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In Excavating the Afterlife, Guolong Lai explores the dialectical relationship between sociopolitical change and mortuary religion from an archaeological perspective. By examining burial structure, grave goods, and religious documents unearthed from groups of well-preserved tombs in southern China, Lai shows that new attitudes toward the dead, resulting from the trauma of violent political struggle and warfare, permanently altered the early Chinese conceptions of this world and the afterlife. The book grounds the important changes in religious beliefs and ritual practices firmly in the sociopolitical transition from the Warring States (ca. 453–221 BCE) to the early empires (3rd century–1st century BCE). A methodologically sophisticated synthesis of archaeological, art historical, and textual sources, Excavating the Afterlife will be of interest to art historians, archaeologists, and textual scholars of China, as well as to students of comparative religions. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/excavating-the-afterlife Honorable Mention for the 2016 Society for American Archaeology Book Award in the Scholarly Category
Rachel Hallote's Book examins the archaeological, literary, and artistic evidence for the burial practices of biblical times, their antecedents, and successors.
With the prevalence of smartphones, massive data storage, and search engines, we might think of today as the height of the information age. In reality, every era has faced its own challenges of storing, organizing, and accessing information. While they lacked digital devices, our ancestors, when faced with information overload, utilized some of the same techniques that underlie our modern interfaces: they visualized and spatialized data, tying it to the emotional and sensory spaces of memory, thereby turning their minds into a visual interface for accessing information. In Excavating the Memory Palace, Seth David Long mines the history of Europe’s arts of memory to find the origins of today’s data visualizations, unearthing how ancient constructions of cognitive pathways paved the way for modern technological interfaces. Looking to techniques like the memory palace, he finds the ways that information has been tied to sensory and visual experience, turning raw data into lucid knowledge. From the icons of smart phone screens to massive network graphs, Long shows us the ancestry of the cyberscape and unveils the history of memory as a creative act.
"The Death and Afterlife of Mahatma Gandhi is an explosive and original analysis of the assassination of the ‘Father of the Nation’. Who is responsible for the Mahatma’s death? Just one determined zealot, the larger ideology that supported him, the Congress-led Government that failed to protect him, or a vast majority of Indians and their descendants who considered Gandhi irrelevant, and endorsed violence instead? Paranjape’s meticulous study culminates in his reading of Gandhi’s last six months in Delhi where, from the very edge of the grave, he wrought what was perhaps his greatest miracle – the saving of Delhi and thus of India itself from the internecine bloodshed of Partition. Paranjape, taking a cue from the Mahatma himself, also shows us a way to expiate our guilt and to heal the wounds of an ancient civilization torn into two. This is a brilliant, far-reaching and profound exploration of the meaning of the Mahatma’s death."
"This is the first English-language monograph on the early history of cartography in China. Its chief players are three maps found in tombs that date from the fourth to the second century BCE and together constitute the entire known corpus of ancient Chinese maps (ditu). A millennium separates them from the next available map from 1136 CE. Most scholars study them through the lens of modern, empirical definitions of maps and their use. This book offers an alternative view by drawing on methods not just from cartography but from art history, archaeology, and religion. It argues that, as tomb objects, the maps were designed to be simultaneously functional for the living and the dead-that each map was drawn to serve navigational purposes of guiding the living from one town to another as well as to diagram ritual order, thereby taming the unknown territory of the dead. In contrast with traditional scholarship, The Art of Terrestrial Diagrams in Early China proposes that ditu can "speak" through their forms. Departing from dominant theories of representation that forge a narrow path from form to meaning, the book braids together two main strands of argumentation to explore the multifaceted and multifunctional diagrammatic tradition of rendering space in early China"--
EDUCATIONAL: HISTORY. Discusses ancient Egypt--the complex society with advanced architecture, scientific developments, and arts and crafts developed around the Nile River in North Africa. Ages 9+
The Western Han dynasty (202 BCE–9 CE) was a foundational period for the artistic culture of ancient China, a fact particularly visible in the era’s funerary art. Iconic forms of Chinese art such as dazzling suits of jade; cavernous, rock-cut mountain tombs; fancifully ornate wall paintings; and armies of miniature terracotta warriors were prepared for the tombs of the elite during this period. Many of the finest objects of the Western Han have been excavated from the tombs of kings, who administered local provinces on behalf of the emperors. Allison R. Miller paints a new picture of elite art production by revealing the contributions of the kings to Western Han artistic culture. She demonstrates that the kings were not mere imitators of the imperial court but rather innovators, employing local materials and workshops and experimenting with new techniques to challenge the artistic hegemony of the imperial house. Tombs and funerary art, Miller contends, functioned as an important vehicle of political expression as kings strove to persuade the population and other elites of their legitimacy. Through case studies of five genres of royal art, Miller argues that the political structure of the early Western Han, with the emperor as one ruler among peers, benefited artistic production and innovation. Kingly Splendor brings together close readings of funerary art and architecture with nuanced analyses of political and institutional dynamics to provide an interdisciplinary revisionist history of the early Western Han.
In 1996, archaeologists made an incredible discovery—a huge, ancient burial place in the Western Desert of Egypt. As the team worked at the site, they discovered mummies encased in gold, jewels, coins, and jars that once held wine. What have archaeologists learned about life in ancient Egypt by studying the mummies? What secrets have the artifacts buried in the tombs revealed? And could it be possible that more than 10,000 ancient Egyptian mummies are buried in the valley?
The Dead Man, Marvin Bell’s brilliant poetic invention, is an overarching consciousness, alive and dead at once, defeating time. Mystical and anonymous, The Dead Man offers searing insight into the joys, as well as the catastrophes, of fluctuating cultural and political moments. Incarnate draws from all of Bell’s previous collections where The Dead Man appeared, and adds an abundant cache of new poems that resonate with “the dark matter and sticky stuff” of life. As David St. John writes in his introduction, “No voice in our poetry has spoken with more eloquence and wisdom of the daily spiritual, political and psychological erosion in our lives; no poet has gathered our American experience with a more capacious tenderness—all the while naming and celebrating our persistent hopes and enduring human desires....Remarkable for its eclectic and culturally diverse vision, Incarnate embodies a vivid world of poetic reflection unlike anything else in American poetry.”
"As gripping as any detective fiction. Proof that one doesn't need to be fascinated with Richard III to be enthralled by the story of his body's discovery." —Publisher's Weekly In August 2012 a search began, and on February 4, 2013, a team from Leicester University delivered its verdict to a mesmerized press room and to the world: they had found the remains of Richard III, whose legacy was perhaps the most contested of all British monarchs. Prior to this major discovery, there had been little new information about Richard III for some time. With no new evidence to fuel it, the debate over what kind of man he might have been seemed to have stalled. Thus the story of the discovery of Richard III is a story of the value of archaeology—careful analysis of physical evidence backed up by the latest science and technology—and how it can change our understanding of history. Firsthand accounts from the team that found the king, along with photographs from the author’s own archives and an expanded epilogue incorporating new DNA evidence, augment this compelling detective story as the evidence is uncovered.