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This book argues for a new anthropology of the moving image, bringing together an important range of essays on time-based media in the contemporary arts and anthropology. It builds on recent attempts to develop more experimental formats and engages with debates on epistemologies of ethnography, relational aesthetics, materiality, sensory ethnography, and observational and participatory cinema. Arnd Schneider critically revisits Baudrillard’s idea of the simulacrum and the hyperreal, engages with new media theory, and elaborates on the potential of the Writing Culture critique for moving image practices bordering art and anthropology. This important work will be essential reading for anybody working across the fields of visual anthropology, film and media studies and visual studies.
Expanded visions -- Experimenting with film, art and ethnography: Oppitz, Downey, Lockhart -- Rethinking anthropological researh and representation through experimental film -- Stills that move: photohilm and anthropology -- On the set of a cinema movie in a Mapuche reservation -- A black box for participatory cinema: movie making with "neighbors" in Saladillo, Argentina -- An anthropology of abandon: art--ethnography in the films of Cyrill Lachauer -- Can film restitute? Expanded moving image visions for museum objects in the times of decolony.
Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.
ECC Essentials: Teaching the Expanded Core Curriculum to Students with Visual Impairments is the first comprehensive book for teachers of students with visual impairments to focus on the nine areas of the ECC that encompass the unique skills children and adolescents with visual impairments need to learn in order to access the core educational curriculum and become independent individuals, by providing the rationale, suggestions, and strategies necessary to implement instruction. The nine areas include compensatory access, sensory efficiency, assistive technology, orientation and mobility, independent living, social interaction, recreation and leisure, career education, and self-determination. ECC Essentials helps teachers manage time efficiently and effectively; work with students of different ages and ability levels; collaborate with parents and other members of the educational team; conduct assessments; align instruction with state standards and the general education core curriculum; and maximize planning effectiveness. The book includes learning activities that combine several areas of the ECC; information about additional resources; specific guidelines and strategies for teaching each of the nine areas of the ECC. ECC Essentials provides teachers with a road map for helping their students achieve success in school and in life.
A Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
Satisfy the hunger in your heart! An exciting and insightful journey into the visionary world of The Seer. The prophetic movements in church history and in contemporary life are fed by two mighty streams: the prophet, whose revelation is primarily verbal the seer, whose revelation is more visionary While the role of the prophet is familiar, less is known about The Seer dimension. To many people, these visionary prophets remain mysterious, other-worldly, and even strange. Knowledge dispels misunderstanding, and you will discover the prophetic power of dreams, visions, and life under the open heavens. Questions answered include: How does visionary revelation happen? Can it be trusted? Where does it fit into your life and today’s church? Can any believer become a seer? Is it a prophetic dimension reserved for the spiritually-gifted? The Seer will move your heart and stir up your hunger for intimacy with God because the seer’s goal is to reveal the person of Christ Jesus—to you, today.
A woman artist struggles to successfully raise her children during desperate times. A recreation of the stories Sheila Buchanan Buell told to her daughter the author, Patsy Buell Stierna.
In 1955 John D. W. Watts presented the faculty lectures at the Baptist Theological Seminary in Ruschlikon. Amos and prophetic studies have not been the same since. Three years later, in 1958, Vision and Prophecy in Amos appeared as an instant must in studies on Amos and on biblical prophecy in general. Watts' form-critical analysis of the visions of Amos became an immediate classic in its field. Long out of print, this new edition of Vision and Prophecy is available for all students and scholars of biblical prophecy. Moreover, Watts has added new material on Amos. He explores Amos forty years later both in terms of its literary whole and in the context of the Book of the Twelve.
Cerebral visual impairment (also known as cortical visual impairment, or CVI) has become the most common cause of visual impairment in children in the United States and the developed world. Vision and the Brain is a unique and comprehensive sourcebook geared especially to professionals in the field of visual impairment, educators, and families who need to know more about the causes and types of CVI and the best practices for working with affected children. Expert contributors from many countries represent education, occupational therapy, orientation and mobility, ophthalmology, optometry, neuropsychology, psychology, and vision science, and include parents of children with CVI. The book provides an in-depth guide to current knowledge about brain-related vision loss in an accessible form to enable readers to recognize, understand, and assess the behavioral manifestations of damage to the visual brain and develop effective interventions based on identification of the spectrum of individual needs. Chapters are designed to help those working with children with CVI ascertain the nature and degree of visual impairment in each child, so that they can "see" and appreciate the world through the child's eyes and ensure that every child is served appropriately.
Business and politics behind the development of digital high-definition television, by the Pulitzer Prize-winning correspondent who covered it. The true impact of HDTV and how it was developed is more tortured--and the global competition that created it much more exciting--than any newspaper and magazine has been able to report. Here is the story from behind the scenes.