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"This book is the first to explore the interaction of three media in contemporary Spain. Focusing on some of the best known and most important books, feature films, and television series in the country (including novelist Antonio Munoz Molina, director Pedro Almodovar, and the Spanish version of telenovela Ugly Betty), it addresses three pairs of linked issues central to Hispanic studies and beyond: history and memory, authority and society, and genre and transitivity. Much of the material is very recent and thus as yet unstudied. The book also focuses on the representation of gender, sexuality, and transnationalism in these texts. Drawing on approaches from both the humanities and social sciences it combines close readings of key texts with the analysis of production processes, media institutions, audiences, and reception."
Designed to give advanced-intermediate and advanced-level students a foundation in business vocabulary, basic business and cultural concepts and situational practice necessary to be successful in today's Spanish- speaking business world.
Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente�s mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States�including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa�but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berr�os-Miranda, Shannon Dudley, and Michelle Habell-Pall�n challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities�including Chicanos, Tejanos, and Puerto Ricans�in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.
Addresses the topic of prostitution and "easy women" in Mexican literature. The figure of the prostitute or sexually liberated woman not only permeates Mexican folk songs and popular movies but stands at the crossroads of its national literary culture. In Easy Women, Debra A. Castillo focuses on the prostitute, or the woman perceived as such, in order to ask why this character exerts such a hold on the Mexican imagination. Combining early twentieth-century novels, current best-selling pulp fiction, and testimonial narratives, Castillo explores how Mexican writers have positioned the "easy woman" in their works. In each example the transgressive woman -- marked by an active sexuality -- serves a crucial narrative function, one that both promotes and challenges myths about women on the continuum of sexual promiscuity. Ending with a discussion based on a series of in-depth interviews with sex workers in Tijuana, Castillo highlights the complexities and ambiguities of these women's professional and personal lives. Bridging Latin American literary and cultural criticism, gender studies, and studies of Mexican society, Easy Women provides a sophisticated and groundbreaking examination of the place of the sexually liberated woman in contemporary Mexican culture.
In contrast with the central arguments of the event structure, which have been extensively studied, much less attention has been given to non-arguments. To bridge this gap, the present volume focuses on prepositional and adverbial phrases expressing instrumental, causal, spatial, temporal roles and the like, i.e. semantic roles which have been typically associated with oblique case. The various contributions show that case in general, and oblique case in particular, is at the intersection between form and meaning: at issue are the nuclear versus non-nuclear status of these phrases and the semantic roles they express. The import of these phrases on the event structure is described in a functional-cognitive perspective for Cora, Nyulnyul, German, Dutch, French and Spanish. The specific analyses of empirical phenomena presented in this volume, as well as their implications for linguistic theory in general, will be of interest for scholars interested in syntax, semantics and pragmatics. This is the sixth and final volume of the Case and Grammatical Relations across Languages project.