Download Free Evil Returns Book in PDF and EPUB Free Download. You can read online Evil Returns and write the review.

DIVDevnee just wants to be beautiful—but is she willing to pay the price?/divDIV Devnee is so excited about having a bedroom in an attic tower. A tower sounds so romantic, like living in a private castle. Devnee hopes her new room will make her romantic—beautiful, popular, and even happy. But the tower feels inexplicably creepy, especially because its windows are tightly shuttered. On Devnee’s very first night in her new room, weird things start to happen. A disembodied hand appears outside her window, with long silver fingernails that Devnee can’t help but long to touch. Devnee’s shadow detaches from her body and starts wandering the edges of her new room by itself. On her first day at her new high school, Devnee finds herself intensely wishing her life were different. And when someone—something—arrives in her tower room to make that wish come true, Devnee’s best intentions at starting a new life take a dark turn./divDIV /divDIVIn the second book in Caroline B. Cooney’s Vampire’s Promise trilogy, evil finds another vulnerable girl . . ./divDIV /divDIVThis ebook features an illustrated biography of Caroline B. Cooney including rare images and never-before-seen documents from the author’s personal collection./div
Haiti. In this land of mystery and magic, shadow and superstition, resides the most powerful - and most evil - master of voodoo. His ability to control minds has served him well indeed over the years, so well that his very name chills the blood of those who believe. Many thought him dead following a fiery attempt to destroy him. But magic such ashis is not easily destroyed. He has survived, scarred and deformed, but as powerful and vicious as ever. Now, with the aid of the dark forces at his command, he has set in motion a terrifying plan that will extend his control to unheard of lenghts. Will anyone - or anything - be able to stop him, or will this be the beginning of a reign of unspeakable horror?
The Tragedy of Almightiness encircles the theme of human yearning for omnipotence, as expressed in religion and various ideologies. The central question revolves around the matter of what--in pursuing such an extreme power of the will--man seeks to achieve. While exploring the question, a thought-provoking link is made between religion and atheism; between the Biblical longing for God's promise and the Marxist appeal for man to realize that same promise. Omnipotence must vouch for the fulfilling of the promise, for justice and for man's dream of redemption. However that is not where it ends. The longing for salvation turns out to have a dangerous reverse side to it because it encourages a turning away from the actual world and the all-pervading evil. Omnipotence also facilitates the avenging of such evil. History has shown what this kind of yearning can lead to. The book demonstrates how modernity translates Biblical longings into ideologically justified revengefulness. The description of this process leads to a plea for renewed ethical purpose in life. It is a challenge that also extends to religion. Hence the reason that it is necessary to depart from the idea of omnipotence.
"The Book of Psalms is often seen as an anthology of prayers and hymns from which the reader may extract a selection as need or interest dictates. However, a recent development in Psalms scholarship has been a discussion of whether the collection of psalms has some overall structure. Is the whole of the Book of Psalms greater than the sum of its individual parts? This commentary argues that it is and presents a continuous reading of the Book of Psalms. Moreover, the long-standing tradition, found within both Judaism and Christianity, of associating the psalms with David is used as a reading strategy. In this volume, the Psalms are presented sequentially. Each has its place in the collection but thirty-five are treated at greater length. They are read, at least in the first two books (Psalms 1-72), as if they were David's words. Beyond that a more complex and developed association between David and the Psalms is demanded. David becomes a figure of hope for a different future and a new royal reign reflecting the reign of Yahweh. Throughout, David remains a model of piety for all who seek to communicate with God in prayer. It is in light of this that later disasters in the life of Israel, especially the Babylonian Exile, can be faced. In the Book of Psalms, the past, in terms of both David's life and the history of Israel, is the key to future well-being and faithfulness."--Back cover.
Evil returns twofold to Mariah, North Carolina. John Davidson finds himself torn and tormented by his quirky love triangle with Faith Matthews and her twin sister, Hope. What makes his situation so precarious is that their love affair occurs in two different centuries. Even more baffling is that the last time he saw Hope Matthews, she was dead, along with the town's Sheriff Angela Solomon. Mystically returning to Mariah, Hope and Angela convince John to join them on a special quest. They return to the year1867, thrust into post-civil war Mariah, a world of newly emancipated Negroes and angry white southerners. After their miraculous arrival to the past, the three newcomers soon find themselves on the run, falsely accused of murder, kidnapping and witchery. Back in the future, Faith Matthews, with the help of her eccentric family, is chosen to fight the evil gathering in Mariah. All are about to face a battle that spans the centuries, pitting light against dark, and threatening the wholesome way of life in small-town America.
While Flannery O'Connor is hailed as one of the most important writers of the twentieth-century American south, few appreciate O'Connor as a philosopher as well. In Return to Good and Evil, Henry T. Edmondson introduces us to a remarkable thinker who uses fiction to confront and provoke us with the most troubling moral questions of modern existence. 'Right now the whole world seems to be going through a dark night of the soul, ' O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism--Nietzche's idea that 'God is dead'--preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster. With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.
The truth is that there is something within you that is not in harmony with what you believe. Your will is not in harmony with what should be. There is something within you that sees the world and knows that these answers are not leading to what actually should be. All through life you have chosen to look at the world as you are and what your circumstances told you. You never took time to look at it as it is and at its true nature, for I tell you the painful truth: life is really simple, but you insist on complicating it. For a long time you have listened to outside noises and ignored the voice inside you. You have forgotten the person you were before the world told you who you are, for I say to you, take a look at the world closely. Now see what I see, feel what I feel, understand what I understand, and perceive what I perceive. According to religion, 99 percent are going to heaven. According to the Son of Man, a mere 1 percent is going to hell. For I tell you the truth, not all you have been told is what truly is, for some people have been fooled most of this time, but I tell you the truth, not all of the people can be fooled all of the time. For a long time you have searched for the door to the truth only to realize that you had the key all along, for I tell you the truthyou are what you think, not what you think you are. Think about it. Now think about it.
Haiti. In this land of mystery and magic, shadow and superstition, resides the most powerful--and most evil--master of voodoo. His ability to control minds has served him well indeed over the years, so well that his very name chills the blood of those who believe. Many thought him dead following a fiery attempt to destroy him.
The reputation of the Marquis de Sade is well-founded. The experience of reading his works is demanding to an extreme. Violence and sexuality appear on almost every page, and these descriptions are interspersed with extended discourses on materialism, atheism, and crime. In this bold and rigorous study William S. Allen sets out the context and implications of Sade's writings in order to explain their lasting challenge to thought. For what is apparent from a close examination of his works is the breadth of his readings in contemporary science and philosophy, and so the question that has to be addressed is why Sade pursued these interests by way of erotica of the most violent kind. Allen shows that Sade's interests lead to a form of writing that seeks to bring about a new mode of experience that is engaged in exploring the limits of sensibility through their material actualization. In common with other Enlightenment thinkers Sade is concerned with the place of reason in the world, a place that becomes utterly transformed by a materialism of endless excess. This concern underlies his interest in crime and sexuality, and thereby puts him in the closest proximity to thinkers like Kant and Diderot, but also at the furthest extreme, in that it indicates how far the nature and status of reason is perverted. It is precisely this materialist critique of reason that is developed and demonstrated in his works, and which their reading makes persistently, excessively, apparent.