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English barrister and novelist Samuel Warren wrote a legal parody titled "The Experiences of a Barrister, and Confessions of an Attorney" in the 19th century. First published in 1833, the book presents a light-hearted and satirical view of the English legal system in the author's day. A barrister named Mr. Subtle reveals his experiences, insights, and confessions regarding the legal profession as the story progresses. Warren gives readers a satirical look into the inner workings of the legal profession by exposing the peculiarities, foolishness, and absurdities of the legal system through clever anecdotes and humorous situations. The book explores a number of legal practice topics, such as lawyer personalities, legal ethics, and courtroom antics. Its humorous storytelling entertains the reader while shedding light on the peculiarities and difficulties of the legal profession. It does this by fusing humour with social critique.
"[...]guilt as if I had seen you commit the act with my own bodily eyes. The circumstance of your being a person who, from habits and education, should have been above committing so base a crime, only aggravates your guilt. However, no matter who or what you have been, you must expiate your offence on the scaffold. The law has very properly, for the safety of society, decreed the punishment of death for such crimes: our only and plain duty is to execute that law." The prisoner did not reply: he was leaning with his elbows on the front of the dock, his bowed face covered with his outspread hands; and[...]".
DIVA successful former defense attorney exposes the raw truth about the courtroom “game” and a career spent defending the guilty/divDIV As an advocate for the accused in Newark, New Jersey, criminal lawyer Seymour Wishman defended a vast array of clients, from burglars and thieves to rapists and murderers. Many of them were poor and undereducated, and nearly all of them were guilty. But it was not Wishman’s duty to pass moral judgment on those he represented. His job was to convince a jury to set his clients free or, at the very least, to impose the most lenient punishment permissible by law. And he was very good at his job. Reveling in the adrenaline rush of “winning,” Wishman gave no thought to the ethical considerations of his daily dealings . . . until he was confronted on the street by a rape victim he had humiliated in the courtroom./divDIV /divDIVA fascinating, no-holds-barred memoir of his years spent as “attorney for the damned,” Wishman’s Confessions of a Criminal Lawyer is a startling and important work—an eye-opening, thought-provoking examination of how the justice system works and how it should work—by an attorney who both defended and prosecuted those accused of the most horrific crimes./div
Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration. Instructors considering this book for use in a course may request an examination copy here.
Excerpt from The Experiences of a Barrister, and Confessions of an Attorney At the period referred to, Shep-keeping had not attained that degree of organization, with respect to counter-men and cashiers, which now distinguishes the great houses of trade. The primi tive till was not yet superseded. This was the weak point in' Harvey's arrangements and not to make a needless number of words about it, the poor man was regularly robbed by a shep man, whose dexterity in pitching a guinea into the drawer, so as to make it jump, unseen, with a jerk into his hand, was worthy of Herr Dobler, or any other master of the sublime art of jugglery. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Crime fiction--a product of the burgeoning metropolis of the 19th century--features specialists who identify criminals to protect an anxious citizenry. Before detectives came to play the central role, the protagonists tended to be lawyers or other professionals. Major English writers like Gaskell, Dickens and Collins contributed to the genre--Fergus Hume's The Mystery of a Hansom Cab was a best-seller in 1887--and American and French authors created new forms. This book explores thematic aspects of 19th century crime fiction's complex history, including various social and gender roles between different time periods and settings, and the imperial elements that made Sherlock Holmes seem dynamically contemporary.