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Published in conjunction with an exhibition held at The Metropolitan Museum of Art, New York, Sept. 16, 2013-Jan. 5, 2014.
An excellent introduction to the study of Chinese textiles, this volume was originally written as a handbook to accompany a special exhibit of Chinese court robes and accessories presented by the Museum in December, 1931. In addition to providing an historical background information essential to understanding these beautiful objects, specific examples from the Met's collection are discussed in detail.
Every Chinese textile tells a story, and this book tells many stories of Chinese life and legend through the sumptuous textiles that adorn its pages. Breathtaking in workmanship, colour and design, they were made for a purpose, and it is those created for celebrations that dominate the selection in this book. As well as dealing with technique and influence, Wilson tells the story of each piece - why it was made and for whom - and introduces us to a galaxy of characters from China's history and legend. The superb photography allows us to see how richly these textiles reflect the culture from which they come.
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea—shocking in ethnocentric China—that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book—richly documented and abundantly illustrated—is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
The culture of the People's Republic of China offers a unique blend of the popular, the political and the avant-garde. In no other country in the world are cultural products subjected to such strict censorship and at the same time consumed by such large numbers of people. This volume presents essays by scholars at the cutting edge of Chinese cultural studies, dealing with subjects ranging from advertising to poetry, from rock music to revolutionary museums, providing an authoritative and multi-faceted analysis of some of the world's most complex cultural phenomena.
Reprint of the original, first published in 1876.