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If you're reading this, I'm already dead… That's the note seventeen-year-old Haley Cooke leaves behind when she disappears from inside her high school. FBI profiler Evelyn Baine is called in to figure out who had reason to hurt her. On the surface, the popular cheerleader has no enemies, but as Evelyn digs deeper, she discovers that everyone close to Haley has something to hide. Everyone from estranged parents, to an older boyfriend with questionable connections, to a best friend who envies Haley's life. Secrets can be deadly… One of those secrets may have gotten Haley killed. If she's still alive, Evelyn knows that the more the investigation ramps up, the more pressure they could be putting on Haley's kidnapper to make her disappear for good. It's also possible the teenager isn't in danger at all, but has skillfully manipulated everyone and staged her own disappearance. Only one thing is certain: uncovering Haley's fate could be dangerous—even deadly—to Evelyn herself.
Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.
First published in Great Britain in 2013.
The heart-pounding conclusion to the DOGS OF THE DROWNED CITY trilogy brings the dogs home -- but can they go back to being pets?Shep and his pack have survived a terrible storm and fought off a pack of vicious wild dogs. Now the dog pack must face their greatest challenge yet: finding their way back to their families.Now that the humans have returned to the city, Shep knows he wants to find his boy. But there are so many other dogs to help, and so many dangers along the way. Worst of all is Shep's fear -- now that he's learned to live Outside, will he be able to find happiness again as a pet?"Curl up with your kibble and savor this incredible story of dogs left behind when a hurricane sweeps through their city. This page-turner follows stalwart Shep and intrepid Callie, who despite her ‘yapper’ size is up to her muzzle in courage, as this extraordinary canine duo braves their new environment and forms a new pack. Dayna Lorentz has delivered a book with bite--and with a great heart."Kathryn Lasky, author of The Guardians of Ga’Hoole and Wolves of the Beyond
Evelyn is newly married with the love of her life, living in a new home, and successful in her career. Her husband, Mason, is just as successful in his career. Everything looks and feels like a fairy tale. Until she goes out of town on business. Three days later, she is told her husband is dead. The police aren’t talking. She finds she is under suspicion for the murder of her husband. Statistically, when a spouse is murdered, the most likely person is the other spouse. But Evelyn wasn’t there. How could she have murdered her husband? While being hundreds of miles away? How can she prove her innocence? And why were there two used wine glasses in the house, when she doesn’t drink wine. Are there secrets Mason never told her?
THE STORY: The scene is a country home in the Berkshire Mountains of New England, where three generations of the Whitaker/Frye family have gathered for the summer. Josephine Whitaker, the matriarch of the family, still bustles about energetically t
Wynn Jamison is turning thirty. Her career has made her rich, but her love life is sorely lacking. She’s okay with that until she spends her birthday dinner with the woman who could’ve changed it all. There’s only one problem. She’s married to Wynn’s sister. Carly Evans is tired of her wife ignoring her needs to put her career first. Family has always been important to her, and Jordan just doesn’t seem to care. A freak thunderstorm rages during the night, and Wynn finds herself catapulted back in time to the day she made the worst decision of her life—stepping aside to let her sister romance Carly. Reliving the day over and over again, Wynn must decide what is most important: success, loyalty, or love. Given a second chance at happiness, will she take the opportunity and change her destiny?