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Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol's fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
The purpose of this monograph on "Evolution of Swastika: Good or Evil," is an attempt to show to the world the real meaning of an ancient symbol Swastika, meaning, 'Well Being', 'Good Existence', and 'Good Luck'. But why is this symbol so important and why did Adolf Hitler decide to use it? The Swastika symbol was not invented by Hitler, he stole it from "Rig Veda" . He made this signal to a most hated signal for his own hatred towards the Jews and the non-Aryan race and his greed to make "Thousand Year Reich" for the German Aryans and as the supreme leader of the world. It should be reminded that Swastika is a sacred symbol of Hindus, Buddhists, Jains. Historically, many other native peoples of several regions the world over have regarded Swastika as a sacred symbol. In Europe use of Swastika is banned as it was used by Hitler and Nazis for Evil purposes. Hitler did not invent Swastika, he just stole it. Hitler and Nazis also used Cross on the chest-pocket. So why ban Swastika and use it for good purpose of life?
The first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. The first study of Sinnbildforschung, German ideograph or swastika studies, though more broadly it tells the tale of the development of German antiquarian studies (ancient Germanic history, archaeology, anthropology, folklore, historical linguistics and philology) under the influence of radical right wing politics, and the contemporary construction of 'Germanicness' and its role in Nazi thought. The swastika and similar symbols were employed by the ancestors of the modern day Germans. As these had also become emblematic symbols of the forces of German reaction, Sinnbildforschung became intrinsically connected with the National Socialist regime after 1933 and disappeared along with the Third Reich in 1945.
Michael Stolleis is part of a younger generation and is determined to honestly confront the past in hopes of preventing the same injustices from happening in the future.
Swastika over the Acropolis is a new, multi-national account which provides a new and compelling interpretation of the Greek campaign of 1941, and its place in the history of World War II. It overturns many previously accepted English-language assumptions about the fighting in Greece in April 1941 – including, for example, the impact usually ascribed to the Luftwaffe, German armour and the conduct of the Greek Army Further, Swastika over the Acropolis demonstrates that this last complete strategic victory by Nazi Germany in World War II is set against a British-Dominion campaign mounted as a withdrawal, not an attempt to ‘save’ Greece from invasion and occupation. At the same time, on the German side, the campaign revealed serious and systemic weaknesses in the planning and the conduct of large-scale operations that would play a significant role in the regime’s later defeats.
Lita-Rose Betcherman analyzes the origins of totalitarianism and how it became a powerful trend in European countries and even Canada in the 1930s. The Swastika and the Maple Leaf traces the growth of fascism in Canada, from its roots in Quebec to its widespread appeal across the country.
Selling under the Swastika is the first in-depth study of commercial advertising in the Third Reich. While scholars have focused extensively on the political propaganda that infused daily life in Nazi Germany, they have paid little attention to the role played by commercial ads and sales culture in legitimizing and stabilizing the regime. Historian Pamela Swett explores the extent of the transformation of the German ads industry from the internationally infused republican era that preceded 1933 through the relative calm of the mid-1930s and into the war years. She argues that advertisements helped to normalize the concept of a "racial community," and that individual consumption played a larger role in the Nazi worldview than is often assumed. Furthermore, Selling under the Swastika demonstrates that commercial actors at all levels, from traveling sales representatives to company executives and ad designers, enjoyed relative independence as they sought to enhance their professional status and boost profits through the manipulation of National Socialist messages.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.