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Life in a provincial capital is the subject of this study of Exeter during the Elizabethan and early Stuart ages. The author offers new insight into the way the English middle-class lived and the way in which Tudor policy achieved its aims in the provinces. During this period, Exeter was characterized by its self-sufficiency and by an oligarchical control over every aspect of its civic life. Wallace MacCaffrey describes a semi-autonomous world in itself, in which a small interlocked group of merchant families, related by marriage, kept tight control over the economy, politics, religion, education and social activities. Taking the inclinations and actions of the local figures as his points of departure, the author discusses such great issues of the age as the Reformation, the war with Spain, and the monarchy, and examines how often they were pushed aside or subordinated to local affairs. Although the local citizen body had no part in national policy making, it was called upon to participate in carrying out the directives which came from London; it did carry out these policies, sometimes successfully, sometimes unsuccessfully. In writing this detailed study, MacCaffrey has drawn on hitherto unused files from the records of the city.
Scholars tend to specialize in either urban or agrarian history, and the whole picture of an era or event is never entirely pieced together. Ten essays seek to close the gap by considering the impact of the 17th-century civil war on both the towns and the countryside, emphasizing both the divergence and similarity of experiences. Distributed in the US by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
In this, the first comprehensive study of post-Reformation provincial English portraiture, Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rather as a phenomenon which was surprisingly widespread, both socially and geographically, throughout the realm. He suggests that provincial portraiture differed from the 'mainstream', cosmopolitan portraiture of the day in its workmanship, materials, inspirations, and even vocabulary, showing how its native English roots continued to guide its production. Innovative chapters consider the aims and vocabulary of English provincial portraiture, the relationship of portraiture and heraldry, the painter's occupation in provincial (as opposed to metropolitan) England, and the contrasting availability of materials and training in both provincial and metropolitan areas. The work as a whole contributes to both art history and social history: it speaks to admirers and collectors of painting as well as to curators and academics.
This is a study of the social and cultural implications of the growth of governance in England in the century after 1550. It is principally concerned with the role played by the middling sort in social and political regulation, especially through the use of the law. It discusses the evolution of public policy in the context of contemporary understandings, of economic change; and analyses litigation, arbitration, social welfare, criminal justice, moral regulation and parochial analyses administration as manifestations of the increasing role of the state in early modern England.
The Otis family was largely responsible for committing Barnstable to the revolutionary cause, a move that irrevocably undermined the placid, homogenous nature of their society. As he discusses the reactions of the Otises and their community to this crisis, Waters illuminates the causes of the Revolution itself. Originally published in 1968. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This groundbreaking collection explores the convergence of the spatial and digital turns through a suite of smartphone apps (Hidden Cities) that present research-led itineraries in early modern cities as public history. The Hidden Cities apps have expanded from an initial case example of Renaissance Florence to a further five historic European cities. This collection considers how the medium structures new methodologies for site-based historical research, while also providing a platform for public history experiences that go beyond typical heritage priorities. It also presents guidelines for user experience design that reconciles the interests of researchers and end users. A central section of the volume presents the underpinning original scholarship that shapes the locative app trails, illustrating how historical research can be translated into public-facing work. The final section examines how history, delivered in the format of geolocated apps, offers new opportunities for collaboration and innovation: from the creation of museums without walls, connecting objects in collections to their original settings, to informing decision-making in city tourism management. Hidden Cities is a valuable resource for upper-level undergraduates, postgraduates, and scholars across a variety of disciplines including urban history, public history, museum studies, art and architecture, and digital humanities. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
No period of British history generates such deep interest as the reign of Elizabeth I, from 1558 to 1603. The individuals and events of that era continue to be popular topics for contemporary literature and film, and Elizabethan drama, poetry, and music are studied and enjoyed everywhere by students, scholars, and the general public. The Historical Dictionary of the Elizabeth World provides clear definitions and descriptions of people, events, institutions, ideas, and terminology relating in some significant way to the Elizabethan period. The first dictionary of history to focus exclusively on the reign of Elizabeth I, the Dictionary is also the first to take a broad trans-Atlantic approach to the period by including relevant individuals and terms from Irish, Scottish, Welsh, American, and Western European history. Editors' Choice: Reference
This volume of essays explores the interaction of Church and town in the medieval period in England. Two major themes structure the book. In the first part the authors explore the social and economic dimensions of the interaction; in the second part the emphasis moves to the spaces and built forms of towns and their church buildings. The primary emphasis of the essays is upon the urban activities of the medieval Church as a set of institutions: parish, diocese, monastery, cathedral. In these various institutional roles the Church did much to shape both the origin and the development of the medieval town. In exploring themes of topography, marketing and law the authors show that the relationship of Church and town could be both mutually beneficial and a source of conflict.