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Excavating Exodus analyzes adaptations of Exodus in novels, newspapers, and speeches from the antebellum period to the Civil Rights era. Although Exodus has perennially served to mobilize resistance to oppression, Black writers have radically reinterpreted its meaning over the past two centuries. Changing interpretations of Moses’ story reflect evolving conceptions of racial identity, religious authority, gender norms, political activism, and literary form. Black writers transformed Moses from a paragon of race loyalty into an avatar of authoritarianism. Excavating Exodus identifies a rhetorical tradition initiated by David Walker and carried on by Martin Delany and Frances Harper that treats Moses’ loyalty to his fellow Hebrews as his defining characteristic. By the twentieth century, however, a more skeptical group of writers, including Zora Neale Hurston, Ralph Ellison, and William Melvin Kelley, associated Moses with overbearing charismatic authority. This book traces the transition from Walker, who treated Moses as the epitome of self-sacrifice, to Kelley, who considered Moses a flawed model of leadership and a threat to individual self-reliance. By asking how Moses became a touchstone for notions of racial belonging, Excavating Exodus illuminates how Black intellectuals reinvented the Mosaic model of charismatic male leadership.
The Reverend John Marrant (1755–91) was North America’s first Black ordained minister and one of America’s earliest Black authors and preachers. In The Gospel of John Marrant, Alphonso F. Saville IV examines how Protestantism and West African indigenous religious practices deeply informed his life and ministry. Saville follows Marrant from his time evangelizing the Cherokee in Georgia to meeting with Black Freemasons in Boston to engaging with diasporic communities along the Eastern Seaboard and in England. Using the Black folk magic tradition of conjure as a lens for understanding Marrant’s religious imagination, Saville outlines the importance of Africana religious and cultural themes, symbols, and cosmologies in the biblical interpretation and ritual culture of early Black North American Christian communities. Marrant’s life and work, Saville contends, reveal the diverse religious cultures that contributed to the formation of African American Christianity and its evolution into a prominent institution during the colonial and early history of the United States. In so doing, he demonstrates the need to recenter both religion and Africa in the study of African American cultural and intellectual history.
Countering scholarly tendencies to fragment the text over theological difficulties, this New Studies in Biblical Theology volume contends that Exodus should be read as a unified whole, and that an appreciation of its missionary theme in its canonical context is of great help in dealing with the difficulties that the book poses.
Examining how economic change influences religion, and the way literature mediates that influence, this book provides a thorough reassessment of modern American culture. Focusing on the period 1840-1940, the author shows how the development of capitalism reshaped American Protestantism and addresses the necessary role of literature in that process. Arguing that the “spirit of capitalism” was not fostered by traditional Puritanism, Ball explores the ways that Christianity was transformed by the market and industrial revolutions. This book refutes the long-held secularization thesis by showing that modernity was a time when new forms of the sacred proliferated, and that this religious flourishing was essential to the production of American culture. Ball draws from the work of Émile Durkheim and cultural sociology to interpret modern social upheavals like religious awakenings, revivalism, and the labor movement. Examining work from writers like Rebecca Harding Davis, Jack London, and Countee Cullen, he shows how concepts of salvation fundamentally intersect with matters of race, gender, and class, and proposes a theory that explains the enchantment of modern American society.
The Eerdmans Critical Commentary offers the best of contemporary Old and New Testament scholarship, seeking to give modern readers clear insight into the biblical text, including its background, its interpretation, and its application. Contributors to the ECC series are among the foremost authorities in biblical scholarship worldwide. Accessible to serious general readers and scholars alike, each volume includes the author's own translation, critical notes, and commentary on literary, historical, cultural, and theological aspects of the text. - Back cover.
For the past 200 years archaeological work has provided new information that allows us to peer into the past and open chapters of human history that have not been read for centuries, or even millennia. In The Archaeology of the Bible James K. Hoffmeier provides the reader with an incisive account of archaeology's role in shaping our understanding of the biblical texts. Fundamental issues addressed throughout include how archaeological discoveries relate to biblical accounts, and the compatibility of using scientific disciplines to prove or disprove a religious book such as the Bible. This work is an ideal introduction to the societies and events of the Ancient Near East and their relation to our interpretation of the Bible.
This book traces the theme of justice throughout the narrative of Exodus in order to explicate how yhwh’s reclamation of Israel for service-worship reveals a distinct theological ethic of justice grounded in yhwh’s character and Israel’s calling within yhwh’s creational agenda. Adopting a synchronic, text-immanent interpretive strategy that focuses on canonical and inner-biblical connections, Nathan Bills identifies two overlapping motifs that illuminate the theme of justice in Exodus. First, Bills considers the importance of Israel’s creation traditions for grounding Exodus’s theology of justice. Reading Exodus against the backdrop of creation theology and as a continuation of the plot of Genesis, Bills shows that the ethical disposition of justice imprinted on Israel in Exodus is an application of yhwh’s creational agenda of justice. Second, Bills identifies an educational agenda woven throughout the text. The narrative gives heightened attention to the way yhwh catechizes Israel in what it means to be the particular beneficiary and creational emissary of yhwh’s justice. These interpretative lenses of creation theology and pedagogy help to explain why Israel’s salvation and shaping embody a programmatic applicability of yhwh’s justice for the wider world. This volume will be of substantial interest to divinity students and religious professionals interested in the themes of exodus, exile, and return.
Digging through History follows rabbi and archaeologist Richard Freund's journey through some of the most fascinating archaeological sites of human history—including the mysterious Atlantis, Qumran and the Dead Sea Scrolls, and the long-buried Holocaust camp Sobibor. Each chapter takes readers through a different archaeological site, showing what we can learn about past religious life and religious faith through the artifacts found there, as well as what has given each site such strong "staying power" over time. Richard Freund and the research in Digging through History are featured in the National Geographic documentary Atlantis Rising, which premieres on National Geographic on Sunday, January 29, at 9/8 central. The documentary follows Oscar-winning executive producer James Cameron and Emmy-winning filmmaker Simcha Jacobovici as they investigate the myths and realities of Atlantis. Digging through History is the only book that details Freund’s groundbreaking research on Atlantis that is featured in the f
This collection of essays covers the four major periods of Israel's history and explores the theological, literary, historical, and archaeological dimensions of each era.
The final chapter in the definitive, three-volume history of the world's first known state Archaeologist John Romer has spent a lifetime chronicling the history of Ancient Egypt, and here he tells the epic story of an era dominated by titans of the popular imagination: the radical iconoclast Akhenaten, the boy-king Tutankhamun and the all-conquering Ramesses II. But 'heroes' do not forge history by themselves. This was also a time of international trade, cultural exchange and sophisticated art, even in the face of violent change. Alongside his visionary new history of this, the most famous period in the long history of Ancient Egypt, Romer turns a critical eye on Egyptology itself. Paying close attention to the evidence, he corrects prevailing narratives which cast the New Kingdom as an imperial state power in the European mould. Instead, he reveals - through broken artefacts in ruined workshops, or preserved letters between a tomb-builder and his son - a culture more beautiful and beguiling than we could have imagined. Romer carefully reconstructs the real story of the New Kingdom as evidenced in the archaeological record, and the result - the final volume of a life long project - secures his status as Ancient Egypt's finest chronicler.