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This illuminating guide to the night opens up an entirely new vista on early modern Europe. Using diaries, letters, legal records and representations of the night in early modern religion, literature and art, Craig Koslofsky explores the myriad ways in which early modern people understood, experienced and transformed the night.
When he was just six years old, Zachary Lazar's father, Edward, was shot dead by hit men in a Phoenix, Arizona parking garage. The year was 1975, a time when, according to the Arizona Republic, "land-fraud artists roamed the state in sharp suits, gouging money from buyers and investors." How did his father fit into this world and how could his son ever truly understand the man, his time and place, and his motivations? In Evening's Empire, Zachary Lazar, whose novel Sway was named one of the Best Books of 2008 by Rolling Stone, Los Angeles Times, and other publications, brilliantly attempts to reconstruct the sequence of events that led to his father's murder. How did Ed Lazar, a fun-loving but meticulous accountant, become involved in a multi-million dollar real-estate scandal involving politicians and Mafia figures? How much did he know about his colleagues' illegal activities? Why had he chosen to testify against his former business partner, Ned Warren, Sr.? Warren was "a mystery man," according to 60 Minutes, widely known as "the Godfather of land fraud." The day before Ed Lazar was scheduled to appear in front of a grand jury he was killed in a "gangland-style murder," as reported by Walter Cronkite on the CBS Evening News. Four hundred mourners attended a memorial service for him the next day. Evening's Empire is based on archival research and interviews -- introducing a cast of characters as various as Senator Barry Goldwater and Cesar Romero -- and is clarified by scenes imagined in the context of this evidence. It is a singular and haunting story of American ambition and its tragic cost. Of Zachary Lazar's previous book, Sway, the reviewer for The New York Times Book Review wrote, "This brilliant novel is about what's to be found in the shadows." The same can be said of Evening's Empire's true story, but here the shadows are very close to home.
THE YEAR IS 1967. In England, and around the world, rock music is exploding—the Beatles have gone psychedelic, the Stones are singing "Ruby Tuesday," and the summer of love is approaching. For Jack Flynn, a newly minted young solicitor at a conservative firm, the rock world is of little interest—until he is asked to handle the legal affairs of Emerson Cutler, the seductive front man for an up-and-coming group of British boys with a sound that could take them all the way. Thus begins Jack Flynn’s career with the Ravons, a forty-year journey through London in the sixties, Los Angeles in the seventies, New York in the eighties, into Eastern Europe, Africa, and across America, as Flynn tries to manage his clients through the highs of stardom, the has-been doldrums, sellouts, reunions, drug busts, bad marriages, good affairs, and all the temptations, triumphs, and vanities that complicate the businesses of music and friendship. Spanning the decades and their shifting ideologies, from the wild abandon of the sixties to the cold realities of the twenty-first century, Evening’s Empire is filled with surprising, sharply funny, and perceptive riffs on fame, culture, and world events. A firsthand observer and remarkable storyteller, author Bill Flanagan has created an epic of rock-and-roll history that is also the life story of a generation.
The Doctor and Ace continue their adventures in time and space in these seven stories. Ace is trapped inside a monstrous fantasy kingdom as the Doctor and UNIT race to find her. An archeological expedition on the planet Sorsha unleashes a terrifying threat from history. As a vicious street gang hunts for prey, the Doctor encounters a samurai warrior who has lost all hope. A man lost in memories of war meets the Doctor and Ace, and discovers an amazing truth about his past. The TARDIS decides to do some spring-cleaning, and Ace is caught up in the madness that follows! Also, an in-depth commentary section where the comics creators reveal the secrets behind the stories.
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
A study that uncovers the lost history of the Comanches shows in detail how the Comanches built their unique empire and resisted European colonization, and why they were defeated in 1875.
In 1924, Professor Ueno Eizaburo of Tokyo Imperial University adopted an Akita puppy he named Hachiko. Each evening Hachiko greeted Ueno on his return to Shibuya Station. In May 1925 Ueno died while giving a lecture. Every day for over nine years the Akita waited at Shibuya Station, eventually becoming nationally and even internationally famous for his purported loyalty. A year before his death in 1935, the city of Tokyo erected a statue of Hachiko outside the station. The story of Hachiko reveals much about the place of dogs in Japan's cultural imagination. In the groundbreaking Empire of Dogs, Aaron Herald Skabelund examines the history and cultural significance of dogs in nineteenth- and twentieth-century Japan, beginning with the arrival of Western dog breeds and new modes of dog keeping, which spread throughout the world with Western imperialism. He highlights how dogs joined with humans to create the modern imperial world and how, in turn, imperialism shaped dogs' bodies and their relationship with humans through its impact on dog-breeding and dog-keeping practices that pervade much of the world today. In a book that is both enlightening and entertaining, Skabelund focuses on actual and metaphorical dogs in a variety of contexts: the rhetorical pairing of the Western "colonial dog" with native canines; subsequent campaigns against indigenous canines in the imperial realm; the creation, maintenance, and in some cases restoration of Japanese dog breeds, including the Shiba Inu; the mobilization of military dogs, both real and fictional; and the emergence of Japan as a "pet superpower" in the second half of the twentieth century. Through this provocative account, Skabelund demonstrates how animals generally and canines specifically have contributed to the creation of our shared history, and how certain dogs have subtly influenced how that history is told. Generously illustrated with both color and black-and-white images, Empire of Dogs shows that human-canine relations often expose how people—especially those with power and wealth—use animals to define, regulate, and enforce political and social boundaries between themselves and other humans, especially in imperial contexts.
As a collection of politically engaged poetry for the 21st century, Nude Descending and Empire develops the lyrical voice of a citizen-poet speaking to the urgency of our contemporary moment, especially its ecological crisis. This is a book that brings all the supposed sensitivity of poetry into contact with the world we actually live in—with all its crises, madness, and modernity—and insists that we feel it all. A reader will recognize many of the urgent political issues of our time, yet will find them re-inhabited and transformed here by the imaginative power of poetry. Our great ecological crisis is cast as the fulfillment of a long history of violence, domination, lies, and alienation—in one word, empire—and the book suggests that a livable future requires that we wholly inhabit our body-heart-mind and discover a new paradigm.
The United States is outsourcing its border patrol abroad—and essentially expanding its borders in the process The twenty-first century has witnessed the rapid hardening of international borders. Security, surveillance, and militarization are widening the chasm between those who travel where they please and those whose movements are restricted. But that is only part of the story. As journalist Todd Miller reveals in Empire of Borders, the nature of US borders has changed. These boundaries have effectively expanded thousands of miles outside of US territory to encircle not simply American land but Washington’s interests. Resources, training, and agents from the United States infiltrate the Caribbean and Central America; they reach across the Canadian border; and they go even farther afield, enforcing the division between Global South and North. The highly publicized focus on a wall between the United States and Mexico misses the bigger picture of strengthening border enforcement around the world. Empire of Borders is a tremendous work of narrative investigative journalism that traces the rise of this border regime. It delves into the practices of “extreme vetting,” which raise the possibility of “ideological” tests and cyber-policing for migrants and visitors, a level of scrutiny that threatens fundamental freedoms and allows, once again, for America’s security concerns to infringe upon the sovereign rights of other nations. In Syria, Guatemala, Kenya, Palestine, Mexico, the Philippines, and elsewhere, Miller finds that borders aren’t making the world safe—they are the frontline in a global war against the poor.
Beautifully illuminated by a color insert and with black-and-white illustrations throughout, this compelling narrative of night is panoramic in scope yet fashioned on an intimate scale and enriched by personal stories.