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Dr. Annabelle Schwartzman has finally found a place to belong. As the medical examiner for the San Francisco Police Department, working alongside homicide detective Hal Harris, she uncovers the tales the dead can't tell about their final moments. It is a job that gives her purpose--and a safe haven from her former life at the hands of an abusive husband. Although it's been seven years since she escaped that ordeal, she still checks over her shoulder to make sure no one is behind her. Schwartzman's latest case is deeply troubling: the victim bears an eerie resemblance to herself. What's more, a shocking piece of evidence suggests that the killer's business is far from over--and that Schwartzman may be in danger. In this pulse-pounding thriller from award-winning writer Danielle Girard, a woman must face her worst nightmare to catch a killer.
This book argues that a serious, scholarly study on exhumation is long overdue. Examining more well-known cases, such as that of Richard III, the Romanovs, and Tutankhamen, alongside the more obscure, Michael Nash explores the motivations beyond exhumation, from retribution to repatriation. Along the way, he explores the influence of Gothic fiction in the eighteenth century, the notoriety of the Ressurection Men in the nineteenth century, and the archeological heyday of the twentieth century.
How fictional representations of dead bodies develop over the twentieth century is the central concern of Lisa K. Perdigao's study of American writers. Arguing that the crisis of bodily representation can be traced in the move from modernist entombment to postmodernist exhumation, Perdigao considers how works by writers from F. Scott Fitzgerald, William Faulkner, Willa Cather, and Richard Wright to Jody Shields, Toni Morrison, Octavia Butler, and Jeffrey Eugenides reflect changing attitudes about dying, death, and mourning. For example, while modernist writers direct their plots toward a transformation of the dead body by way of metaphor, postmodernist writers exhume the transformed body, reasserting its materiality. Rather than viewing these tropes in oppositional terms, Perdigao examines the implications for narrative of the authors' apparently contradictory attempts to recover meaning at the site of loss. She argues that entombment and exhumation are complementary drives that speak to the tension between the desire to bury the dead and the need to remember, indicating shifts in critical discussions about the body and about the function of aesthetics in relation to materialized violence and loss.
It's hard enough to be The Living Corpse -- the flies, the hunger for human brains, and the unending task of holding off the hordes of darkness from creeping into the world of the living. But when a Nosferatu suddenly moves into his graveyard, all hell breaks loose! And what will happen when The Living Corpse's friend, Lilith, get's caught in the middle? It's a battle of the undead and only one will be left standing! (here's a hint... the name of the book ain't Nosferatu!) The Living Corpse rises from the grave in an all-new, 6-issue mini-series, collected in this trade paperback, complete with a cover gallery and bonus material.
Exhumed, Tried and Hanged elucidates the abuse of folk good faith and ignorance by a conceited, ruthless and grasping leadership that sows carnage among the natives of Etambeng, culminating in unprecedented exodus, untold suffering and death of the people in neighbouring villages. Upon the death of the perpetrator the few returnees are made to listen to the gruesome stories of how the aggrieved children of his victims took revenge on his corpse.
IT'S A STORY OF BLOOD, SWEAT AND SPHERES! The fifth and final PHANTASM took an incredible eight years to go from set to screen. The project began as an experimental short before becoming a thirteen part web series and finally a feature length sequel. Shot in secret on a microbudget, RAVAGER reunites PHANTASM 's core cast thirty-five years after the original cult classic. The new sequel filmed not in Hollywood soundstages but in the homes of cast and crew. Visual effects were handled mostly by the director. Decades-old props were taken out of storage and dusted off for reuse. They just don't make movies like this anymore. In fact, they never really did to begin with. Such is THE STRANGE CASE OF PHANTASM RAVAGER! FURTHER EXHUMED includes: - A thorough chronicle of the journey from web series to feature film - Analysis of unproduced scripts by Roger Avary and Stephen Romano - Examination of RAVAGER's story, themes and conclusion - Info on deleted scenes and alternate dialogue - Why the film was delayed years after announcement - Details on filming locations and special effects - A breakdown of the Red Credit sequence - Phantasmic Drink Recipes and Trivia Questions from the Hollywood Premiere - More tips and tricks for better embalming (still kidding!)
Leena Dhingra family was forced to abandon the family house when Partition placed Lahore in Pakistan and go into exile in France. The big family secret is the execution of Madan Lal Dhingra, Leena's great uncle, in London on 17 August 1909. An Indian freedom fighter, Madan Lal assassinated the British Army official William Hutt Curzon. In England, Madan Lal is a famous murderer: in India he is hailed as a great patriot, revolutionary terrorist, and martyr. In December 1976, his remains were exhumed and his body returned to India. Part memoir, part history, Exhumation: The Life and Death of Madan Lal Dhingra is the revealing and unraveling of secrets.