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As seen on Hannity! The bestselling comedian returns to respond and rant on real questions about life and love, careers and cars, and everything else from fans and famous friends. Ever wonder what you would say or do if you didn’t give a f**k? Adam Carolla can tell you. In his sixth book, the comedian, podcaster, and provocateur does what he does best—doles out advice and opinions with utter disregard for our politically correct, self-righteous, virtue signaling, woke times. Thanks to decades of hosting MTV and radio’s Loveline, his Guinness World Record–breaking podcast and touring the stand-up circuit, no one in comedy is as gifted at thinking on their feet. Taking actual questions from his fans—and even some celebrity friends, including Ray Romano, Maria Menounos, and Judd Apatow—Adam dishes out hilarious rants, unpredictable tangents, brilliant inventions, sage advice, and controversial opinions in a way only a self-proclaimed asshole can.
Please note: This is a companion version & not the original book. Sample Book Insights: #1 Americans used to be a gritty people who made their own stuff. But now, we are losing our individuality. We are becoming too safety conscious to do things like roll around in the back of a station wagon if the old man takes a turn too fast in the family truckster. #2 The things I hauled the most in my piece-of-shit pickup were ass and grass. No one rode for free. #3 The landau top is a car concept that was popular in the 1970s. It was exclusively on American cars, and it shouted, Don’t pop the hood; look at the love seat we’ve grafted onto the roof. #4 The Japanese were good for only 8 percent of the market share for cars in 1976. By 1986, they had over 20 percent. We were asking for it, like when a woman is raped and the defense is Did you see what she was wearing.
The TRP Southern Poetry Breakthrough Series: Texas In the ecstatic tradition, this debut collection considers language as a devotion. Located in an American grain, the poems attempt to enact a collectivity, a body politic, even when the context necessary for collectivity is disrupted—by powerful storms resulting from climate change, by alienation, even by the remediation of the body in airport security lines. Yet, the poet remains stubbornly optimistic, asking readers to recognize that the “world is filling up with/gladness, see. Its utterance/ becomes a door. Enter.”
From the award-winning author of The Turnout and Dare Me: a "mesmerizing psychological thriller" about a teenage girl who disappears during a 1980s suburban summer (Los Angeles Times). Thirteen-year old Lizzie Hood and her next door neighbor Evie Verver are inseparable. They are best friends who swap bathing suits and field-hockey sticks, and share everything that's happened to them. Together they live in the shadow of Evie's glamorous older sister Dusty, who provides a window on the exotic, intoxicating possibilities of their own teenage horizons. To Lizzie, the Verver household, presided over by Evie's big-hearted father, is the world's most perfect place. And then, one afternoon, Evie disappears. The only clue: a maroon sedan Lizzie spotted driving past the two girls earlier in the day. As a rabid, giddy panic spreads through the Midwestern suburban community, everyone looks to Lizzie for answers. Was Evie unhappy, troubled, upset? Had she mentioned being followed? Would she have gotten into the car of a stranger? Lizzie takes up her own furtive pursuit of the truth, prowling nights through backyards, peering through windows, pushing herself to the dark center of Evie's world. Haunted by dreams of her lost friend and titillated by her own new power at the center of the disappearance, Lizzie uncovers secrets and lies that make her wonder if she knew her best friend at all.
In 1919, the world stood at the threshold of the Jazz Age. The man who had ushered it there, however, lay murdered--and would soon plunge from international fame to historical obscurity. It was a fate few would have predicted for James Reese Europe; he was then at the pinnacle of his career as a composer, conductor, and organizer in the black community, with the promise of even greater heights to come. "People don't realize yet today what we lost when we lost Jim Europe," said pianist Eubie Blake. "He was the savior of Negro musiciansin a class with Booker T. Washington and Martin Luther King." In A Life in Ragtime , Reid Badger brilliantly captures this fascinating life, tracing a critical chapter in the emergence of jazz through one man's remarkable odyssey. After an early start in Washington, Europe found his fame in New York, the entertainment capital of turn-of-the-century America. In the decade before the First World War, he emerged as an acknowledged leader in African-American musical theater, both as a conductor and an astonishingly prolific composer. Badger reveals a man of tremendous depths and ambitions, constantly aspiring to win recognition for black musicians and wider acceptance for their music. He toiled constantly, working on benefit concerts, joining hands with W.E.B. Du Bois, and helping to found a black music school--all the while winning commercial and critical success with his chosen art. In 1910, he helped create the Clef Club, making it the premiere African-American musical organization in the country during his presidency. Every year from 1912 to 1914, Europe led the Clef Club orchestra in triumphant concerts at Carnegie Hall, winning new respectability and popularity for ragtime. He went on to a tremendously successful collaboration with Vernon and Irene Castle, the international stars who made social dancing a world-wide rage. Along the way, Europe helped to revolutionize American music--and Badger provides fascinating details of his innovations and wide influence. In World War I, the musical pioneer won new fame as the first African-American officer to lead men into combat in that conflict--but he was best known as band leader for the all-black 15th Infantry Regiment. As the "Hellfighters" of the 15th racked up successes on the battlefield, Europe's band took France by storm with the new sounds of jazz. In 1919, the soldiers returned to New York in triumph, and Europe was the toast of the city. Then, just a few months later, he was dead--stabbed to death by a drummer in his own orchestra. From humble beginnings to tragic end, the story of Jim Europe comes alive in Reid Badger's account. Weaving in the wider story of our changing culture, music, and racial conflict, Badger deftly captures the turbulent, promising age of ragtime, and the drama of a triumphant life cut short.