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This highly readable catalogue for the special exhibition of the same name describes in 205 pages more than 160 works of art and artifacts from a renowned British collection. The show's United States tour began in April 2005 at Emory University's Michael C. Carlos Museum in Atlanta, Georgia and continues through June 2009. The objects are explained in 12 richly illustrated chapters that deal with various aspects of ancient Egyptian art and material culture: chronology; sculpture; archaeology; sites; weights and measures; daily life; writing; arts and crafts; ceramics; funerary works; tools and weapons; and faience and glass objects. First and foremost, Excavating Egypt... is the story of the Petrie Museum of Egyptian Archaeology, founded through bequest in 1892 by writer Amelia Edwards (1831-1892) at University College London. It was named after Sir William Matthew Flinders Petrie (1853-1942), a professor of Egyptian Archaeology. Edwards' numerous trips to the land of the pharaohs were described in her popular A Thousand Miles Up the Nile (1877); the book introduced British readers to Egypt, its people and ancient monuments.
Short studies concerning Egyptian Nile Delta related excavations and museum objects in honor of Willem van Haarlem on the occasion of his retirement as curator at the Allard Pierson Museum, Amsterdam.
'It is a story full of drama, with the Nile, the pyramids and the Valley of the Kings as backdrop. That A World Beneath the Sands is also a subtle and stimulating study of the paradoxes of 19th-century colonialism is a bonus indeed.' - Tom Holland, GuardianWhat could be more exciting, more exotic or more intrepid than digging in the sands of Egypt in the hope of discovering golden treasures from the age of the pharaohs? Our fascination with ancient Egypt goes back to the ancient Greeks. But the heyday of Egyptology was undoubtedly the nineteenth and early twentieth centuries. This golden age of scholarship and adventure is neatly book-ended by two epoch-making events: Champollion's decipherment of hieroglyphics in 1822 and the discovery of Tutankhamun's tomb by Howard Carter and Lord Carnarvon a hundred years later.In A World Beneath the Sands, the acclaimed Egyptologist Toby Wilkinson tells the riveting stories of the men and women whose obsession with Egypt's ancient civilisation drove them to uncover its secrets. Champollion, Carter and Carnarvon are here, but so too are their lesser-known contemporaries, such as the Prussian scholar Karl Richard Lepsius, the Frenchman Auguste Mariette and the British aristocrat Lucie Duff-Gordon. Their work - and those of others like them - helped to enrich and transform our understanding of the Nile Valley and its people, and left a lasting impression on Egypt, too. Travellers and treasure-hunters, ethnographers and epigraphers, antiquarians and archaeologists: whatever their motives, whatever their methods, all understood that in pursuing Egyptology they were part of a greater endeavour - to reveal a lost world, buried for centuries beneath the sands.
Winlock, H.E. Digger's luck.The mummy of Wah unwrapped.The tomb of Queen Meryetamun.Mace, A.C. Work at the tomb of Tutankhamun.Davies, N. Tomb paintings at Thebes.
Beneath the waters of Abukir Bay, at the edge of the northwestern Nile Delta, lie the submerged remains of once-lost ancient Egyptian cities that sank over 1,200 years ago, but were dramatically rediscovered in the last years of the 20th century. Pioneering underwater excavations, begun in 1999 and still underway, are uncovering an array of ancient buildings and artefacts. Temple ruins and monumental statuary, harbour installations (and no fewer than 69 shipwrecks), exquisite jewellery and delicate ceramics are among the intriguing remains of these cities already lifted from the sea. Through these extraordinary finds, this book tells the story of how two iconic ancient civilizations, Egypt and Greece, interacted in the late first millennium BC, from the founding of Thonis-Heracleion, Naukratis and Canopus as trading and religious centres to the conquest of Egypt by Alexander the Great, through the ensuing centuries of Ptolemaic (Hellenistic) rule, to the suicide of Cleopatra and the ultimate dominance of Rome. Throughout, Greeks and Egyptians lived alongside one another in these lively cities, sharing their politics, religious beliefs, languages and customs. Greek kings adopted the regalia of the pharaoh; ordinary Greek citizens worshipped in Hellenic sanctuaries next to Egyptian temples; and their ancient gods and mythologies became ever more closely intertwined. Published to accompany the blockbuster British Museum exhibition showcasing a spectacular collection of objects, this book retells the history and rediscovery of this vibrant and multi-cultural ancient society.
An intimate account of the Arab Spring, and Egypt’s past and present, seen through the eyes of a wide range of Egyptians: political operators, archaeologists and garbage collectors; women, the queer community and migrants.
A History of World Egyptology is a ground-breaking reference work that traces the study of ancient Egypt over the past 150 years. Global in purview, it enlarges our understanding of how and why people have looked, and continue to look, into humankind's distant past through the lens of the enduring allure of ancient Egypt. Written by an international team of scholars, the volume investigates how territories around the world have engaged with, and have been inspired by, ancient Egypt and its study, and how that engagement has evolved over time. Chapters present a specific territory from different perspectives, including institutional and national, while examining a range of transnational links as well. The volume thus touches on multiple strands of scholarship, embracing not only Egyptology, but also social history, the history of science and reception studies. It will appeal to amateurs and professionals with an interest in the histories of Egypt, archaeology and science.
This book describes the excavations and archaeological finds of ancient Egyptian civilizations, existing from 5000 B.C.E. to 30 B.C.E.
In 1922, as Egypt became an independent nation, the tomb of the young king Tutankhamun was discovered at Luxor, the first known intact royal burial from ancient Egypt. The excavation of the small but crowded tomb by Howard Carter and his team generated enormous media interest and was famously photographed by Harry Burton. These photographs, along with letters, plans, drawings and diaries, are part of an archive created by the excavators and presented to the Griffith Institute, University of Oxford after Carter's death. These historic images and records present a vivid and first-hand account of the discovery, of the spectacular variety of the king's burial goods and of the remarkable work that went into documenting and conserving them. The archive enables a nuanced and inclusive view of the complexities of both the ancient burial and the excavation, including often overlooked Egyptian members of the archaeological team. This selection of fifty key items by the staff of the Griffith Institute provides an accessible and authoritative overview of the archive, drawing on new research on the collection and giving an intimate insight into the records of one of the world's most famous archaeological discoveries.
Conflicted Antiquities is a rich cultural history of European and Egyptian interest in ancient Egypt and its material culture, from the early nineteenth century until the mid-twentieth. Consulting the relevant Arabic archives, Elliott Colla demonstrates that the emergence of Egyptology—the study of ancient Egypt and its material legacy—was as consequential for modern Egyptians as it was for Europeans. The values and practices introduced by the new science of archaeology played a key role in the formation of a new colonial regime in Egypt. This fact was not lost on Egyptian nationalists, who challenged colonial archaeologists with the claim that they were the direct heirs of the Pharaohs, and therefore the rightful owners and administrators of ancient Egypt’s historical sites and artifacts. As this dispute developed, nationalists invented the political and expressive culture of “Pharaonism”—Egypt’s response to Europe’s Egyptomania. In the process, a significant body of modern, Pharaonist poetry, sculpture, architecture, and film was created by artists and authors who looked to the ancient past for inspiration. Colla draws on medieval and modern Arabic poetry, novels, and travel accounts; British and French travel writing; the history of archaeology; and the history of European and Egyptian museums and exhibits. The struggle over the ownership of Pharaonic Egypt did not simply pit Egyptian nationalists against European colonial administrators. Egyptian elites found arguments about the appreciation and preservation of ancient objects useful for exerting new forms of control over rural populations and for mobilizing new political parties. Finally, just as the political and expressive culture of Pharaonism proved critical to the formation of new concepts of nationalist identity, it also fueled Islamist opposition to the Egyptian state.