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NUMBER 7, AUTUMN 2012 Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 2-3 months. Please address submissions to Editors, 7652 Sawmill Rd., #352, Dublin, OH 43016-9296. Email submissions are also acceptable, and may be sent to the following address as attached Microsoft Word or RTF files: [email protected]. Cover photo: Seoul, South Korea. 1960: 3 million; 2000: 10 million. (National Geographic, Leon Chew. December 2011)
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-5232. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected].
#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
From Kristin Hannah, the #1 New York Times bestselling author of the smash-hit novels Firefly Lane, The Nightingale, and The Four Winds comes a novel about how one reckless night destroys the lives of three teenagers and their families. For eighteen years, Jude Farraday has put her children's needs above her own, and it shows—her twins, Mia and Zach, are bright and happy teenagers. When Lexi Baill moves into their small, close-knit community, no one is more welcoming than Jude. Lexi, a former foster child with a dark past, quickly becomes Mia's best friend. Then Zach falls in love with Lexi and the three become inseparable. Jude does everything to keep her kids out of harm's way. But senior year of high school tests them all. It's a dangerous, explosive season of drinking, driving, parties, and kids who want to let loose. And then on a hot summer's night, one bad decision is made. In the blink of an eye, the Farraday family will be torn apart and Lexi will lose everything. In the years that follow, each must face the consequences of that single night and find a way to forget...or the courage to forgive. Vivid, universal, and emotionally complex, Night Road raises profound questions about motherhood, identity, love, and forgiveness. It is a luminous, heartbreaking novel that captures both the exquisite pain of loss and the stunning power of hope. This is Kristin Hannah at her very best, telling an unforgettable story about the longing for family, the resilience of the human heart, and the courage it takes to forgive the people we love. "You cannot read Night Road and not be affected by the story and the characters. The total impact of the book will stay with you for days to come after it is finished." —The Huffington Post
A bestselling modern classic—both poignant and funny—narrated by a fifteen year old autistic savant obsessed with Sherlock Holmes, this dazzling novel weaves together an old-fashioned mystery, a contemporary coming-of-age story, and a fascinating excursion into a mind incapable of processing emotions. Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. At fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbour’s dog Wellington impaled on a garden fork, and he is initially blamed for the killing. Christopher decides that he will track down the real killer, and turns to his favourite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As Christopher tries to deal with the crisis within his own family, the narrative draws readers into the workings of Christopher’s mind. And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotions. The effect is dazzling, making for one of the freshest debut in years: a comedy, a tearjerker, a mystery story, a novel of exceptional literary merit that is great fun to read.
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year-round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected]. For submission guidelines, subscription information, published works, and author profiles, please visit our website: www.eveningstreetpress.com.
David Rabe’s award-winning Vietnam plays have come to embody our collective fears, doubts, and tenuous grasp of a war that continues to haunt. Partially written upon his return from the war, Girl by the Road at Night is Rabe’s first work of fiction set in Vietnam—a spare and poetic narrative about a young soldier embarking on a tour of duty and the Vietnamese prostitute he meets in country. Private Joseph Whitaker, with Vietnam deployment papers in hand, spends his last free weekend in Washington, DC, drinking, attending a peace rally, and visiting an old girlfriend, now married. He observes his surroundings closely, attempting to find reason in an atmosphere of hysteria and protest, heightened by his own anger. When he arrives in Vietnam, he happens upon Lan, a local girl who submits nightly to the American GIs with a heartbreaking combination of decency and guile. Her family dispersed and her father dead, she longs for a time when life meant riding in water buffalo carts through rice fields with her brother. Whitaker’s chance encounter with Lan sparks an unexpected, almost unrecognized, visceral longing between two people searching for companionship and tenderness amid the chaos around them. In transformative prose, Rabe has created an atmosphere charged with exquisite poignancy and recreated the surreal netherworld of Vietnam in wartime with unforgettable urgency and grace. Girl by the Road at Night is a brilliant meditation on disillusionment, sexuality, and masculinity, and one of Rabe’s finest works to date.
A work of great rage, sorrow, and love, Michael Salcman’s majestic A Prague Spring tells an almost unbearable story that needs to be told over and over and never forgotten. Beginning with coldly matter-of-fact poems of family members lost to and escaping the Shoah, Salcman documents how his parents survived and met, and how he got along in Brooklyn, the glorious borough of his childhood, baseball’s Dodgers, and the Brooklyn Bridge. Finally, he doubles back to visit the country of his birth. And in a series of stunning poems, a prose piece, and a final poem to his cousin Magda, Salcman ties together past and present, and gives us one more glimpse into the soul of a survivor, two really, his older cousin, and himself. —Robert Cooperman, author of In the Colorado Gold Fever Mountains, winner of the Colorado Book Award for Poetry A Prague Spring is a beautiful blend of the lyric imagination with historical and autobiographical facts. In this book, ignorance, cruelty, and murder lose. Art, and the truth, wins. —Thomas Lux, Bourne Chair in Poetry at the Georgia Institute of Technology, winner of the Kingsley Tufts Award and author of God Particles A Prague Spring is a near-epic book of history poems, interweaving the story of Prague with the Holocaust, family deaths and survivals, a book that stuns the reader with the enormities and sorrows of Time. Salcman uses the compression of narrative, meditative and lyric poetry to “bring you looted treasures: History’s twisted snakes.” Here we find a Holocaust survivor who is “a stick leaning on a stick, / an insect on a branch” as well as the backwards-running Jewish clock of Prague (“What city tells time like Prague?”) counterpoised with Salcman’s Brooklyn: “sweet / borough of my youth, heart and lung / of life.” Kafka and Salcman's ancestors haunt the Czech capital where “a pile of dust once pushed a cart of salt and spices / on a medieval street.” The poems revisit totalitarian defenestrations, slaughters and repressions as they recount, wonder and pray, all the time knowing “the brain is a savage beast, it eats when and what / no other organ eats….” At once autobiography, history, testimonial and memorial, A Prague Spring is a revolutionary collection of important and necessary poems, confidently written and—especially with Salcman’s tonal skills—always absorbing; it is further deepened by how perfectly Lynn Silverman’s dark photographs of Prague capture that ancient city’s shadows and ghosts. —Dick Allen, Connecticut State Poet Laureate (2010-2015) and author of This Shadowy Place, Present Vanishing, and Ode to the Cold War: Poems New and Selected
Winner of the 2013 Sinclair Poetry Prize: Early in Judy Ireland’s debut collection, in “Lot’s Wife,” the speaker laments “how unfair it was/to turn her into a pillar of salt when all she was doing/was looking.” Daring to look back carries risks—whether it’s seeing an Iowa landscape where “Seven AM hog reports on the radio” become a young girl’s “cement shoes” or a father who “voted for Nixon” and whose “shame for me/was a big flashlight” nonetheless lives on “in the dim sun/of my yearning”—but so does looking at the present carry risk, for a lover may suddenly announce as if she were “someone saying, ‘I’m partial to strawberries’” that she’s “afraid of dying.” Risk is everywhere in this collection—the rewards are these wonderful poems. —Stephen Gibson, author of Rorschach Art Too, 2014 Donald Justice Prize winner Judy Ireland grew up wild with her sisters and their corn silk hair, barefoot in the dark Iowa earth. In the title poem of this beautiful collection, Cement Shoes, we hear the poet’s brother from his Harley tell her, … “your soul is different,/ your soul is full of books, / and your feet are in cement shoes.” He couldn’t be more right … cement carrying the landscape of Iowa, the land, the creeks, the earth, and the girls growing up among the rows of corn, whose “hair hung down, crazy silks among the rows; / banshees in the corn, …/. Here are lines that resonate long after reading these strong and radiant poems envisioned with an eye as clear as you might imagine an Iowa sky sees in reflection. Here is a poet grounded in her Iowa as in her poems … observant, wry and beautiful lines that weave to water’s edge, from Dry Run Creek, to New Orleans, to New York and back to Iowa … the poet tells us, “I have come so far from Iowa / only to find it in my body. / The blackest dirt on earth and I am every inch and acre of it./ bones planted deep, where no light nor rain can reach. The tall corn grows … and still my hair grows / like prairie.” This wildness pressing the edges of her lines, compels the poet’s voice in this gorgeous body of work. —Susan R. Williamson, Director, Palm Beach Poetry Festival, author of Burning After Dark, winner of the Hannah Kahn 25th Anniversary Chapbook Prize.
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