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Ezra James used to be a big deal: Harvard graduate, FBI agent, beautiful wife. After being accused of fabricating evidence in a serial killer trial, he finds himself suspended, on the verge of a divorce, and working security at a posh Catholic school in Chicago. Then something out-of-the-ordinary happens: a young student-teacher is attacked during a Christmas pageant and left for dead in the snow with a noose around her neck and an electrical burn. Plus, she's pregnant. Ezra, along with up-and-coming police detective, Lucia Vargas, and school chaplain, Fr. Remy Mbombo, must work fast before the culprit returns to finish the job.
On September 11, 2001, the world changed. For Sophie and Paul, it started with a disastrous dinner party. For the babysitter, it started with waking in a dark kitchen and recognizing the smell of blood. For everyone else it started with a plane flying into the World Trade Center. In this tautly written domestic thriller set in Toronto, Michelle Berry weaves together the story of two couples whose lives are about to be unravelled by the murder of a neighbour, a babysitter that has gone missing and the aftermath of the collapse of the World Trade Center. It is a haunting exploration of marriages and what tears them apart, of what happens to people during shocking events and of how everything can change in an instant. Filled with richly drawn characters, a web of thwarted desires and multiple motives, Everything Turns Away is riveting until the very end.
The Unsignificant: Three Talks on Poetry and Pictures is a selection of lectures that poet and Griffin Award–finalist Srikanth Reddy presented for the Bagley Wright Lecture Series in 2015. True to its title, The Unsignificant is concerned with what it’s not about—not the logical proofs of philosophy but the affective flux of poetry. The lectures approach poetry from Homer to Gertrude Stein to Ronald Johnson obliquely, refracted through images such as Brueghel’s “Landscape with Fall of Icarus,” Hermann Rorschach’s inkblots, or Galileo’s drawings of the moon. Ranging from pictorial backgrounds in visual art to portraiture and similes to the poetics of wonder, The Unsignificant embarks on an unsystematic, errant, and eccentric tour of Western poetry and poetics from the ancient world to our continuous present.
No. 104-117 contain also the Regents bulletins.