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Once upon a time there was a football-crazy boy, a fun-free town and a girl who got lost in the forest - but did they all live happily ever after? Open up to find out what happens next in these brain-ticklingly brilliant Seriously Silly Stories! They're scarily silly! Includes Cinderboy, The Fried Piper of Hamstring (Shortlisted for the Notts Children's Book Award), Ghostyshocks and the Three Scares (Children's Book Award Pick of the Year).
Once upon a time there were seven aliens, some giant knickers and a beastly bride - but did they all live happily ever after? Open up to find out what happens next in these brain-ticklingly brilliant Seriously Silly Stories! They're scarily silly! Includes the Smarties Award-winning Snow White and the Seven Aliens, The Emperor's Underwear and Billy Beast.
When Bagel the dog loses his lucky hat, his friend Becky listens to him recount an outlandish tale of how he spent his day, including interplanetary space travel and a travelling robot.
One of the late twentieth century’s most celebrated and influential public intellectuals, Edward W. Said was also a critic of astonishing range. This book presents his insightful and elegant analyses of four major operas—originally delivered as the Empson Lectures at Cambridge University in 1997—showcasing the power of Said’s critical acumen to unsettle canonical interpretations. In close readings of Mozart’s Così fan tutte, Beethoven’s Fidelio, Berlioz’s Les Troyens, and Wagner’s Die Meistersinger von Nürnberg, Said explores how each opera engages with the social and political questions of their own eras—and how they might speak to the present. He pays careful attention to the works’ historical context as well as the possibilities they open for contemporary reinterpretations, examining the tension between opera’s cultural prestige and its potential for subversion. Said considers the representation of national identity, class, and exoticism, and he shows how cultural and literary studies can enrich understandings of operatic texts and performance. Lucid and gracefully written, Said on Opera enlivens well-known works with fresh insights and demonstrates the breadth of Said’s contributions to cultural criticism. This book features an introduction by the editor, Wouter Capitain, who situates these essays in the context of Said’s career, and a foreword by the acclaimed opera director Peter Sellars, who offers a masterful appreciation of Said’s achievements.
The book to read if you want to get some idea of the original primal energy of pop music. Nik Cohn: A Derry boy who became the omnipresent man in music's developing story from the 50s to the present; a self-styled rat, addicted to adventure, a rock legend, forever at the heart of the real action. This memoir provides a strong flavour of the person whose writing inspired Saturday Night Fever and several other pop-culture landmarks. Cohn leads us, in reverse order, through the decades of his musical life and times, meeting familiar heroes and rogues - let readers decide the categories to which Hendrix, Moon, Proby, Vicious et al belong. The Noise From The Streets is elegiac, charming and thoughtful - wallow in it. Nik Cohn recently headed Jarvis Cocker's top 10 music books in The Guardian (13 June 2014) for his title Awopbopaloobop Alopbamboom. 'The original title for this book was ' Pop from the Beginning' and that pretty much sums it up. Nik Cohn was only just out of his teens when he wrote it and it's the book to read if you want to get some idea of the original primal energy of pop music. Loads of unfounded, biased assertions that almost always turn out to be right. He went on to provide the inspiration for Saturday Night Fever (Hurrah!) and Tommy (Boo!), but this is still his best book. Absolutely essential.'
More Brilliant Stories for Assemblies contains over 50 stories for use in primary schools. The stories range from those dealing with specific issues, such as bullying, racism and disability, to historical and religious stories. The stories can be used at specific times of the year, when issues arise or whenever you are suddenly called upon to do an assembly!
The summer Jake turned 12, his mother's lover returned, his beloved grandmother died and he saved the lives of his mother and grandfather. And he learned that there are parts of us that are inescapable.
How well do you know Star Trek? Lifelong science fiction fan, podcaster and author Tom Salinsky decided that the answer was “not well enough”, and so at the beginning of 2022, he embarked on a two-year mission to watch everything from the start of The Original Series to the end of Enterprise, at the rate of one episode per day. This book is the first part of that odyssey, covering the 79 television episodes which started it all, the animated series which briefly brought it back in the 1970s, the first six original movies and the full run of The Next Generation. As well as having fun saluting the show’s triumphs, cringing at its lapses in taste, and admiring its willingness to swing for the fences, there’s lots of fascinating behind-the-scenes information here. Why were salt-cellars unchanged in the 23rd century? Was Gene Roddenberry really not allowed to show a woman’s belly button? How many characters get killed during the run of The Animated Series? Who actually wrote the script for Wrath of Khan? How did Paramount get Next Generation on the air when no network would touch it? But you’ll also get the benefit of a complete overview of this landmark series, watching it unfold and familiar elements appear – often much later than you think. When’s the first mention of the Federation? Of Kirk’s time being the 23rd century? Of there being no money in the future? And some elements appear rather earlier than you might think – which episode is the first to feature a Holodeck? Whether you’re a die-hard fan, a casual viewer, or just someone interested in the history of television, you’ll adore coming on this daily journey though the highs and lows of one of the most significant and much-loved media properties in the world.
Confessions of a Cowgirl Guru runs amok with the foibles of relationships, family, technology, aging, the media, stereotypes, and spiritual over-seriousness. Nothing is sacred-even the sacred itself-and Lola Jones pokes fun at herself most of all.
Lady Harriet Thornhill knows the summons from her grandfather means he’s decided whom she must marry. Determined that she’d only marry a man of her choosing, she stows away in her friend’s father’s carriage, only to find herself alone with young Archibald Napier,Viscount Morley. Morley’s plans for a quiet Christmas vanish when he discovers the sweet young lady hiding under the blankets in his carriage. As she claims an acquaintance with his sister, he feels duty-bound to see her safely back to her family. A broken carriage wheel leaves them stranded, and Harriet’s reputation is at stake. Morley’s not ready to take a wife, until he’s told he wouldn’t be a suitable husband for her. With memories of her sweet, tempting kiss filling his thoughts, he prepares to fight for the hand of the woman he believes he could love.