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This study describes the books produced by one of America's most controversial publishers, Thomas Bird Mosher, whose editions helped disseminate British literature and design to the American public. Variously described as literary pirate by some yet praised as prince of publishers by others, Mosher's passion for literary texts led him to reprint books without the author's permission, though he often paid royalties. Mosher never technically broke any copyright laws, and many authors defended him for assisting in introducing the American public to authors such as William Morris, Oscar Wilde, Robert Louis Stevenson, Walter Pater, Dante Gabriel Rossetti, George Meredith, Robert Browning and George Gissing in affordable editions. The designs of Blake, Rossetti, Pissarro, Strang, Morris and MacMurdo and presses such as the Vale, Chiswick and Kelmscott also appeared in The Mosher Books.
The transatlantic crossing of people and goods shaped nineteenth-century poetry in surprising ways. This book focuses on poetic depictions of exile, slavery, immigration, and citizenship and explores the often asymmetrical traffic between British and American poetic cultures.
The spellbinding last full-length play produced during the author's lifetime is now published for the first time. Christmas 1982: Cornelius and Bella McCorkle of Pascagoula, Mississippi, return home one midnight in a thunderstorm from the Memphis funeral of their older son to a house and a life literally falling apart--daughter Joanie is in an insane asylum and their younger son Charlie is upstairs having sex with his pregnant, holy-roller girlfriend as the McCorkles enter. Cornelius, who has political ambitions and a litany of health problems, is trying to find a large amount of moonshine money his gentle wife Bella has hidden somewhere in their collapsing house, but his noisy efforts are disrupted by a stream of remarkable characters, both living and dead. While Williams often used drama to convey hope and desperation in human hearts, it was through this dark, expressionistic comedy, which he called a "Southern gothic spook sonata," that he was best able to chronicle his vision of the fragile state of our world.
Pensive, mercurial, and often funny, the private Robert Frost remains less appreciated than the public poet. The Letters of Robert Frost, the first major edition of the correspondence of this complex and subtle verbal artist, includes hundreds of unpublished letters whose literary interest is on a par with Dickinson, Lowell, and Beckett.
This study examines several unexplored aspects of the poetry of Robert Frost, one of the most widely read and studied American poets, and shows how they contribute to the reader's experience and modernism in general.
Gathers Pound's letters to the publisher of the Little Review and provides background information on this period in Pound's life.