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"Shackel provides a compelling account of how an archaeology of working-class life can correct and enrich historical knowledge and improve public understanding of the American industrial experience."--Dean J. Saitta, University of Denver "A thorough, well-written overview of the issues confronting an archaeology of labor and the contributions historical archaeologists have made in addressing those issues. I would strongly recommend this book for anyone teaching historical archaeology or labor history at the university level."--Stephen A. Mrozowski, University of Massachusetts The winners write history. Thus, it is no surprise that the story of American industrialization is dominated by tales of unbridled technical and social progress. What happens, though, when we take a closer look at the archaeological record? That is the focus of Paul Shackel's new book, which examines labor and working-class life in nineteenth- and early twentieth-century industrial America. Shackel offers an overview of a number of ongoing archaeology projects that are focused on reconstructing the capital-labor relations of the past. He demonstrates that worker unrest has been a constant feature of industrialization, as the fight for fair wages and decent working conditions has been a continual one. He shows how workers resisted conditions through sabotage and how new immigrants dealt with daily life in company housing; he even reveals important information about conditions in strike camps.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
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