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Lovejoy decides to assemble a mass of antiques in order to try to bargain his way out of some serious trouble. He persuades one of his favourite ladies to help him, but tragedy strikes. Now, Lovejoy is running scared, particularly when the death toll around him starts to mount.
“This swashbuckling tale of greed and great literature will remind you why Pearl is the reigning king of popular literary historical thrillers. His latest is guaranteed to delight lovers of history and mystery.”—Library Journal (starred review) book'a-neer' (bŏŏk'kå-nēr'), n. a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part in London, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction. From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself. In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.
James Conway has written the corporate thriller for our age, an age when the power of new media and the hunger of Wall Street converge to form a deadly entity capable of bringing the global economy to its knees. Drew Havens made a killing for the Rising Fund, which, thanks to his prognostications, was the only hedge operation to anticipate and capitalize on the mortgage crisis of 2008. Havens sees things others can’t, from the collapse of the American real estate market to the multibillion-dollar rise of his ruthless and charismatic boss. Havens is rich beyond his dreams, but his work has cost him his marriage. And now it may cost him his life. It starts with the brutal murder of his young protégé and, over the course of six days, six other brokers around the world, each killed after executing a trade linked to the Rising Fund. And as the violence escalates to an international level, Havens frantically tries to construct a model that will reveal the catastrophic event that only he can see coming—and confirm that his boss and the Rising Fund are at the center of it.
NEW YORK TIMES BESTSELLER For the first time, Curtis “50 Cent” Jackson opens up about his amazing comeback—from tragic personal loss to thriving businessman and cable’s highest-paid executive—in this unique self-help guide, his first since his blockbuster New York Times bestseller The 50th Law. In his early twenties Curtis Jackson, known as 50 Cent rose to the heights of fame and power in the cutthroat music business. A decade ago the multi-platinum selling rap artist decided to pivot. His ability to adapt to change was demonstrated when he became the executive producer and star of Power, a high-octane, gripping crime drama centered around a drug kingpin’s family. The series quickly became “appointment” television, leading to Jackson inking a four-year, $150 million contract with the Starz network—the most lucrative deal in premium cable history. Now, in his most personal book, Jackson shakes up the self-help category with his unique, cutting-edge lessons and hard-earned advice on embracing change. Where The 50th Law tells readers “fear nothing and you shall succeed,” Hustle Harder, Hustle Smarter builds on this message, combining it with Jackson’s street smarts and hard-learned corporate savvy to help readers successfully achieve their own comeback—and to learn to flow with the changes that disrupt their own lives.
GRAND PRIZE WINNER WRITER'S DIGEST SELF-PUBLISHED EBOOK AWARDS RUNNER-UP DEL SOL PRESS PRIZE FOR FIRST NOVEL If there ever was a bad time to fall in love, dangling by the neck from a rope tied to a chandelier would be it, but love just doesn’t care... By the year 2031, global warming cooks the planet, endless wars sweep the globe and pollution tries to finish everybody off. Science has declared re-incarnation a fact and legally sanctioned death houses have sprouted up like mushrooms in overcrowded cities. Those so-called ‘Last Resorts’ provide the paying guest with the tools and the know-how for a successful exit from life—with one simple rule: once checked in, the check-out is feet-first only. Nobody leaves a ‘Last Resort’ alive. Ansel Grayson has been a resident at the ‘Hotel Terminus’ for over twelve years, unable to take the last step. On the day he finally works up the nerve to check out and hang himself, he is interrupted by Nikki Forlan, the most recent addition to the guest list. Ansel and Nikki, broken by life, find themselves drawn into each other’s orbit, and with their final check-outs looming, they try to discover a reason to live, certain they will have to die.
The “raunchy, hilarious, and thrilling” true story of the incomparable Norma Wallace, proprietor of a notorious 1920s New Orleans brothel (NPR). Norma Wallace grew up fast. In 1916, at fifteen years old, she went to work as a streetwalker in New Orleans’ French Quarter. By the 1920s, she was a “landlady”—or, more precisely, the madam of what became one of the city’s most lavish brothels. It was frequented by politicians, movie stars, gangsters, and even the notoriously corrupt police force. But Wallace acquired more than just repeat customers. There were friends, lovers . . . and also enemies. Wallace’s romantic interests ran the gamut from a bootlegger who shot her during a fight to a famed bandleader to the boy next door, thirty-nine years her junior, who became her fifth husband. She knew all of the Crescent City’s dirty little secrets, and used them to protect her own interests—she never got so much as a traffic ticket, until the early 1960s, when District Attorney Jim Garrison decided to clean up vice and corruption. After a jail stay, Wallace went legitimate as successfully as she had gone criminal, with a lucrative restaurant business—but it was love that would undo her in the end. The Last Madam combines original research with Wallace’s personal memoirs, bringing to life an era in New Orleans history rife with charm and decadence, resurrecting “a secret world, like those uncovered by Luc Sante and James Ellroy” (Publishers Weekly). It reveals the colorful, unforgettable woman who reigned as an underworld queen and “capture[s] perfectly the essential, earthy complexity of the most fascinating city on this continent” (Robert Olen Butler).
New York Times bestselling author of THE GOOD GIRL Mary Kubica is back with another exhilarating thriller as a widow’s pursuit of the truth leads her to the darkest corners of the psyche. Clara Solberg’s world shatters when her husband and their four-year-old daughter are in a car crash, killing Nick while Maisie is remarkably unharmed. The crash is ruled an accident…until the coming days, when Maisie starts having night terrors that make Clara question what really happened on that fateful afternoon. Tormented by grief and her obsession that Nick’s death was far more than just an accident, Clara is plunged into a desperate hunt for the truth. Who would have wanted Nick dead? And, more important, why? Clara will stop at nothing to find out—and the truth is only the beginning of this twisted tale of secrets and deceit. Told in the alternating perspectives of Clara’s investigation and Nick’s last months leading up to the crash, master of suspense Mary Kubica weaves her most chilling thriller to date—one that explores the dark recesses of a mind plagued by grief and shows that some secrets might be better left buried. Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... And look for the new editions of The Good Girl, Pretty Baby, Don’t You Cry and The Other Mrs. featuring brand new covers! More edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry When the Lights Go Out Local Woman Missing Just The Nicest Couple The Other Mrs. She’s not Sorry
If she hustled hard enough, she could stay ahead of the game—that was her life story, always trying to make a dollar outta fifteen cent... Street-smart Portia Lane traded in her church roots and college degree for sex-fueled stardom as Brooklyn’s hottest stripper. The hood respects her, men in suits open their wallets, her girlfriends—Laila, Simone, and Fatima—have got her back, and the money rolls in. Then Portia breaks her own rules and falls dangerously in love with one of her regulars, and everything about the way she lives her life comes into question. Jay is an ambitious music executive who’s a little bit thug, and all sexy—and Portia must genuinely change to win his trust and prove her love for him is not inspired by his wealth. But one way or another, Portia will pay the price for her tumultuous past.
In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.