society moved science toward racialization by giving skin color a new prominence as an object of experiment and observation, Cristina Malcolmson provides the first book-length examination of studies of skin color in the Society. She also brings new light to the relationship between early modern literature, science, and the establishment of scientific racism in the nineteenth century. Malcolmson demonstrates how unstable the idea of race remained in England at the end of the seventeenth century, and yet how extensively the intertwined institutions of government, colonialism, the slave trade, and science were collaborating to usher it into public view. Malcolmson places the genre of the voyage to the moon in the context of early modern discourses about human difference, and argues that Cavendish’s Blazing World and Swift’s Gulliver’s Travels satirize the Society’s emphasis on skin color.
How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
A biography of the remarkable—and in her time scandalous—seventeenth-century writer Margaret Cavendish, who pioneered the science fiction novel. "My ambition is not only to be Empress, but Authoress of a whole world."—Margaret Cavendish Margaret Cavendish, then Lucas, was born in 1623 to an aristocratic family. In 1644, as England descended into civil war, she joined the court of the formidable Queen Henrietta Maria at Oxford. With the rest of the court she went into self-imposed exile in France. Her family's wealth and lands were forfeited by Parliament. It was in France that she met her partner, William Cavendish, Marquess of Newcastle-upon-Tyne, a marriage that made her the Duchess of Newcastle and would remain at the heart of both her life and career. Margaret was a passionate writer. She wrote extensively on gender, science, philosophy, and published under her own name at a time when women simply did not do so. Her greatest work was The Blazing World, published in 1666, a utopian proto-novel that is thought to be one of the earliest works of science fiction that brought together Margaret's talents in poetry, philosophy, and science. Yet hers is a legacy that has long divided opinion, and history has largely forgotten her, an undeserved fate for a brilliant, courageous proto-feminist. In Pure Wit, Francesca Peacock remedies this omission and shines a spotlight on the fascinating, pioneering, yet often complex and controversial life, of the multi-faceted Margaret Cavendish.
First Published in 2004. This book presents the first integrated treatment of the mechanical or corpuscular philosophy of Robert Boyle, one of the leading English natural philosophers of the Scientific Revolution. It focuses on the concepts central to Boyle’s philosophy, including the theory of matter and its qualities, causation, laws of nature, motion and the incorporeal. The book is divided into two parts—the first examining the manner in which Boyle distinguished between various types of qualities, his view on the perception of these qualities and the ontological status of the sensible qualities. The second part examines Boyle’s mechanism in general. Through detailed examination of Boyle’s conceptions of motion, laws and space, it is argued that Boyle upholds a unique view of the causal interaction of natural bodies.
Kevin Killeen addresses one of the most enigmatic of seventeenth century writers, Thomas Browne (1605-1682), whose voracious intellectual pursuits provide an unparalleled insight into how early modern scholarly culture understood the relations of science, politics and religion. The book centres on a reassessment of Browne's most elaborate text, Pseudodoxia Epidemica, his vast encyclopaedia of error and through this explores the multivalent nature of early-modern enquiry.
This book presents a new view of Robert Boyle (1627-91), the leading British scientist in the generation before Newton. It comprises a series of essays by scholars from Europe and North America that scrutinize Boyle's writing on science, philosophy and theology, bringing out the subtlety and complexity of his ideas. Particular attention is given to Boyle's interest in alchemy and to other facets of his ideas that might initially seem surprising in a leading advocate of the mechanical philosophy. Many of the essays use material from among Boyle's extensive manuscripts, which have recently been catalogued for the first time. The introduction surveys the state of Boyle studies and deploys the findings of the essays to offer a reevaluation of Boyle. The book also includes a complete bibliography of writings on Boyle since 1940.