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Evil Paradise is based on the author’s unique and moving life story. Jane Schwalger-Wyatt was born the illegitimate child of a wealthy plantation owner’s nephew and a traditional village girl on the exotic Polynesian island of Samoa. Born between two cultures and classes in the turbulent post-colonial years, and unwanted by either parent, her future looked bleak. After Jane’s birth, a pact was made between her grandmother and her wealthy great aunt. Jane spent her first ten years as a village girl raised by her grandmother, with her identity kept secret. Although adored by her grandmother, she endured hardship, brutality, and sexual abuse. Upon her grandmother’s death, Jane escaped to what she thought would be paradise on earth: her rich aunt’s estate, but she discovered that it held terrible secrets. In time, Jane learned about the savage history that blighted the plantation and the bizarre secret kept hidden upstairs in the mansion. After a failed reunion with her father, she was sent to her mother in New Zealand, where she was rejected yet again. Whilst battling overwhelming obstacles to make a life for herself, Jane’s second child was diagnosed with profound disabilities. How she managed to endure proves an unparalleled feat of human endurance and faith. She clung to the few that truly loved her, striving to make a life for herself with fierce and inspirational determination.
Evil Paradises, edited by Mike Davis and Daniel Bertrand Monk, is a global guidebook to phantasmagoric but real places—alternate realities being constructed as “utopias” in a capitalist era unfettered by unions and state regulation. These developments—in cities, deserts, and in the middle of the sea—are worlds where consumption and inequality surpass our worst nightmares. Although they read like science fiction, the case studies are shockingly real. In Dubai, where child slavery existed until very recently, a gilded archipelago of private islands known as “The World” is literally being added to the ocean. In Medellín and Kabul, drug lords—in many ways textbook capitalists—are redefining conspicuous consumption in fortified palaces. In Hong Kong, Cairo, and even the Iranian desert, burgeoning communities of nouveaux riches have taken shelter in fantasy Californias, complete with Mickey Mouse statues, while their maids sleep in rooftop chicken coops. Meanwhile, Ted Turner rides herd over his bison in 2 million acres of private parkland. Davis and Monk have assembled an extraordinary group of urbanists, architects, historians, and visionary thinkers to reflect upon the trajectory of a civilization whose deepest ethos seems to be to consume all the resources of the earth within a single lifetime.
Self-styled 'Satanic man' Charles Baudelaire's collection The Flowers of Evil is marked by paeans to sexual degradation such as 'The Litanies of Satan' and 'Metamorphosis of the Vampire'. A new translation vivdly brings Baudelaire's masterpiece to life for the 21st century in this collection, which also includes key texts from Artificial Paradise, Baudelaire's notorious examination of the effects of alcohol and psychotropic drugs.
The Existence By: Theodore Ihejieto The Existence is a book of love and life that talks about the world as the existence of human beings, and tells human beings to understand that the world is the love and the life. It is a book of Planet Earth, which the Planet Earth gave to the author, because the author asked the Planet Earth for the book of the world. The author is a human being who lost faith in God and called on Planet Earth to do work and save human beings from evil and death in the world. This is a book of a human being who was challenged by evil and death in the world, and the human being called on his existence for help and protection. The author did not like to die in the world and told his existence that he did not want to die, because the author believed that Planet Earth has the power to save human beings in the world. The Existence is the faith, the hope, and the charity that God challenged human beings to find and tell the mountain of evil and death to move away from human beings.
For all our knowledge of psychopathology and sociopathology--and despite endless examinations of abuse and torture, mass murder and genocide--we still don't have a real handle on why evil exists, where it derives from, or why it is so ubiquitous. A compelling synthesis of diverse schools of thought, Psychoanalysis of Evil identifies the mental infrastructure of evil and deciphers its path from vile intent to malignant deeds. Evil is defined as manufactured in the psyche: the acting out of repressed wishes stemming from a toxic mix of harmful early experiences such as abuse and neglect, profound anger, negative personality factors, and mechanisms such as projection. This analysis brings startling clarity to seemingly familiar territory, that is, persons and events widely perceived as evil. Strongly implied in this far-reaching understanding is a call for more accurate forms of intervention and prevention as the author: Reviews representations of evil from theological, philosophical, and psychoanalytic sources. Locates the construction of evil in psychodynamic aspects of the psyche. Translates vague abstractions of evil into recognizable concepts. Exemplifies this theory with the lives and atrocities of Hitler and Stalin. Applies psychoanalytic perspective to the genocides in Turkey, Pakistan, Cambodia, and Rwanda. Revisits Hannah Arendt's concept of "the banality of evil." Psychoanalysis of Evil holds a unique position in the literature and will gather considerable interest among readers in social psychology, psychoanalysis, sociology, and political anthropology. Historians of mass conflict should find it instructive as well.
Toni Morrison, the only living American Nobel laureate in literature, published her first novel in 1970. In the ensuing forty plus years, Morrison's work has become synonymous with the most significant literary art and intellectual engagements of our time. The publication of Home (May 2012), as well as her 2011 play Desdemona affirm the range and acuity of Morrison's imagination. Toni Morrison: Forty Years in The Clearing enables audiences/readers, critics, and students to review Morrison's cultural and literary impacts and to consider the import, and influence of her legacies in her multiple roles as writer, editor, publisher, reader, scholar, artist, and teacher over the last four decades. Some of the highlights of the collection include contributions from many of the major scholars of Morrison's canon: as well as art pieces, music, photographs and commentary from poets, Nikki Giovanni and Sonia Sanchez; novelist, A.J. Verdelle; playwright, Lydia Diamond; composer, Richard Danielpour; photographer, Timothy Greenfield-Sanders; the first published interview with Morrison's friends from Howard University, Florence Ladd and Mary Wilburn; and commentary from President Barack Obama. What distinguishes this book from the many other publications that engage Morrison's work is that the collection is not exclusively a work of critical interpretation or reference. This is the first publication to contextualize and to consider the interdisciplinary, artistic, and intellectual impacts of Toni Morrison using the formal fluidity and dynamism that characterize her work. This book adopts Morrison's metaphor as articulated in her Pulitzer-Prize winning novel, Beloved. The narrative describes the clearing as "a wide-open place cut deep in the woods nobody knew for what. . . . In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees." Morrison's Clearing is a complicated and dynamic space. Like the intricacies of Morrison's intellectual and artistic voyages, the Clearing is both verdant and deadly, a sanctuary and a prison. Morrison's vision invites consideration of these complexities and confronts these most basic human conundrums with courage, resolve and grace. This collection attempts to reproduce the character and spirit of this metaphorical terrain.
With a sure and profound grasp of both the Christian tradition and the postmodern situation, Sands faults mainstream and feminist theologies for failing to recognize the inescapably tragic character of life. Her work is a strong and overt challenge to theology as usual and a call to theologians of all stripes to be ruthlessly honest in their religious reflections.
She almost caught him once. Now, he’s back. For three years, Investigator Cassie Dewell has been on a hunt for a serial killer known as the Lizard King whose hunting grounds are the highways and truck stops where runaways and prostitutes are most likely to vanish. Cassie almost caught him...once. Working for the Bakken County, North Dakota sheriff's department, Cassie has set what she believes is the perfect trap and she has lured him and his truck to a depot. But the plan goes horribly wrong, and the blame falls on Cassie. Disgraced, she loses her job and investigation into her role is put into motion. At the same time, Kyle Westergaard, a troubled kid whom Cassie has taken under her wing, has disappeared after telling people that he’s going off on a long-planned adventure. Kyle's grandmother begs Cassie to find him and, with nothing else to do, Cassie agrees—all the while hunting the truck driver. Now Cassie is a lone wolf. And in the same way that two streams converge into a river, Kyle's disappearance may have a more sinister meaning than anyone realizes. With no allies, no support, and only her own wits to rely on, Cassie must take down a killer who is as ruthless as he is cunning. But can she do it alone, without losing her own humanity or her own life? Paradise Valley continues the Highway Quartet series from bestselling author C. J. Box.
"A perfect expression of Miller's moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict." --The Nation