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Doll was a high-heel wearing, sophisticated, comilla of a woman who moved next door to the Kirby's. Without a thought, Louise fell for Doll's glitz and city ways. Unbeknowned to Louise, what she was falling for was a man's best friend.
Having lost her one true love, the mature but stunning Isabella marries the starchy but well-respected pediatrician Langley Morrison, hoping he will care for her and her young daughter, Desiree. For years, things look perfect from the outside for the Morrison women, but cracks in the surface appear when Desiree, now a thirty-something, single but sassy professional, holds secrets that affect her relationships with her parents and with men. Armed with the dismal marriage prospect statistics for African American women, Desiree decides that she needs to help God out by embarking upon a dangerous online dating escapade. Isabella wonders if her faith can withstand her own broken marriage, revelations from her daughter, and a devastating diagnosis. Desiree questions if God really will give her the desires of her heart. Through it all, the mother and daughter journey to find the strength to push beyond the pain of the past, into an uncertain future with an all-knowing God.
Every Closed Eye Ain't Sleep: African American Perspectives on the Achievement Gap examines the origins and perpetuation of the achievement gap from the perspective of the African American community. Instead of accepting the achievement gap as an inevitable matter of fact, Every Closed Eye Ain't Sleep questions the fundamental beliefs that perpetuate the gap. Drawing on dialogue with African American community members, Teresa Hill advances a framework for understanding a predominant African American view of the educational process. She then juxtaposes this framework with the norms perpetrated by the educational establishment to demonstrate how disagreements about the roles and responsibilities of parents, teachers and students affect community members' experiences in schools. Every Closed Eye Ain't Sleep opens a dialogue about the achievement gap on different terms, analyzes the gap as an issue of social justice, and provides educational leaders and policymakers with ways to engage in the productive dialogue necessary to improve education for African American children.
At the age of forty-eight, I thought my dreams were over. Depressed, physically ill and emotionally bruised, I had all but given up. I had no hope and felt destined to a life of misery and gloom. Then something happened, I began to hear a voice speak to me. Was I crazy? God doesn't speak to "ordinary" people, does he? Well, he was speaking to me. At first I didn't know what to think, what to do, but then He told me to look back over my life and tell Him what I saw. What I saw was not what I expected; what I saw was evidence of God's goodness throughout my life. That's when I began to thank and praise Him. From that day my life changed drastically, on every level, in every aspect. I began to look at life in a new way, a more positive way. The more positive I began to think, the more positive things started to occur in my life. Those conversations with God led to the writing of this book.
Every Shut Eye Ain't Asleep is a rich collection of the work of post-World War II African-American poets. It brings together the voices of the most important African-American poets of our time, beginning with the highly influential Robert Hayden and Gwendolyn Brooks, and covers an astonishing range of styles and techniques. This extraordinary body of poetry is the flowering of an artistic tradition established earlier in this century by Paul Laurence Dunbar, Countee Cullen, and Langston Hughes. The newer work comprises many different visions, ranging from the chiseled and layered modernism of Jay Wright to the plainspoken ferocity of Sonia Sanchez, from the dazzling witticisms of Ishmael Reed to the plangent lyricism of Rita Dove. Edited by the distinguished poet Michael Harper and his star student and colleague Anthony Walton, this notable collection of work will be the standard anthology in the field for years to come.
New York Times Bestseller! The View cohost and New York Times bestselling author Sunny Hostin dazzles with this brilliant novel about a life-changing summer along the beaches of Martha's Vineyard. Welcome to Oak Bluffs, the most exclusive Black beach community in the country. Known for its gingerbread Victorian-style houses and modern architectural marvels, this picturesque town hugging the sea is a mecca for the crème de la crème of Black society—where Michelle and Barack Obama vacation and Meghan Markle has shopped for a house for her mom. Black people have lived in this pretty slip of the Vineyard since the 1600s and began buying property in the 1800s, making this posh town the embodiment of “old money.” Thirty years ago, Amelia Vaux Tanner and her husband built a house high on the bluffs, a cottage they named Chateau Laveau. For decades, “Ama” played host to American presidents, Wall Street titans, and cultural icons. But her favorite guests have always been her three “goddaughters:” Esperanza “Perry” Soto, a beautiful, talented Afro-Latina lawyer with Ama’s strong, yet guarded personality; Olivia Jones, a gifted Wall Street analyst with Ama’s brilliant, logical mind; and Billie Hayden, a gifted marine biologist and rule-breaker with Ama’s courageous free spirit. Growing up, these three goddaughters from different backgrounds came together each summer at Chateau Laveau. As adults, the cottage is a place this trio of successful yet very different women go to escape, to slow down from their hectic lives, share private time with Ama, and enjoy the gorgeous weather, cool water, and stunning views Oak Bluffs offers. This summer on the Bluffs, however, will be different. An era is ending: Ama, now nearing seventy-one, is moving to the south of France to reunite with her college sweetheart. She has invited Perry, Olivia, and Billie to spend one last golden summer together with her the way they did when they were kids. And when fall comes, she is going to give the house to one of them. Each of the women wants the house desperately. Each is grappling with a secret she fears will hurt her and her chances. By the end of summer, old ties will fray, new bonds will be created, and these three found sisters will discover they aren’t the only ones with something to hide. Ama has a few secrets of her own. What she has to give them is far more than property. Between Memorial Day and Labor Day, she will tell these surrogate daughters she fiercely loves and protects everything they never knew they needed to know.