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Christy Hopper won a hundred dollars in a contest and now must decide how to stretch her winnings to satisfy everyone.
The timing could not be worse for Delores the mouse when she develops a food allergy to yummy cheese right before the Everything Cheese Festival.
Uses humor to illustrate common mistakes that people make with English grammar and usage.
Here is a swaggering, South Texas Christmas where you: Carve the turkey, turn the ball game on, Mix margaritas when the eggnog's gone, Send somebody to the Stop 'N Go, We need some celery and a can of fake snow! Based on the song written by Robert Earl Keen and made popular by the DixieChicks, Merry Christmas From the Family is a humorous look at the holidayseason through the lenses of white trash glasses. Includes a CD of the song sung by Robert Earl Keen.
An unusually brilliant generation of film-makers emerged from British television drama in the 1960-70s - none more formidable than Alan Clarke. Yet Clarke enjoyed only a vague renown among the public, even though some of his most incendiary productions - Scum, The Firm, Made in Britain - attracted great controversy. But he was greatly admired by his fellow professionals: 'He became the best of all of us', Stephen Frears observed after Clarke's untimely death in 1990. In his work Clarke explored working-class lives and left-wing themes with unflinching directness and humour. He forged alliances with gifted writers and producers, and his facility for encouraging stunning performaces (from Gary Oldman, Tim Roth, Ray Winstone) made him a hero amongst actors. As a man, Clarke's wit, vigour and generosity were legendary. Yet he retained a privacy which made him enigmatic and imbued his work with much of its austere radiance. This volume is a tribute to Clarke, made out of the thoughts and memories of those who worked with him and knew him best, and includes a celebatory essay by eminent critic, David Thomson.
KNISH OF DEATH The amateur actors at the Etonville Little Theatre may be known for chewing the scenery, but restaurant manager Dodie O’Dell has something more appetizing for them to sink their teeth into. She’s been taking bows in her small New Jersey town for her theme menus, designed to complement the local productions. This fall, the community theatre is staging Arsenic and Old Lace, set in 1940s Brooklyn, so Dodie is serving up hot dogs, Italian ices, egg creams, and knishes at the weekend food festival. All is going well until Antonio Digenza, the ex-Off-Off-Broadway director of the show, dies dramatically while noshing on a knish. As rumors of food poisoning quickly spread, Dodie scrambles to rescue the Windjammer restaurant’s reputation. But when clues point to foul play, she’s faced with a cast of suspects all auditioning for the part of DiGenza’s murderer. She’ll need to act fast to shine a spotlight on the killer—before it’s curtains for another victim . . .
Plato famously defined a human being as a “featherless biped.” It’s hard not to sense the ironic humor in this definition, a reminder that, for all our talk about human dignity, our condition is contingent, vulnerable, and at some level even comic. Perhaps that’s why the writer A.G. Mojtabai—known for her dry, understated, subtly humorous but ultimately honest and courageous depictions of the human condition—chose the name for her latest novel, set in the confines of Shady Rest Home for the Aged. Mojtabai offers us a varied cast of characters at Shady Rest, including: Eli, who fancies himself a ladies man; Elora, anxious about her wayward nephew; the aloof but lonely scholar Wiktor; and Maddie, a bit eccentric, true, but more wise and compassionate than most. At the center of it all is Daniel, an old soul in a young man’s body, with a strange gift for caring for the elderly. Featherless is one of those rare books that brings us news from the final frontier, the end of life. Its unflinching but humane gaze—informed by the author’s own experience—serves as a fitting capstone for a literary career of uncommon distinction.
The Landon family is Southbound—headed for Florida to investigate a mysterious illness plaguing endangered manatees in Everglades National Park. Jack, Ashley, and their friend Bridger soon find themselves in deadly waters with a seven-foot shark, an injured manatee—and a mystery to solve. Who was the stranger in the speedboat who snatched Jack's camera? And what does he have to do with the manatees? Join the heart-stopping chase through a maze of mangrove islands to find out!
Writing from first-hand experience, the author describes the role of the producer in the making of an original television play, from the initial discussions with writers to the transmission. Irene Shubik worked on "Play for Today" for the BBC and was also a drama producer for ITV.
Dreading a return to Big Knob, Indiana, after her weight gain of twenty pounds, former Dairy Festival Queen Annie Winston discovers that her hometown has been turned upside down by unconventional matchmakers Dorcas and Ambrose Lowell, who use magic to come up with Annie's perfect match--shy computer whiz Jeremy Dunstan, who has long yearned for Annie. Original.