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In this thrilling sequel to the author's Twisted Tango, former OSS officer Pete Benton finds himself in Washington, D.C. in the summer of 1951, working for a Department of Justice task force investigating organized crime. When a member of the task force is found near dead from a brutal beating, Pete and his wife Mara are confronted with the possibility that they might be next to suffer from an attack. But a greater danger lurks when the Bentons unknowingly become the targets of revenge from the powerful first lady of Argentina, Evita Pern, still bitter over Pete's efforts to spy on her and Juan Pern six years earlier. David Friedman, the man who recruited Benton in Buenos Aires, is now working for the Central Intelligence Agency, continuing his relentless pursuit of Nazi war criminals. In that effort, Friedman himself is recruited by a beautiful Israeli intelligence officer to provide information on Nazi war criminals relocated by the CIA to the United States. Reunited in the nation's capital, the Bentons and Friedman find themselves caught up in a tangled web of intrigue, deceit, betrayal, and revenge that puts them all in peril.
The story of one of the most fascinating women of all time—Maria Eva Duarte, who rose from poverty to become one of the richest, most powerful women in the world. Eva Perón was a star and a legend during her lifetime, one of the most alluring women of the twentieth century. Through the hit Broadway musical Evita by Andrew Lloyd Webber, her story became famous, and with the release of the film starring Madonna as Eva Perón, her life became a media obsession once again. Evita, as she preferred to style herself, was the beautiful and legendary woman who rose up from poverty to become the hypnotically powerful first lady of Argentina. To millions of poor people, she was a savior; to her enemies, she was a monstrous dictator. In this riveting biography, John Barnes explores the astonishing paradox of this champion of the poor who attacked the rich and, in the process, made herself the wealthiest woman in the world.
Life, love, political engagement on behalf of her descamisados, the struggle for women’s emancipation, death, second life and the enduring myth of Eva Peron, one of the most remarkable women of the 20th century and one who is still held dear in the memories and hearts of Argentinians.
From the elegance of the grand salons of Prideaux Place, Padstow’s most stately of homes, to the wild and remote Cornish coastline, Rosamunde Pilcher captured in her novels Cornwall’s unique, diverse beauty and compelling charm. Rosamunde Pilcher grew up near St Ives, publishing her first novel at the age of 25. Cornwall remained her long-standing inspiration with most of her novels set in this wonderfully diverse landscape. Her most famous novel, ‘The Shell Seekers’, catapulted Rosamunde to international fame and created a dedicated fan-base. This new Pitkin guidebook takes the reader on a tour of the key areas and places that inspired Pilcher’s creative writing. Clamber down the steep Bedruthan Steps and enjoy the traditional Cornish welcome in the beautiful harbour town of St Ives. St Michael’s Mount, one of the most famous sights in Cornwall, sits majestically off shore while the sound of the waves battering the coastline is a key element in enjoying a visit to Land’s End. These sites and many more informed Rosamunde Pilcher’s writing, making her novels and short stories some of the most popular and cherished around the world, several of which have been adapted for television.
No Latin American woman has ever elicited such extreme feelings of love and hate as Eva Perón. She was an actress of humble origins who fell in love with and married the soon-to-be president of Argentina, Juan Domingo Perón. Evita, as she was fondly known, became the most powerful woman in Argentine history. Adored by the masses and loathed by the bourgeoisie, Evita polarized Argentine society. Not even her death could put an end to the mixed feelings she aroused during her lifetime, and Evita remains till this day a controversial figure. Eva Perón: A Reference Guide to Her Life and Works captures Evita’s eventful life, her works, and her legacy. The volume features a chronology that includes her childhood, her acting career, her trip to Europe, her political activity, her illness, and her death, as well as more recent events that have memorialized her. While an introduction offers a brief account of her life, a dictionary section lists entries on people, places, and events related to her. A comprehensive bibliography offers a list of works by and about Evita. Finally, a filmography includes the movies in which Evita appeared and the TV series and films that have been made about her.
In the colorful, tumultuous setting of postwar Argentina, Eva Peron wielded a power--spiritual and practical--that has few parallels outside of hereditary monarchy. In this "fascinating, frightening, straightforward" (Cleveland Plain Dealer) biography, Fraser and Navarro have produced "a work of great political sophistication. . . . Factual, nuanced, and absorbing" (Kirkus Reviews). Photos.
Eva Peron remains Argentina's best-known and most iconic personality, surpassing even sporting superstars such as Diego Maradona or Lionel Messi, and far outlasting her own husband, President Juan Domingo Peron himself a remarkable and charismatic political leader without whom she, as an uneducated woman in an elitist and male-dominated society, could not have existed as a political figure. In this book, Jill Hedges tells the story of a remarkable woman whose glamour, charisma, political influence and controversial nature continue to generate huge amounts interest 60 years after her death. From her poverty-stricken upbringing as an illegitimate child in rural Argentina, Peron made her way to the highest echelons of Argentinean society, via a brief acting career and her relationship with Juan. After their political breakthrough, her charitable work and magnetic personality earned her wide public acclaim and there was national mourning following her death from cancer at the age of just 33.Based on new sources and first-hand interviews, the book will seek to explore the personality and experiences of 'Evita' and the contemporary events that influenced her and were in turn influenced by her. As the first substantive biography of Eva Peron in English, this book will be essential reading for anyone interested in modern Argentinean history and the cult of 'Evita'."
From one of Latin America's finest writers comes a mesmerizing novel about life of the legendary Eva Peron, the famed wife of an Argentine dictator, told backwards from death to childhood. • Now a 7-part Limited Series on Hulu. Bigger than fiction, Eva Peron was the poor-trash girl who reinvented herself as a beauty, snared Argentina's dictator, reigned as uncrowned queen of the masses, and was struck down by cancer. When her desperate but foxy husband brings Europe's leading embalmer to Eva's deathbed to make her immortal, the fantastical comedy begins. "Finally, this is the novel I always wanted to read." —Gabriel Garcia Marquez
Examines Argentina’s most iconic female figures, from saints to pop singers, politicians to anarchists
Taking as its starting point the significant role of the photograph in modern mourning practices—particularly those surrounding public figures—Dead Matter theorizes the connections between the body and the image by looking at the corpse as a special instance of a body that is simultaneously thing and representation. Arguing that the evolving cultural understanding of photographic realism structures our relationship to the corpse, the book outlines a new politics of representation in which some bodies are more visible (and vulnerable) in death than others. To begin interpreting the corpse as a representational object referring to the deceased, Margaret Schwartz examines the association between photography and embalming—both as aesthetics and as mourning practices. She introduces the concept of photographic indexicality, using it as a metric for comprehending the relationship between the body of a dead leader (including Abraham Lincoln, Vladimir Lenin, and Eva Perón) and the “body politic” for which it stands. She considers bodies known as victims of atrocity like Emmett Till and the Syrian boy Hamsa al-Khateeb to better grasp the ways in which the corpse as object may be called on to signify a marginalized body politic, at the expense of the social identity of the deceased. And she contemplates “tabloid bodies” such as Princess Diana’s and Michael Jackson’s, asserting that these corpses must remain invisible in order to maintain the deceased as a source of textual and value production. Ultimately concluding that the evolving cultural understanding of photographic realism structures our relationship to the corpse, Dead Matter outlines the new politics of representation, in which death is exiled in favor of the late capitalist reality of bare life.