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How have Jews reshaped their identities as Jews in the face of the radical newness called America? Julian Levinson explores the ways in which exposure to American literary culture—in particular the visionary tradition identified with Ralph Waldo Emerson and Walt Whitman—led American Jewish writers to a new understanding of themselves as Jews. Discussing the lives and work of writers such as Emma Lazarus, Mary Antin, Ludwig Lewisohn, Waldo Frank, Anzia Yezierska, I. J. Schwartz, Alfred Kazin, and Irving Howe, Levinson concludes that their interaction with American culture led them to improvise new and meaningful ways of being Jewish. In contrast to the often expressed view that the diaspora experience leads to assimilation, Exiles on Main Street traces an arc of return to Jewish identification and describes a vital and creative Jewish American literary culture.
Recorded during the blazing hot summer of 1971 at Villa Nellcôte, Keith Richards's seaside mansion in southern France, Exile on Main Street has been hailed as one of the greatest rock records of all time. Yet its improbable creation was difficult, torturous...and at times nothing short of dangerous. In self-imposed exile, the Stones-along with wives, girlfriends, and an unrivaled crew of hangers-on-spent their days smoking, snorting, and drinking whatever they could get their hands on, while at night, Villa Nellcôte's basement studio became the crucible in which creative strife, outsized egos, and all the usual byproducts of the Stones' legendary hedonistic excess fused into something potent, volatile, and enduring. Here, for the first time, is the season in hell that produced Exile on Main Street.
Explores the making of the Rolling Stones' album "Exile on Main Street" and also examines the technical and creative aspects of each individual recording.
The first collection of academic essays focused entirely on the musical, historical, cultural and media impact of the Rolling Stones.
How have Jews reshaped their identities as Jews in the face of the radical newness called America? Julian Levinson explores the ways in which exposure to American literary culture -- in particular the visionary tradition identified with Ralph Waldo Emerson and Walt Whitman -- led American Jewish writers to a new understanding of themselves as Jews. Discussing the lives and work of writers such as Emma Lazarus, Mary Antin, Ludwig Lewisohn, Waldo Frank, Anzia Yezierska, I. J. Schwartz, Alfred Kazin, and Irving Howe, Levinson concludes that their interaction with American culture led them to improvise new and meaningful ways of being Jewish. In contrast to the often expressed view that the diaspora experience leads to assimilation, Exiles on Main Street traces an arc of return to Jewish identification and describes a vital and creative Jewish American literary culture.
No group could be raunchier than the Stones--and this behind-the-scenes title tells the story of the Stones at their darkest! 20 photos. Index.
New Orleans has always captured our imagination as an exotic city in its racial ambiguity and pursuit of les bons temps. Despite its image as a place apart, the city played a key role in nineteenth-century America as a site for immigration and pluralism, the quest for equality, and the centrality of self-making. In both the literary imagination and the law, creoles of color navigated life on a shifting color line. As they passed among various racial categories and through different social spaces, they filtered for a national audience the meaning of the French Revolution, the Haitian Revolution of 1804, the Civil War and Reconstruction, and de jure segregation. Shirley Thompson offers a moving study of a world defined by racial and cultural double consciousness. In tracing the experiences of creoles of color, she illuminates the role ordinary Americans played in shaping an understanding of identity and belonging.
In the lightning-paced sequel to The Icon Thief, Europe’s turbulent past and terrifying future are set to collide in the streets and prisons of London—and beyond. Rachel Wolfe, a gifted FBI agent assigned to a major investigation overseas, discovers that a notorious gun runner has been murdered at his home in London, his body set on fire. When a second victim is found under identical circumstances, the ensuing chase plunges Wolfe and her colleagues into a breathless race across Europe, a secret war between two ruthless intelligence factions, and a hunt for a remorseless killer with a deadly appointment in Helsinki. At the heart of the mystery lies one of the strangest unsolved incidents in the history of Russia—the unexplained death of nine mountaineers in the Dyatlov Pass five decades before. And at the center of it all stands a figure from Wolfe’s own past, the Russian thief and former assassin known in another life as the Scythian…
During World War II, London experienced not just the Blitz and the arrival of continental refugees, but also an influx of displaced foreign governments. Drawing together renowned historians from nine countries—the United Kingdom, Germany, the Netherlands, Belgium, Poland, Slovenia, the Czech Republic, and Slovakia—this book explores life in exile as experienced by the governments of Czechoslovakia and other occupied nations who found refuge in the British capital. Through new archival research and fresh historical interpretations, chapters delve into common characteristics and differences in the origin and structure of the individual governments-in-exile in an attempt to explain how they dealt with pressing social and economic problems at home while abroad; how they were able to influence crucial allied diplomatic negotiations; the relative importance of armies, strategic commodities, and equipment that particular governments-in-exile were able to offer to the Allied war effort; important wartime propaganda; and early preparations for addressing postwar minority issues.
For ten days in March 1971, the Rolling Stones traveled by train and bus to play two shows a night in many of the small theaters and town halls where their careers began. No backstage passes. No security. No sound checks or rehearsals. And only one journalist allowed. That journalist now delivers a full-length account of this landmark event, which marked the end of the first chapter of the Stones' extraordinary career. Ain't It Time We Said Goodbye is also the story of two artists on the precipice of mega stardom, power, and destruction. For Mick and Keith, and all those who traveled with them, the farewell tour of England was the end of the innocence. Based on Robert Greenfield's first-hand account and new interviews with many of the key players, this is a vibrant, thrilling look at the way it once was for the Rolling Stones and their fans—and the way it would never be again.