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Ari Marcopoulos is an Amsterdam-born photographer and filmmaker who often situates himself in the lives of people living on the edge. He shot this series during one February afternoon in Exarcheia, a neighbourhood in central Athens which is famously known as home to Greek anarchists. Through 352 colourful pictures of graffiti and crumbling concrete walls, a coherent urban portrait comes to light, as if Marcopoulos was scanning the area through his camera lens. The entire series remains unedited in the layout of the book, presenting an accurate reflection of a district that still preserves the memory of decades of resistance to state repression.
Sometimes, the maelstrom of a crisis can be captured in a single image. The image of the mundane, barely noticeable movement of an urban dweller as they go about their everyday life. Athens and the War on Public Space commences from images just like this one, collected over a two-year period of research (2012-2014) in Athens during a time of severe financial and political crisis. For the author-curators of this volume, public space became a light-sensitive surface upon which they could begin to map the material imprints of the most structural and violent characteristics of the crisis, and their research spread in different directions, tracking the role of infrastructure and the shifts the financial crisis brought about upon built environments, the violent manifestations of the official anti-migrant policy, the rise of racism, the imposition of the emergency upon public space, and the phenomenology of mass transit.
A radical history of squatting and the struggle for the right to remake the city The Autonomous City is the first popular history of squatting as practised in Europe and North America. Alex Vasudevan retraces the struggle for housing in Amsterdam, Berlin, Copenhagen, Detroit, Hamburg, London, Madrid, Milan, New York, and Vancouver. He looks at the organisation of alternative forms of housing—from Copenhagen’s Freetown Christiana to the squats of the Lower East Side—as well as the official response, including the recent criminalisation of squatting, the brutal eviction of squatters and their widespread vilification. Pictured as a way to reimagine and reclaim the city, squatting offers an alternative to housing insecurity, oppressive property speculation and the negative effects of urban regeneration. We must, more than ever, reanimate and remake the urban environment as a site of radical social transformation.
This book offers original interdisciplinary insights into cities as a diachronic creation of urban art. It engages in a sequence of historical perspectives to examine urban space as an object of apparent quasi-cycles and processes of constitution, exaltation, imitation, contestation and redemption through art. Urban art transforms the city into a human-made sublime which is explored in the context of the Eastern Mediterranean. The book probes this process primarily through the example of Athens and Byzantine Constantinople, but also Jerusalem, Cyprus and regional cities, revealing how urban space unavoidably encompasses a spatial and temporal palimpsest which is constantly emerging. It presents new ideas for both the theorization and sensuous conception of artistic reality, architecture, and planning attributes. These extend from archaic, classical and Byzantine urban splendour to current urban decline as constitution and attack on the sublime and back. Urban processes of contestation and redemption respond recently to the new ‘imperialism of debt’ and the positivist, technocratic understandings and demands of Euro-governments and neoliberal institutions, while still evoking older forms of spatial power. Offering fresh notions on art, architecture, space, antiquity, (post)-modernity and politics of the region, this book will appeal to scholars and students of geography, urban studies, art, restoration, and film theory, architecture, landscape design, planning, anthropology, sociology and history.
In Subversive Archaism, Michael Herzfeld explores how individuals and communities living at the margins of the modern nation-state use nationalist discourses of tradition to challenge state authority under both democratic and authoritarian governments. Through close attention to the claims and experiences of mountain shepherds in Greece and urban slum dwellers in Thailand, Herzfeld shows how these subversive archaists draw on national histories and past polities to claim legitimacy for their defiance of bureaucratic authority. Although vilified by government authorities as remote, primitive, or dangerous—often as preemptive justification for violent repression—these groups are not revolutionaries and do not reject national identity, but they do question the equation of state and nation. Herzfeld explores the political strengths and vulnerabilities of their deployment of heritage and the weaknesses they expose in the bureaucratic and ethnonational state in an era of accelerated globalization.
In recent years the borders of Europe have been perceived as being besieged by a staggering refugee and migration crisis. The contributors to The Borders of "Europe" see this crisis less as an incursion into Europe by external conflicts than as the result of migrants exercising their freedom of movement. Addressing the new technologies and technical forms European states use to curb, control, and constrain what contributors to the volume call the autonomy of migration, this book shows how the continent's amorphous borders present a premier site for the enactment and disputation of the very idea of Europe. They also outline how from Istanbul to London, Sweden to Mali, and Tunisia to Latvia, migrants are finding ways to subvert visa policies and asylum procedures while negotiating increasingly militarized and surveilled borders. Situating the migration crisis within a global frame and attending to migrant and refugee supporters as well as those who stoke nativist fears, this timely volume demonstrates how the enforcement of Europe’s borders is an important element of the worldwide regulation of human mobility. Contributors. Ruben Andersson, Nicholas De Genova, Dace Dzenovska, Evelina Gambino, Glenda Garelli, Charles Heller, Clara Lecadet, Souad Osseiran, Lorenzo Pezzani, Fiorenza Picozza, Stephan Scheel, Maurice Stierl, Laia Soto Bermant, Martina Tazzioli
The Routledge International Handbook of Heritage and Politics surveys the intersection of heritage and politics today and helps elucidate the political implications of heritage practices. It explicitly addresses the political and analyses tensions and struggles over the distribution of power. Including contributions from early-career scholars and more established researchers, the Handbook provides global and interdisciplinary perspectives on the political nature, significance and consequence of heritage and the various practices of management and interpretation. Taking a broad view of heritage, which includes not just tangible and intangible phenomena, but the ways in which people and societies live with, embody, experience, value and use the past, the volume provides a critical survey of political tensions over heritage in diverse social and cultural contexts. Chapters within the book consider topics such as: neoliberal dynamics; terror and mobilisations of fear and hatred; old and new nationalisms; public policy; recognition; denials; migration and refugeeism; crises; colonial and decolonial practice; communities; self- and personhood; as well as international relations, geopolitics, soft power and cooperation to address global problems. The Routledge International Handbook of Heritage and Politics makes an intervention into the theoretical debate about the nature and role of heritage as a political resource. It is essential reading for academics and students working in heritage studies, museum studies, politics, memory studies, public history, geography, urban studies and tourism.
There is a poetic convergence between the struggles of people on the move and people in the peripheries of power, as they may collectively envision alternative forms of coexistence and fight together for fundamental rights and a dignified life. The emergence of fresh perspectives on solidarity from local communities across the board can become the driving force behind a transformative movement of the people. Examples of small yet impactful acts of solidarity in the northern Mediterranean region illustrate how migration fuels social change, leading to the alteration of established norms. These examples further challenge the dominant populist narrative of migration, and integration into mainstream society as the only viable solution. The recent influx of migrant arrivals in Europe challenges established paradigms, rekindling discussions on human rights and democracy regarding the treatment of people on the move and their experiences after arriving in a new location. Despite dominant nation-state narratives and inadequate institutional approaches to displacement, narratives of solidarity among local communities have emerged transcending borders, shedding light on the class, race, and gender-based dimensions of migration. In this book, Hakan Shearer Demir examines how displacement and governance influence the meaning of what it means to be "local," as it is constantly reshaped by the diverse experiences, cultural norms, and the connections of newcomers to places, people, and stories in the northern Mediterranean region. Through his Displacement Triggered Community Co-Construction Framework (CCF), Shearer Demir presents an alternative approach that combines meta-integration and municipalist principles, while taking on patriarchy and hierarchies. The CCF offers a potential pathway to establishing a community of equals that prioritizes meeting essential human needs and upholding human dignity. It is a groundbreaking approach to one of the burning questions of our time. Shearer Demir’s book serves as a valuable source for professionals, practitioners, and academics working in the field of displacement, integration, and governance.
For many, “Greece” is synonymous with “ancient Greece,” the civilization that gave us much that defines Western culture today. But, how did Greece come to be so powerfully attached to the legacy of the ancients in the first place and then define an identity for itself that is at once Greek and modern? This book reveals the remarkable achievement, during the last three hundred years, of building a modern nation on the ruins of a vanished civilization—sometimes literally so. This is the story of the Greek nation-state but also, and more fundamentally, of the collective identity that goes with it. It is not only a history of events and high politics; it is also a history of culture, of the arts, of people, and of ideas. Opening with the birth of the Greek nation-state, which emerged from encounters between Christian Europe and the Ottoman Empire, Roderick Beaton carries his story into the present moment and Greece’s contentious post-recession relationship with the rest of the European Union. Through close examination of how Greeks have understood their shared identity, Beaton reveals a centuries-old tension over the Greek sense of self. How does Greece illuminate the difference between a geographically bounded state and the shared history and culture that make up a nation? A magisterial look at the development of a national identity through history, Greece: Biography of a Modern Nation is singular in its approach. By treating modern Greece as a biographical subject, a living entity in its own right, Beaton encourages us to take a fresh look at a people and culture long celebrated for their past, even as they strive to build a future as part of the modern West.
What does the future hold? Is the desertification of the planet, driven by state and corporate authority, the final horizon of history? Is the dystopian future implied by the systemic degradation of nature and society inescapable? From marginal activist groups to governments and interstate organizations, all appear to be concerned with what the future of our shared world will look like. Yet even amid the ongoing global crisis caused by capitalism, the potential of a different, radically rooted future has also appeared. Common Futures explores the global emergence of twenty-first-century social movements, opposed to capitalism and state authority. These movements, Yavor Tarinski and Alexandros Schismenos show, transcend traditional political forms of organization and try to form autonomous networks premised on direct democracy and solidarity. The authors identify the importance of grassroots movements, which can bring radical change and create a more democratic and ecological future.Common Futures examines the social and political roots of the environmental crisis and the relationship between ecology and direct democracy. But Tarinski and Schismenos go beyond the analysis of crises, contemporary struggles, and social movements: Common Futures also clarifies the conditions for the re-creation of free public time and space and point to practical steps that we can take to alleviate the problems of our future.