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Here are five brilliant stories written by this Providence, RI author during his close association with H. P. Lovecraft, stories that reflect the dark supernatural worlds conjured up by the Lovecraft Circle, originators of the modern weird tales published in the pulp magazines of the early 20th Century. The subjects of the stories touch upon the themes of teleportation, ghosts, mystery and vampirism.
A New York Times and Los Angeles Times Bestseller “Doughty chronicles [death] practices with tenderheartedness, a technician’s fascination, and an unsentimental respect for grief.” —Jill Lepore, The New Yorker Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world’s funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry—especially chemical embalming—and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.
Kagin's Crossing is a collection of eponymous weekly religious columns written for small town newspapers. It is designed to be picked up and read wherever God leads you to read it, depending on the topic you are interested in for the day. The columns encompass all areas of life, encouraging the reader to view topics from a biblical perspective. This book brings the Bible to life and will inspire and challenge the reader to truly live a Christian lifestyle.
A Specially Tender Piece of Eternity examines Virginia Woolf's treatment of time both as a theme of her works and as an essential element in her experimental narrative techniques. By drawing on both stylistic analysis and philosophy, Teresa Prudente investigates Paul Riceour's concept of a-linear time within Woolf's work, as both the possibility for the subject to enter a timeless temporal dimension (in Orlando and To the Lighthouse) and as a tragic alteration and separation from reality (in Mrs. Dalloway). Through the examination of the meta-narrative elements in Woolf's novels, and of her original employment of interior monologue and free indirect speech, Prudente redefines and reassesses Woolf's experiments in narrative that challenged ineffability while recreating moments of ecstasy. Book jacket.
Two women and one man are locked up together for eternity in one hideous room in Hell. The windows are bricked up, there are no mirrors, the electric lights can never be turned off, and there is no exit. The irony of this Hell is that its torture is not of the rack and fire, but of the burning humiliation of each soul as it is stripped of its pretenses by the cruel curiosity of the damned. Here the soul is shorn of secrecy, and even the blackest deeds are mercilessly exposed to the fierce light of Hell. It is an eternal torment.
There is an old fundamentalist argument that the world will eventually be destroyed in the Apocalypse, so there is no point in caring for it. When one reads about the delicate balance of the first moments of the cosmos, one can only marvel at the process which brought about the existence of the earth and the creatures that inhabit it. One of Theo McCall's joys in life is cycling. He lives in the city of Adelaide, South Australia, a perfect city for cycling. When he first began this project, once or twice a week he would cycle in the early morning. The last part of the return trip would involve riding eastwards into the rising sun. Whenever he felt the warmth of the sun on his face and was aware of its sheer power and energy, he was convinced that the universe is an overwhelmingly beautiful place, which God would never abandon or destroy. It is with this complete faith in God's love for creation that he set out to write an account of how this creation, with all its beauty and fragility, as well as its flaws and scars, might be transformed into God's new creation. Given the ecological crisis that we face, how can we meaningfully talk about the consummation of all things, without removing the impetus for ecological action? In other words, is it possible to develop an ecological eschatology?
"With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us."